the writer is a lonely hunter

writing by Gail Aldwin and other Dorset writers

Summer Break

I’ve been quiet on this blog over the summer because I spend a fortnight in Edinburgh each August. This is a wonderful city and delightful to visit when the Edinburgh Fringe is in full swing and during the two weeks of the Edinburgh International Book Festival. Each morning at the book festival there is a free session called 10 at 10, where on the stroke of ten o’clock a visiting author provides a short reading of their work. It was during one of these sessions that I was introduced to the fabulous short stories written by Wendy Erskine.

c6303413-1420-4ddb-b99d-fbecd7038aba

by the castle with friends

Wendy’s stories are set in East Belfast where she lives and works as a teacher. They are drawn from the people and place but reflect a wider narrative around challenges associated with love, isolation and the everyday obstacles that can floor us. I was intrigued by the snippet from a short story Wendy shared so I bought the collection Sweet Home and attended a Q&A session later in the day at Golden Hare Books, located near where I stay each summer in Stockbridge.

In her introductions, Wendy explains that she hasn’t been writing for long and credits a course run by The Stinging Fly magazine as instrumental to her development as a short story writer. She also claims her only previous publishing success was having a recipe for baked banana printed in a newspaper. (The instructions involved nothing more than putting a banana in a hot oven until the skin turns brown and then eating it.)

Sweet Home is a remarkable collection of ten short stories that fizz with tension, sadness and humour. The dialogue is outstanding which makes attending a reading such a pleasure. If you’re looking to dip into a collection that shares dark themes which are illuminated through everyday interactions, then this is the one for you.

 

1 Comment »

A new way to plan your fictional stories

IMG_3204

A sunny morning in Stockholm

I came away from the Stockholm Writers Festival in May with some fabulous new approaches to writing fiction that I’d like to share with you. The techniques I describe are suitable for use in flash fiction, short stories and longer work. This post draws from separate workshop sessions I attended which were delivered by Jessie Lourey and Cassie Gonzales:

  • Jessie focused on using life experiences to fuel fictional writing. She recommends mining your life story to identify powerful emotions that can be invested into your characters. We’ve all experienced fear, power, joy etc and it’s by connecting with the emotions and writing them into your character’s story arc that it’s possible to create very effective fiction.
  • Cassie Gonsalez shared her approach to creating layered stories by using dialogue which is more than just expository. By thinking about the said, the unsaid and the unsayable, it’s possible to develop narratives that suggest a bigger story than simply the words on the page.

Applying the learning:

Years ago, I had coffee with a woman who told me a story about being terrified of storms. To prevent this fear being passed to her children, whenever there was a storm, she opened the curtains and gathered her children to admire the thunder and lightening while all the time she stood rigid and blinked back fear. I decided to use this as an idea for a story but because I’m not afraid of storms, I drew upon Jessie’s advice to identify an occasion when I was truly petrified and I remembered the time muggers set upon me. With these emotions captured, I then turned to Cassie’s advice.

Cassie shared a visual she had developed to analyse how dialogue works in fiction between two characters with a focus on the said, the unsaid and the unsayable. The idea here is to complete the model by identifying the emotions underneath the interactions between two characters in considering their wants, needs, loves and fears. (I added the word ‘theme’ to the grid where Cassie has used the term ‘third thing’.)

 

wants needs loves fears
Character 1  

 

 

 

 

 

 

 

Character 2  

 

 

 

 

 

theme unsaid unsayable

Rather than share the stories we analysed in the workshop, I’ll present how I used Cassie’s model as a planning grid to support the writing of a flash fiction piece, Chink, which has been published by Cabinet of Heed, issue 22.

 

Theme: empowerment

wants needs loves fears
Kate

 

courage

 

to be free

 

independence

 

being alone

 

Robert

 

possession of his wife to be in control power being alone
theme unsaid unsayable

 

The grid is a little difficult to explain without reading the story, so I suggest you read the two in conjunction to see if what I’ve mapped out fits with your understanding of the story.

