the writer is a lonely hunter

writing by Gail Aldwin and other authors

Welcome to Maria McDonald, author of The Devil’s Own

Maria and I are both published by the leading independent fiction publisher Bloodhound Books. On signing my contract, I was encouraged to interact with other Bloodhound Books authors through a private Facebook group. This was where Maria and I met and we’ve taken this connection to a new level through this interview. I’m sure you’ll find Maria’s writing journey inspiring and her debut novel a sinister yet fascinating story. Here’s the blurb for The Devil’s Own.

A set of century-old diaries found in an attic draws an Irish couple into a tale of murder and madness, in this absorbing new suspense.

After forty years in the Irish army, Brian is looking forward to retiring and spending time with his wife—though he worries about adjusting to civilian life. While clearing the attic before they move house, he makes a discovery: three journals dating back to the early twentieth century.

One was written by Arthur, an ex-Connaught Ranger; another by Arthur’s wife, Edith, a colonel’s daughter; and the third by Henry, a British soldier and Arthur’s best friend.

Brian and his wife are soon engrossed in reading the diaries and following the intertwined stories of these three people from the past. But it soon becomes chillingly clear that these diaries contain more than the daily adventures of ordinary lives. Because one of the three is a killer . . .

Thank you, Maria, for joining me on The Writer is a Lonely Hunter and agreeing to answer the questions that struck me while reading your impressive debut novel.

What steps brought you to write The Devil’s Own?

The gem of the idea for this book has been lying dormant in the back of my mind since I first saw the Curragh Camp, way back in 1978. I was working, waitressing with my mother at a dinner dance in one of the messes. My career as a waitress was very short-lived! During a break over a cup of tea, we got talking to the army chef about the building we were in, the history of the camp and the general consensus on the night – if only walls could talk.

Little did I know I would end up living in the camp, albeit for a short time around 1993. The Curragh is filled with history, going back to the days of British rule. My husband was born in the Curragh, grew up there. At one stage it had a vibrant community, completely self-contained. I was fascinated by the stories I heard from his family and our friends about the people who lived in the camp. I didn’t write them down at the time. It would take another forty years for that first spark of an idea to come to fruition.

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Interview with Barbara Conrey

It is my pleasure to welcome Barbara Conrey to The Writer is a Lonely Hunter once again. We first met online in 2021 when she was kind enough to answer questions about her debut novel Nowhere Near Goodbye. (You can find the piece here.) She now has a splendid second novel released with the evocative title My Secret to Keep. This fascinating story made me wonder about Barbara’s writing process which she explains in this author interview. But first, here is some information about the novel:

When Maggie Bryan works up the nerve to tell her parents she’s pregnant, they immediately disown her. Later that night, her boyfriend is killed. In desperation, she turns to her brother, Sam. Against his wife’s wishes, Sam brings Maggie to his home in rural Pennsylvania.

While Maggie awaits the birth of her child and navigates the tension in her new home, she decides to finish high school. There, she meets Anne Phillips, a volunteer educator and full-time architect. Over time, Maggie becomes drawn to Anne in ways she doesn’t understand, but she knows enough to keep her feelings hidden.

After a devastating loss, Maggie tries to move on, but secrets and betrayals keep her from living her fullest life. Beginning in the late 1940s and spanning decades, My Secret to Keep portrays a woman at war with society, her family, and herself.

And now to the questions:

How much planning was involved in writing a novel that spans decades?

Writing a novel that spans decades is eerily similar to those blasted reading math problems when I was in grade school – and I wasn’t very good at them then, either. So there’s a lot of counting forwards and backward and practically using my fingers to ensure I’ve got my timelines right.

The blurb describes Maggie as a woman at war with society, her family, and herself. This so clearly describes the protagonist, and yet she achieves acceptance too. Did you know what would happen at the end of the novel when you started writing the book?

The ending of this book nearly did me in because Maggie only achieved acceptance, and by this, I mean accepting herself after she lost Anne. I was devastated.

You cleverly dovetailed the latter part of the novel with the story in your debut, Nowhere Near Goodbye. This gave me the chance to reconnect with Kate’s story. Was this your intention?

Most people don’t know that once Nowhere Near Goodbye was under contract, I had to rewrite a good half of the book. I had originally submitted it as a two-person point of view, with one being Emma and the other being Kate. My editor convinced me I could make a stronger story by changing to a single point of view, Emma’s.

So I had all this material. Some of it I used in Maggie’s character in Nowhere Near Goodbye; don’t forget, I had to rewrite a good part of the book, so I fleshed out Maggie’s role, and when I did that, Maggie became much more interesting. That’s when I started thinking about a prequel to Nowhere Near Goodbye to tell Maggie’s story.

