It was International Women’s Day on Wednesday 8 March 2023, a global event which celebratesthe social, economic, cultural and political achievements of women. As my contribution to the day, I joined a group of readers and writers at Bridport Library where there was a series of events including a writerly quiz, a lucky dip and talks by local writers. I was delighted to be interviewed by Sarah Scally who asked some searching questions about This Much Huxley Knows. Also on the programme was Nikki May who enjoyed phenomenal and rapid success with her novel Wahala, which tells the story of three Anglo-Nigerian best friends and a fourth woman who infiltrates their group. (I have the novel on order from Dorset Libraries and will watch out for the TV series coming on the BBC.) It was refreshing to hear about her writing journey where it took five years to become an overnight success.
It has long been an ambition to visit Ávila, close to Madrid in Spain. I love walled cities such as York and Ávila is equally impressive. ( I love to see the housing inside the walls.) When I realised it was possible to volunteer with Vaughan Town at el Barco de Ávila (a town not too far from Ávila), this killed two birds with one stone.
Vaughan Town is an organisation which recruits native English speaking volunteers to improve the spoken language skills of Spanish business people. Participants experience English emersion with over eighty hours of contact. As volunteers, David and I got to stay in a four-star hotel for six nights with all meals provided (three courses with wine at lunch and dinner plus a sumptuous breakfast). Volunteers came from Canada, England, the USA and Ireland. It was a unique opportunity to meet interesting people and converse with members of this intergenerational group. As well as one-to-ones, there were scripted telephone calls, group activities, presentations and comedy sketches. It was a rewarding experience to be part of the journey that saw participants develop their skills and fluency in using spoken English. I thoroughly recommend volunteering.
I’m here as the narrator in Cinderella (if you can see behind David’s head).
Now I’m back at home again, there’s lots of catching up to do. I’m continuing to work on a new novel set on a tropical island which focuses on the tension between affluent holidaymakers and local communities. The Vaughan Town experience has given me ideas for another story, so you could call it research.
But, the new priority for this week is getting in a practice run in preparation for the Weymouth half marathon on 19 March. Wish me luck!
I volunteer with the Women Writers Network and help to bring attention to women writers by managing the Twitter account for one week every couple of months. (It’s worth following the Twitter account where a writerly tweetchat is held on the third Thursday of each month at 6pm GMT. The next topic is Women Writers as Observers on 16 February 2023.) In order to engage with readers and writers, I frequently pose questions to develop connections and on one occasion came up with the following: how important is self-belief to writers? It was clear from the tweets that came back, many women writers think self-belief is highly important or even crucial to a writer. How else do writers develop the stamina and commitment to bring a project to its conclusion? The suggestion took me by surprise. Belief in the work had always been at the top of my list – the feeling that my stories are important and I’m the only one who came write them. But, I was forced to reflect. If self-belief is necessary for a writer, how do I get some?
Several years ago I published a piece called Find out which published author your writing style resembles which has turned out to be one of my most viewed posts. It gave a link to I Write Like where you can paste an excerpt of your writing for the website to analyse. (The facility is now also available as an app.) It turned out the piece I entered used similar word choices and was written in a similar style to Chuck Palahniuk. I’ve always been rather pleased at the match and wondered if my writing had changed over time to reflect another author.
Ever since I received a publishing contract for my dual timeline mystery The Secret Life of Carolyn Russell, I’ve been slaving over a new manuscript. It seemed completely do-able to get this latest work-in-progress shipshape before the publication schedule for book number three arrives in 2023. In October, I had nothing near a complete draft. It seems to me I approach each new novel in a different way. For the current work, I kept losing the thread of what I was doing which made me turn back to the beginning and start again. During the early months, I wasn’t sure what the spine of the story was about. But I worked my way into it and discovered one of the themes to be coercive control. Phew! That was a relief. But writing has many layers and the next priority was to ensure the three viewpoint characters had distinct voices. This is when a little comedy crept in and I discovered one of the characters to be quite humorous. (As a rule of thumb, if the writing makes me chuckle, I assume others will find it funny too.)
I’ve worked as hard as I can to complete and edit the manuscript. The next stage involves sending it to five beta readers for feedback. During my last read through, I discovered I’d used the word with 655 times. That meant I needed to get the pruning sheers out and reduce the usage considerably. Other of my high frequency words include all, now and only. Thank goodness for the find and replace function.