Chink

A navy sky extinguishes the day. Sitting on the balcony, Kate reflects upon her laziness. No excursions to the volcano for Kate, just a sunbed, a pile of paperbacks and the company of Robert. Still wearing his shorts, Robert stretches his legs then scratches a mosquito bite on his knee. Kate is cool in her strappy dress. She reaches for the tumbler, drains the contents then crunches a sliver of ice.

‘One more before we go down for dinner?’ he asks.

 But he’s not even dressed. Hasn’t yet had a shower.

‘No thank you,’ she says. ‘I’m fine.’

‘Good.’ He sits back in his chair.

What now? She waits. Irritation makes her skin prick.

‘Are you going to have steak again tonight?’ she asks.

‘Think I’ll ask for it blue this time.’

Yes, so raw it’s almost mooing.

From behind the mountains comes a rumble. Although Kate knows these steamy days can lead to storms, she hopes she’s wrong. Holding her breath, she clutches the armrests and counts. A flash comes before she’s reached number eight. She’s rigid in the chair but Robert gets up for a better look.

‘It’s coming this way.’ His voice is gleeful and he cocks his head. Doesn’t he know it’s ridiculous to swagger in flip-flops?

‘I’ll get inside.’ Kate reaches for her bag but when she turns, Robert is blocking the doorway.

‘Surely by now you can face it.’

She hesitates. Does he know what she’s thinking? What she’s planning? Of course not! Robert means the lightening.

‘Let me pass,’ she says.

‘No.’ He grabs her shoulders and manoeuvres her for a better view. Kate closes her eyes, resists his pinching grip.

‘There’s no point in struggling,’ he says. ‘You can’t be scared all your life.’

Kate breathes through her mouth, takes comfort from the steady pumping of her heart, listens to the gushes from her lungs. The crack and the searing light skewer her to the spot but she controls the trembling.

‘See, it’s not so difficult, is it?’

When the thunder comes again, she’s ready. This time with eyes wide open she waits for the crack and watches the chink of light brighten the gloom. A path to her future is illuminated. She can do it. She really can.

It is by using Cassie’s grid that I was able to indentify the theme of the story as empowerment. Rather than the storm diminishing Kate, by facing it, she is able to also face an independent future. It is ironic that Robert assists her in this journey by forcing her to watch the storm.

I hope this post is of use to you in your writing. If you’d care to comment, I’d love to hear what you think. In the meantime, if you haven’t yet voted for The String Games in The People’s Book Prize, please pop over to the website. All you have to do is scroll down to add your details, tick the newsletter box then press submit. It’ll only take two minutes to complete but I will be forever grateful!

4 Comments »

The String Games is released today!

mock03

The journey to the release of my debut novel The String Games has included many pitfalls and high points. Today, I celebrate the support I have received along the way.

Thank you to my fellow students at the University of South Wales who offered support and advice through workshop sessions. Also to my supervisors who gave feedback and guidance which enabled me to submit The String Games alongside an academic thesis to receive the award of PhD.

IMG_2662

I’m grateful to Carol McGrath, Sue Stephenson and Denise Barnes for the wonderful feedback during memorable writing retreats in Port Isaac and other locations overseas.

IMG_3118

 

 

 

 

 

 

Dorset is a wonderful place to live and write. I’ve gained so much from supportive groups including Wimborne Writing led by Sarah Barr, the Vivo Gang, the RNA Dorset chapter and the Dorset Writers Network. Also thank you to the organisers of open mic nights including Apothecary.

For giving The String Games a good home, I’d like to thank all the lovely people who work for Victorina Press and also my fellow Victorina authors who celebrate diversity in publishing.

fullsizeoutput_1cb7

A special mention for the authors who endorsed my novel Jacquelyn Mitchard, Nina Kilham, Elizabeth Reeder, and Sara Gethin.

Where would any author be without readers? The continued support of the Cerne Abbas Readers is much appreciated along with the amazing work of many wonderful book bloggers including Anne Williams and Jessie Cahalin.