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You used how many titles?

Photo credit: Nick Morrison, Unsplash

My publishing contract with Bloodhound Books for The Secret Life of Carolyn Russell indicates the title is a working title. It also says the publisher will consult on the proposed cover. Contract vetting by the Society of Authors, suggested I might like to strengthen the consultation right on the cover (and title) to a right of approval. This wasn’t something I cared about. After all, the title had changed four times since I started drafting the novel in 2021. Here’s the story of how the title changed:

Title One: Little Swot

In the 1979 storyline, Carolyn persuades her mother to invest in tutoring which provides an opportunity for close contact with the teacher of her dreams, Mr Simmons. But when I told my husband about Little Swot, he assumed the title referred to a boy.

Title Two: Extra Lessons

Still on the theme of tutoring, I changed to a title which I thought had a nuanced double meaning. (I did check on Amazon that it hadn’t been used for erotic fiction!) Although as time wore on, I began to feel this title wasn’t quite right.

Title Three: The Girl and the Tutor

I attended an online masterclass in December 2021 offered by Writers & Artists. It was called How to Write a Book That Sells and delivered by bestselling author Angela Clarke. The content focused on the submission package (opening chapters, synopsis and cover letter) and was aimed at developing this in order to acquire literary representation. One of the things Angela emphasised was the need to pay attention to supermarket bookshelves. It’s Angela’s contention that busy women doing the weekly shop want to grab a book similar to one they’ve enjoyed before. With the advent of Gone Girl and Girl on a Train, many similar titles followed. This is how I settled on the new title of The Girl and the Tutor and felt relieved that the girl in my title is actually a girl of sixteen years – and not a woman as in many of the other books. My husband still grumbled and said the title was too on the nose.

Title Four: The Secret Life of Carolyn Russell

In the latter stages of my querying journey, I won feedback on my submission package during a fundraising auction for Ukraine. The editor of a small press gave helpful advice to improve all aspects of the package and suggested a new title. She said, The Girl is good, but The Girl and The Tutor is not great. Maybe just something generic like The Lost Girl or The Missing Girl or The Cold Case or The Abduction of Carolyn Russell. So, I played around with these ideas and settled on The Secret Life of Carolyn Russell.

I was prepared for the title to change again on publication by Bloodhound Books but the team were happy with it. Phew!

How important are titles to you in choosing a book to read or giving a name to your creative work?

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The next stage of working on my manuscript

The copyedits for The Secret Life of Carolyn Russell were returned to me recently. I had a fortnight to go through them and found this was just about long enough to complete the changes needed. Here are three things I was reminded about along the way:

Compound words

How could I have got so many compound words wrong? Take two separate words and combine them to make a new word with a different meaning. When you put the nouns post + box together, created is the red box where we post our letters, a postbox. Sounds simple, right?

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Latest events

It was International Women’s Day on Wednesday 8 March 2023, a global event which celebrates the social, economic, cultural and political achievements of women. As my contribution to the day, I joined a group of readers and writers at Bridport Library where there was a series of events including a writerly quiz, a lucky dip and talks by local writers. I was delighted to be interviewed by Sarah Scally who asked some searching questions about This Much Huxley Knows. Also on the programme was Nikki May who enjoyed phenomenal and rapid success with her novel Wahala, which tells the story of three Anglo-Nigerian best friends and a fourth woman who infiltrates their group. (I have the novel on order from Dorset Libraries and will watch out for the TV series coming on the BBC.) It was refreshing to hear about her writing journey where it took five years to become an overnight success.

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Self belief and Writing

I volunteer with the Women Writers Network and help to bring attention to women writers by managing the Twitter account for one week every couple of months. (It’s worth following the Twitter account where a writerly tweetchat is held on the third Thursday of each month at 6pm GMT. The next topic is Women Writers as Observers on 16 February 2023.) In order to engage with readers and writers, I frequently pose questions to develop connections and on one occasion came up with the following: how important is self-belief to writers? It was clear from the tweets that came back, many women writers think self-belief is highly important or even crucial to a writer. How else do writers develop the stamina and commitment to bring a project to its conclusion? The suggestion took me by surprise. Belief in the work had always been at the top of my list ­– the feeling that my stories are important and I’m the only one who came write them. But, I was forced to reflect. If self-belief is necessary for a writer, how do I get some?