I’m now settling into a few days away from writing. It’s my husband’s birthday today and with my adult children home for Christmas, we visited the I Grew Up in the 80s exhibition at Dorset Museum. We also treated ourselves to breakfast in the cafe. Here are a couple of photos:
Who remembers these? (The visit also acts as research for a story I’m developing set in the 1980s.)
I will be away from my computer for much the Christmas break. On 2 January, I’m heading off to Cambodia but I’ll be back in touch again afterwards. What plans do you have for the next few weeks?
Earlier this year I was feeling despondent about my writing. Over the previous three years I’d had the excitement of securing an agent, working with her on two books and then the subsequent deep disappointment when none of her submissions to the big publishers were successful. The whole act of writing seemed a fool’s game: the short story market was shrinking, publishers preferred to invest in well-known names to guarantee book sales and, during lockdown, everyone seemed to have become a writer. I was on the verge of giving up. Then, on social media, I discovered trainee life coach, Elizabeth Scott. I explained that I was at a crossroads in my writing career and didn’t know how to move forward or whether to give up completely. Elizabeth offered me three virtual coaching sessions.
Did the sessions work?
Elizabeth Scott
Yes. Elizabeth didn’t offer direct advice on what to do…
I received an email recently enquiring about my skills at navigating technology as a writer. I was invited to share my favourite hacks and short cuts in using Microsoft Word. In answer to the question what’s your best technology tip? I recommend use of the read aloud function. I use a MacBook Air and it’s easy to set up this facility following these easy instructions. You can even choose the gender of your computer-generated voice. For Microsoft support click here.
While I was in Guatemala in 2019, I made a friend who’d volunteered with VaughanTown. I’d never heard of the organisation so she explained how she’d been recruited as a native English speaker to improve the language skills of Spanish business people. The commitment involves six days of timetabled activities to develop the participants’ spoken language skills whilst staying at a good quality hotel located close to Madrid. Travel to and from Madrid is at the volunteer’s expense but all food and accommodation is covered by the organisation. I squirrelled away this information for future reference. Recently, I’ve been thinking about writing a novel with a business woman as the protagonist and realised VaughanTown might make and ideal setting for the action to take place. Call this research, another overseas trip or a working holiday, I sensed an application taking shape.
The online form involves writing a bio including the following information:
Please tell us where you are from, who you are, what your interests and passions are, what your background is and about your education.
Tell us about places you have travelled to or lived in and what you loved about them. Tell us all about you!
After examining some major creative blocks over several weeks, week 7 shifts the discourse by looking into the kind of mindset we should embrace for creativity. With these insights in mind, Cameron returns to dissecting creative blocks associated with time in week 8. Much like week 4, week 8 represents a turning point as we begin to look at healing our artistic wounds.
Week 7: Recovering a Sense of Connection
Listening
Providing a welcome respite from reconsidering our negative conditioning, week 7 focuses on practicing what Cameron defines as the right attitudes for creativity, beginning with listening. Cameron reminds us that we’re strengthening our listening skills with morning pages and the artist’s date, which respectively helps us hear past our inner censor and tap into inspiration. Describing inspiration as “getting something down” instead of “doing”, she asserts that another party (God, the universe) accomplishes the “doing”. Connecting inspiration to listening…
I am looking for short stories by new, emerging and established writers which are approximately 3,000-5,000 words long. Please see the submission guidelines on the Botanical Short Stories website for further details.
From tokens of love to neolithic burial gifts, bridal bouquets to seasonal wreaths, healing potions to artistic masterpieces, flowers and plants have a multitude of meanings and a long and complex relationship with all our lives. They are the stuff of myth, of gods’ metamorphoses and the emblems of kings and saints. They brighten our homes and bring joy to our senses, delight us in gardens and countryside, convey our emotions, symbolise new birth and human mortality, and yet are often overlooked as an inspiration for writers of fiction. This stunning collection of contemporary fiction will celebrate the world of flowers and plants and the meanings they hold, in twelve intriguing and surprising new short stories.
Elizabeth Scott 
the writer is a lonely hunter 