I’ve loved being part of online communities including the Women Writers Network and thank everyone there.

I’ve grown in confidence and experience due to publication of my earlier work. Thanks to  Gill James at Chapeltown Books for publishing Paisley Shirt a collection of short fiction, and to Sophie-Louise Hyde at Wordsmith_HQ for publishing adversaries/comrades a poetry pamphlet.

IMG_8635

Lastly I must thank my supportive family who understand my need to write when I could be spending time with them.

IMG_0132

The String Games is released today and can be purchased online from Foyles, Waterstones and Victorina Press.

12 Comments »

Copenhagen, Stockholm and the Writers Festival

I don’t watch much television but David and I thoroughly enjoyed the Scandinavian noir crime series The Bridge.  With Saga Norén as the lead detective (it is suggested she has Asperger’s), audiences follow collaborative investigations between Sweden and Denmark.  Before this programme, I had never been aware of the significance of the Øresund/Öresund Bridge in linking the two countries and this seeded an idea for a visit.

It was from a tweet by writer Lizzie Harwood, that I became aware of the second Stockholm Writers Festival (SWF) scheduled for the beginning of May 2019. The programme included writers I was keen to meet and became the incentive I needed to book a trip to Denmark and Sweden. Once the flights were organised, we left it to the last minute to find accommodation in Copenhagen and by chance, we ended up in a good hotel located close to the Langelinie promenade. Each morning we took a run to visit the Little Mermaid statue, then followed a path along the ramparts of the fort then bought pastries for breakfast which we ate on the rooftop of the hotel.

IMG_3154

After four nights in Copenhagen, we travelled across the bridge by train to Stockholm and stayed at an airbnb in the city. The SWF began on Friday afternoon with a celebration of winning writers from the First Pages competition, followed by a literary quiz and mingling in a bar. The festival brought together English language writers in Sweden and participants from other countries. On Saturday and Sunday there were a range of workshops offered, panel discussions, talks, opportunities for networking and one-to-ones with agents. I attended two workshops that were particularly empowering and they have enabled me to revisit pieces of flash fiction and develop them for publication. (One of these stories has since been accepted by FlashFlood, the National Flash Fiction Day journal which will appear on the website on 15 June.) The first workshop was delivered by Jessica Lourey who shared strategies to identify powerful emotions from personal history to feed fictional stories. The other was a workshop on developing dialogue delivered by Cassie Gonzales which highlighted elements of the said, the unsaid and the unsayable. The two inputs dovetailed to create a valuable resource in plotting fiction.

img_3190.jpg

 

Now I’m back at home and I’m delighted to be able to apply the new skills I developed at the festival. I’m also thrilled to be part of a new writing community and have connected with many participants at the festival through social media. Thank to you to Catherine Pettersson, founder of the festival, and all those who have supported it to make the event so successful.

IMG_3206

4 Comments »

At the London Book Fair 2019

The London Book Fair is an annual event that this year took place from 12–14 March. I was lucky to be offered a ticket to attend by Victorina Press the publisher of my novel The String GamesThe fair was held at Olympia and the sheer scale of the building, crammed with stalls from publishers around the world, gives a sense of the enormity of the publishing business.

IMG_3013

One small section on the ground floor was occupied by the IPG (Independent Publishers Guild) where Victorina Press had a stall. It was great to meet other authors published by Victorina Press and celebrate bibliodiversity. This is a term coined by independent publishers in Chile and adopted by the International Alliance of Independent Publishers. Bibliodiversity provides an opportunity for independent publishers to promote a different outlook and voice from the standardised content offered by major publishers. Victorina Press is an excellent example of bibliodiversity with a broad range of publications including adult novels and children’s fiction, practitioners’ guides, poetry and short fiction. You can read more about bibliodiversity on a blog post written by Danielle Maisano here.