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Travels without my Laptop

I’m recently back from a trip to Cambodia where I met my Australian friend and we visited the amazing temples at Angkor Wat. After much consideration, I decided to make the journey without my laptop. The timing was good. I’d sent off my latest manuscript to beta readers at the end of December with the expectation I’d hear back from them after a month. The deadline for submitting my third novel The Secret Life of Carolyn Russell is on 1 February, and I figured I’d have enough time for a final read-though on return from Cambodia. Yet it was with some trepidation that I set off without my trusty laptop.

There was lots to distract me during the fortnight I was away. We stopped in Phnom Penh for four nights and spent many hours walking around the city. It’s much less frenetic than Ho Chi Minh City in Vietnam and I could actually cross the road unaided. (I once had to cling to the backpack of a Vietnamese schoolboy to safely cross a busy junction.) Phnom Penh hardly feels like a capital although there is a large business area. We stuck to the streets lined with colonial buildings which were a short distance from our hotel situated near to the royal palace.

One day we went to the Tuol Sleng Genocide Museum. Visiting the S-21 interrogation and detention centre was a sobering experience. Housed in a former school and it was incongruous enjoying shade in the playground offered by frangipani trees knowing the atrocities that went on in the classrooms. Upon confession, victims of torture where then transferred to be murdered at the nearby killing fields of the Khmer Rouge regime. It seemed disrespectful to take photos but you can learn more about the museum here.

I must admit to having itchy fingers for the first few days of my trip but used the notes on my mobile to jot down any important things that came to mind. The next stop on our journey was in Battambang where we stayed at a delightful resort hotel with a pool. Breakfast and dinner were served beside a lake and excursions included an outing on bicycles and a trip into the countryside on a bamboo railway. Getting off the railway line quickly became a necessity when the scheduled train from Phnom Penh thundered through.

By the time we reached Siem Reap, I wondered why I’d hesitated to travel without my laptop. There was far too much to absorb during visits to the temples to be bothered with writing anything down.

The vast scale of Angkor Wat means it could take days to see all the fine details. I just had a glimpse of its magic then moved on to other temples, completely different from the first.

I must admit during the ten-hour layover at Singapore, I could’ve done with my laptop for company. Instead, I spent time wandering the complex and enjoyed the butterfly garden that features as part of Changi airport’s attractions.

Now that I’m back at home and recovered from jet lag, the final check of the manuscript for submission is calling me.

Have you ever travelled without a laptop? How did you find the experience?

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Navigating Technology as a Writer

I received an email recently enquiring about my skills at navigating technology as a writer. I was invited to share my favourite hacks and short cuts in using Microsoft Word. In answer to the question what’s your best technology tip? I recommend use of the read aloud function. I use a MacBook Air and it’s easy to set up this facility following these easy instructions. You can even choose the gender of your computer-generated voice. For Microsoft support click here.

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How to win a publishing contract

For anyone on Twitter, you may have come across online pitching events that encourage writers to compose a tweet using 280 characters to get their story under the eyes of literary agents and publishers. If the tweet is ‘liked’ there’s an opportunity to submit a query letter, synopsis of the work and the first three chapters for consideration. It’s a good way to bypass the slush pile and I’ve attracted some interest by honing my elevator pitch to the size of a tweet. In previous twitter pitches I’ve used the following to describe my latest novel (the words in capitals suggest comparable titles):

THE WIDOW x HIGH FIDELITY

Menopausal journalist rediscovers her mojo by developing a true crime podcast about a missing West Country teenager in 1979. The dual timeline reveals the girl’s story of infatuation and exploitation with an unforgettable twist. 

Earlier this year, I saw another twitter pitch advertised by Bloodhound Books, a leading independent publisher based in Cambridge.

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A few developments in my writing life

I’m now getting back into a regular writing routine after a happy and very sociable summer. The winner of the Dorchester Literary Festival Writing Prize was announced at a launch event on Tuesday and my congratulations go to Tess Burnett for her novel The Hanging of Hettie Gale. Tess wasn’t able to attend the prize giving but alongside the other shortlisted writer, Philip Beale, I hobnobbed with celebrated Dorset writers Tracy Chevalier and Minnette Walters. On hand to announce the winner was Kate Adie. Here’s a photo of me with co-director Paul Atterbury – you might recognise him from the Antiques Roadshow.

I’ve just be told that an interview I did with 10Radio back in March has been uploaded to SoundCloud. If you’d like to tune in and hear me chatting with Suzie Grogan about all things connected with writing This Much Huxley Knows, here’s the link.

Meanwhile, the publisher of my debut novel, Victorina Press, has been busy producing new graphics to market The String Games. I liked them so much, I thought I’d share them with you here:

That’s all my news for the minute. I look forward to catching up with you again soon.

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