Although the London Book Fair is primarily for industry, there are growing opportunities for writers to enjoy input. I attended several sessions at Author HQ including advice on how to market and promote your work. (You may see some of this learning put into practice as the launch of my novel approaches.) I also had the opportunity to meet friends, put faces to names I knew from social media and approach publishers I had met online. I loved the whole experience and was pleased to see uncorrected proofs of The String Games displayed on the Victorina stall.

fullsizeoutput_1cb7

I also grabbed a few freebies at the fair and brought home three further proof copies of The String Games. 

fullsizeoutput_1cca

These are now winging their way to book bloggers who will post reviews as part of my blog tour in May.

v2TSG Blog Tour poster

There are lots of exciting events happening prior to the launch of The String Games including the release of my debut poetry pamphlet adversaries/comradesIf you fancy coming to the launch of adversaries/comrades please find the details below:

adversaries-comradesPOSTER

So, that’s a round up of my very busy week. How are things going for you?

5 Comments »

Blog Tour: F J Morris, This Is (Not About) David Bowie

I was delighted to meet F J Morris in Bristol where she shared one of her fabulous stories with an attentive audience. I’d seen Freya’s name on many competition announcements for winners and attached to stories in quality journals, so it was a real treat to attend the reading. She is a great supporter of flash fiction and assisted the organisers of the first flash fiction festival in 2017. Now, I’m thrilled she has agreed to join me on The Writer is a Lonely Hunter, to celebrate the launch of her debut collection of flash fiction. With the intriguing title This Is (Not About) David Bowie, the imaginatively presented collection contains thought-provoking stories that gave me the chance to take another look at modern life, and rethink a thing or two. Shrinking Giants was one of my favourite pieces, full of poignancy yet with an ending that gives hope.

 

Thank you for joining me, Freya and congratulations on your new publication. Here are the questions I’ve posed which I think will be of interest to readers and writers.

Do you write with your audience in mind? Who is your ideal reader?

My ideal reader is one that is living. I was going to say a human being, but to be honest, I’m not even that fussed what they identify as. I grew up in an old mining town on the outskirts of Bristol where my mum grew up. People didn’t really read. And so I’ve been asking myself a lot of big questions about fiction and why we should bother. Why should people read?

There are a lot of studies out that that explain how art helps us to understand ourselves and humanity better. Artists deal in feelings better than any other discipline. In the days we live in, it’s so important that we recognise the importance of feelings and how they influence us. Society doesn’t encourage us to be okay with them. They’re considered second-rate. But they have such a big influence on us. I read a study once that a judge’s decisions became more harsh depending on the time of day and his eating patterns (ie – if he’s hangry then you’ve no hope in hell). So it doesn’t matter how smart you are, or how aware you are, your feelings are more in control of you than you know.

We are not machines. We are not products. So I think it’s vital that we value artists, and that artists recognise their own worth, their own power. What people are consuming right now is influencing them in ways they don’t even realise. And we need to write, sing, dance, paint our way out of it. We need a new story to tell ourselves. Stories that have peace, hope, joy, magic. Stories that make you glad to be alive. Stories that bring us together. But ultimately, we need more people reading, and that’s a challenge I’m interested in taking on. So I guess they’re the ones I want to reach out to.

What do you hope readers will take away from your collection? 

That anything is possible. That we are the writers of our own story. That we can be who we really are. A few people have read my collection and told me which stories were their favourites, and what I love the most is that they all chose different ones. I really wanted to cover a range of people, a spectrum of identities, ages, genders, backgrounds – that felt true to Bowie, and what he stood for. I wanted the collection to reflect his essence. Bowie in himself is a powerful idea. He reached out to everyone who didn’t fit in, and it turns out, that’s a hell of a lot of people. Like many, he gave me permission to be as outrageous as I wanted. He allowed me to take risks. To be true to myself. I hope people reading my collection will feel that too.

Can you describe the process of putting together a flash collection?

The initial idea only came when someone asked me to write a collection. I had wanted to put one together for a while. But every theme or idea I had to string a bunch of stories together ran out of juice. It was like being in a labyrinth, thinking you’re on the right track, only to find myself at another dead end.

Then Bowie died. It was like watching an explosion. A supernova. A massive star had collapsed at the end of its life, and it sent out these ripples, this burst of energy. His impact on people spilled out. David Bowie was more than a person. He was a feeling. He was an idea. So that’s when lightning struck, and I saw my way through the labyrinth.

But that was just the beginning. There were a whole host of obstacles and riddles to work through after the first draft. The journey to publication was not straight or easy, but the extra time helped me to develop it more. There were a lot of stories that fell short of what I wanted so I ditched them. And then I put the rest together into a larger narrative structured by David Bowie quotes. I wanted people to feel like there was a bigger picture, a journey to go on, but that element came later.

Do you have a favourite flash and what was the inspiration for writing it?

Slush puppies (there’s a reading of it here): it’s about hidden love between two school girls. I wrote it in a Bristolian accent, so I have to read it in one. And it has a sort of musical quality to it. I wanted to write it in such a way that when you read it, you could feel the build-up and overflowing passion.

My stories are a bit like Frankenstein’s monster – some of the story was inspired by something that happened to friends when I was growing up, some of it is my imagination, and a fair bit has been harvested from different poems I wrote when I was in love. This one does it all. It takes me back in so many ways. Nostalgia is a powerful thing, and so is love.

Congratulations on your new appointment as Assistant Editor for fiction at Bare Fiction. What does this role involve?

Cheers! At the moment its: reading, reading, reading. Then deciding with the editor and team, which stories we think should be published. Robert does a wonderful job running the magazine, and his aspirations are amazing, so I can’t wait to help him achieve them. Plans and aspirations are a foot – so watch this space!

Do you have any favourite writing resources you would like to share with readers of The Writer is a Lonely Hunter?

Oh there are lots! When I read Orwell’s ‘Why I write’ in my twenties that basically became my mantra. I try to avoid writing to show off skills or knowledge. I remember a time when I was eight and I learnt this new word and was so excited to use it. But when I finally did, and nobody understood it, I realised how pointless it was. I felt the embarrassment of those around me, and how they withdrew. You lose people when you make them feel stupid – they disengage. So reading Orwell, made me consciously think about what sort of writer I wanted to be.

I’m always telling people to use the ‘Hemingway editor’ website. I’m going to use it on this interview. It helps me to be an editor to myself and to clean up my sentences. Then there’s Grammarly and Scrivener for the tools that make life easier.

What are your future plans?

To write. I know how that sounds. But it’s a constant fight with myself. I started to write a new novel called Burning down the house a few months ago, but with all the fiddling about, I’ve lost track of spending time on it. I want to write scripts, and make this app, and do another collection… So that’s my problem. Too many things, too many ideas, not enough writing.

What in insightful interview! Thank you, Freya. This is (not about) David Bowie is published by Retreat West Books and is currently on pre-order with Amazon. If anyone is in Bristol on 27 September at 7pm and would like to attend the book launch of This is (not about) David Bowie, your invitation is here.

Leave a comment »

BridLit Fringe

I’m really chuffed to be sharing a few of my stories at the Bridlit Fringe alongside this talented group of local writers. If you’re in Bridport on the morning of Friday 16 November 2018, do drop into the Literary & Scientific Institute for a chance to hear a fantastic range of poetry and prose. Tickets are a bargain at only £5 and are available here.

44579677_10156781130396252_2908532607102746624_o

I hope to see some of you in the audience!

3 Comments »

Jessie Cahalin AKA Books in my Handbag

Jessie Cahalin is a prolific book blogger who is also a published author. I was delighted to read her recently published novel You Can’t Go It Alone which has received many four and five star reviews. Jessie kindly dedicates much support to other writers through her blog.  You can find my cover on Jessie’s very popular Handbag Gallery. Here you can click on any cover you fancy and the link takes you to further information about the book. Here’s a picture of what to expect:

fullsizeoutput_19a1

She hosts a Blogger’s Cafe, too. This works on the same principle as the Handbag Gallery but this time showcases the blogs of a range of authors.

fullsizeoutput_1b96

I’ve been fortunate to be interviewed on Jessie’s blog and she’s posted one of my stories. You can read both here. All Jessie’s posts are accompanied by wonderful images to compliment the text. The care Jessie takes in presentation makes it an absolute delight to appear on her blog.

To top all this, Jessie has just posted an outstanding review of Paisley Shirt. She’s taken prompts from my collection to write the review as a piece of flash fiction. This not only demonstrates her talents as a writer but is a wonderful tribute to my collection. I am absolutely thrilled and can’t thank Jessie enough.

fullsizeoutput_1b99

It’s well worth taking time to browse Jessie’s blog. It is a celebration of reading and writing where you’re bound to find something of interest.

3 Comments »

Writing Inspiration – The South West

When Nicole Fitton and I met on Twitter we were keen to share the experience of living and writing in the South West of England. I am pleased to welcome Nicole to The Writer is a Lonely Hunter where she answers our shared questions (mine appear after).  First, let me introduce Nicole.

Nicole Fitton lives and writes in the heart of Devon. She writes both thrillers and short stories, many of which have been short and longlisted. This year her flash fiction piece ‘Yellow‘ was featured as part of  National Flash Fiction Day on the Flash Flood Journal Blog.

Nicole Fitton

  1. Have you always lived in South West England?

The short answer is no! I started my journey towards living in the West Country as a ‘grockle’ (tourist). The children were small back then and we would set off at the crack of sparrows and head west. Like many who’d travelled before us, we would wind our way slowly down the A303 for two glorious weeks in North Devon come rain or shine! We promised ourselves that if we ever got the opportunity to relocate we would grab it with both hands. Well, that’s what happened. In 2010 we relocated because of my husband’s work. It was a big decision. I am so proud of the way our kids adapted. It was a big shock initially, but within a few months they were taking everything in their stride – even school lessons delivered on the beach – now that was a first!

Until our move to Devon I had lived mainly in big cities such as London and New York. My work in international PR and marketing took me all over the world, and I know I draw on a lot of those experiences when I write.

I now live betwixt the villages of Iddesleigh and North Tawton. Iddesleigh is famously the home of author Michael Morpurgo whilst North Tawton was home to the late poet laureate Ted Hughes. It is a place of isolation, and I love it. There is something quite profound about my small hamlet which runs along the river Taw. Perhaps it is the ebb and flow of the river. I’m not sure, but I know it has worked its way into my bones. Living in a farming community the effects of late harvests, early harvests, failed crops, all subconsciously inform my thinking. I seem to draw on the landscape especially with my short stories.

  1. Is there one particular place in the South West that is special to you, if so why?

I find myself drawn back to the River Taw time and time again. When we first arrived in Devon, it was the first place I discovered within walking distance of the house. We would spend many a happy hour skimming stones, swimming or sitting on ‘the beach’ (a patch of sandy shingle by the river’s edge). There are many ‘hidden’ parts of the river and every time I walk there I find something new.

Further afield I would say it would have to be the North Devon coastline. It is wild and structurally stunning. The rock formations you see are dramatic and magnificent. I have a story in mind for that coastline! Peppered in between the ancient stone cliffs are sandy coves and big expanses of golden beaches. My favourite beach is Westward Ho! The only place in the UK to have an exclamation mark as part of its name – fact!

WestWard Ho!

  1. What is it like to be a writer in the South West?

Devon is a superb place to write, and if someone were to do an audit or something clever like that I believe they would find a writer present in every village! There are a wealth of literary festivals and events across the county, which provide fantastic opportunities for support and collaboration year round.It is such a positive community. I belong to a group called the Sakura Positive Press Writers Group; we hold open mic evenings in our local pub for storytelling. It’s great fun. It would be great if we could roll this out across the region. Stories were initially told that way, and it would be great to see this form reignited.

Nicole’s Blog : www.nicolefittonauthor.com

Facebook:https://www.facebook.com/nicolefittonauthor/

Twitter:@MisoMiss

Instagram: https://www.instagram.com/misomiss/

Forbidden Colours - High Resolution - Version 2

 

Gail Aldwin

fullsizeoutput_1a83

  1. Have you always lived in South West England?

Dorchester in Dorset became my home in 2007. At the beginning, I wasn’t particularly pleased to be moving from my lovely life in south London but my children and me had to up sticks when my husband got a job in the county town. I soon came to appreciate the benefits of living in a county area and it certainly extended the childhood experiences of my son. He spent his summers building camps and swimming in the river where his London friends thought a good day out was visiting Chessington World of Adventures.

Although I was brought up in London, I spent several years travelling overseas and have lived and worked in Australia, Papua New Guinea and Santiago de Compostela in northern Spain. I do like a remote and beautiful location but living in one is not always easy. There are stories set in Australia and Papua New Guinea in Paisley Shirt, my recently published collection of short fiction. Something of a place remains with me from all the different locations I’ve experienced.

  1. Is there one particular place in the South West that is special to you, if so why?

Chapel Porth in winter

My husband is from Cornwall and we spent many summers on the north coast when my children were little. Our favourite beach is Chapel Porth near St Agnes where a river meets the sea. Out of season, my husband and son spent many hours damming the river in order to flood the beach but that wouldn’t make them popular in the summer when it gets packed with visitors. My novel The String Games draws from my experience of losing my son when he was three years old on a crowded beach. While I was busy smothering my daughter in sunscreen, he wandered off.  I started searching for him by heading in the wrong direction. In spite of a tannoy announcement, he was lost for forty minutes then I eventually found him way down the beach jumping over the ways and completely oblivious to the panic he had caused.

Closer to home in Dorchester, it’s possible to walk across the water meadows and experience Thomas Hardy country. I love going to the cottage that is the place of his birth in Higher Bockhampton. I usually take a detour to visit the great writer’s gravestone in the churchyard at Stinsford. Although it was Hardy’s dying wish to be buried there with his parents, the executor of his will had other ideas and Hardy’s body ended up in Poets’ Corner at Westminster Abbey while his heart was buried in Dorset.  Along the shaded riverside walk I imagine how this place sparked ideas for Hardy and try to generate a few myself!

  1. What’s it like to be a writer in the South West?

Dorset has a thriving writing community with literary events scheduled across the county. I am Chair of the Dorset Writers’ Network and work with the steering group to inspire writers and connect creative communities. We do this by putting on workshops and talks to support writers at different stages of their writing journey. The South West is full of creative people and I love to link up with writers in different counties. I have taken steps to achieve this by joining activities in Devon. I delivered a spoken word performance at the Sandford Y Festival book event and participated in the Chudleigh Dragons pitching competition as part of their annual festival. I would love to see better links for writers across the South West so that we can celebrate the creativity of the region.

Dorset Writers Network:            http://www.dorsetwritersnetwork.co.uk

Facebook:                                https://www.facebook.com/gailaldwinwriter/

Twitter:                                     @gailaldwin

perf6.500x6.500.indd

 

9 Comments »

Publication news

Two pieces of great news arrived this week. First I have a piece of short fiction published by the Cabinet of Heed. This is a wonderfully eclectic journal which is beautifully illustrated. Click on the photograph below for a link to my piece.

pool-1617337_640

The submission process for the Cabinet of Heed is unusual – it remains open until there are sufficient of well-crafted pieces to fill a new journal. It’s certainly worth  submitting here for writers of short fiction and poetry.

The other news is that I am the joint winner of a poetry competition run by The Student Wordsmith. This means I will work with founder, Sophie-Louise Hyde, to compile a poetry pamphlet for publication.

38122062_1774531365956941_6184247470193639424_o

Exciting times ahead!

3 Comments »