the writer is a lonely hunter

writing by Gail Aldwin and other Dorset writers

Pan de mo nium: cover reveal

I love the stage in the writing process when all that hard work comes to fruition. There are steps along the way that cause angst or excitement but there’s nothing to replace that sense of ‘it really is going to happen’ when I see the final cover design for my publication. Here it is, ta-dah:

Welcome to the world of Pan de mo nium my children’s picture book. You can read more about the inspiration for the story here. I absolutely love this image as it captures the characteristics of giant pandas:

They’re fun: see that cheeky expression!

They’re shy: those eyes!

They’re a symbol of vulnerability: imagine it!

They’re peaceful: well, not so peaceful in the case of Pan de mo nium. That’s the point of the story!

The final draft has gone to the printers and I’ll receive proofs within the next week. A last read through and then these copies will be sent into the world headed for readers and book bloggers who have kindly agreed to offer early reviews.

Be sure to get a copy for young children in time for Christmas by placing a pre-order now at the Victorina Press website.

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Welcome to Catherine Randall and ‘The White Phoenix’

This post celebrates the publication day of The White Phoenix for friend and children’s novelist Catherine Randall. She’s wanted to write since she was a child and now Catherine has fulfilled this ambition with a fabulous middle grade children’s bookI adore the feisty thirteen-year-old protagonist in this novel, Lizzie Hopper, who helps to run the family bookshop near St Paul’s in the year of the Great Fire.

“Catherine Randall brings the streets of 17th century London vividly to life… A heart-warming and skilfully told tale.” Ally Sherrick, Black Powder and The Buried Crown

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Welcome Catherine.

Can you start by telling us where your writing journey began?

My writing journey began when I was a six-year-old living in Lincolnshire and I wrote my first ‘book’, alarmingly entitled, ‘Catherine, Lucy and the Goat’. We moved to Shropshire when I was seven, and I continued to write ‘books’, mostly thinly disguised imitations of Arthur Ransome’s Swallows and Amazons series, with a few Victorian melodramas thrown in. When I grew up I tried my hand at adult short stories, but realised quite quickly that my heart was in children’s books. The books I read as a child remain the ones that resonate most deeply with me, and now I love reading new children’s books, partly as research, and partly just because they’re a great read.

What inspired you to write The White Phoenix?

I’ve been fascinated by the Great Fire of London ever since I was a child. When I visited London from Shropshire at the age of ten, the first thing I wanted to see was the Monument to the Fire. When I moved to London in my early twenties, I loved walking round the City, with its ancient churches and old street names dotted among the modern glass and steel buildings. Much later, at a time when I was looking for a subject for a story, I caught part of a radio programme about the rebuilding of London after the Great Fire, and it reawakened my interest. When I started researching I discovered that London in 1666 was a great setting for a novel, not just because of the Fire but because of all the other things that were going on – war, fear of invasion, the plague, as well as all the prophecies swirling round London about the year 1666. I was initially going to write about St Paul’s, but then I realised it would be more fun to write about the many bookshops that clustered round the cathedral, especially as it was possible for a woman and her daughter to run a bookshop by themselves.

I started writing some time ago, but many of the themes in the book have turned out to have more resonance today than I could ever have imagined.

What are the challenges of publishing your first book during a pandemic?

The first thing to say is that I am absolutely delighted to be having a book published, and the thought of publication has been a beacon of light in what has been a tough year both generally and personally. However, there’s no denying that there are significant challenges. I think the worst thing is that I’ve not been able to do any events with children at bookshops or libraries. I know authors are doing virtual school visits, but it’s quite daunting if you have to start like that. I’m used to going into schools to talk about the Great Fire, but not so used to going into schools to promote a novel as well. But it is something I would very much like to do so I’ll have to get my head round it!

And of course I can’t help being sad that I’m not able to have a proper launch party, because there are so many people who have shared in this journey with me and whom I would like to thank. However, I am having a series of very small parties instead, so that’s going to be fun.

Who is the ideal reader for The White Phoenix?

I really hope that children aged from about 9 to 12 or 13 will enjoy it. I suppose it is a cliché to say so, but I have written the sort of book that I would have liked to read at that age. However, I also know that quite a few adults have read and enjoyed it, so that’s very gratifying.

Is there a message in the novel that you want young readers to grasp?

Lizzie, the main protagonist in the book, refuses to give in to the prejudice of other people around her and makes friends with a Catholic girl at a time when Catholics were very much considered the enemy. I hope that young readers will take away the message that they should never let others tell them what type of people they can or can’t be friends with.

I also hope that young readers grasp the message that you should stand up for what you believe in, which is what Lizzie tries to do, though not always successfully.

Which children’s authors have influenced you?

From my own childhood – Gillian Avery who wrote wonderful, vivid stories about Victorian children such as The Greatest Gresham;  Penelope Farmer who wrote my all-time favourite children’s book, the time-slip story Charlotte Sometimes; and K.M.Peyton, author of the Flambards books among many others. I had the privilege of meeting her once and she was so lovely.

More recent writers who have influenced me include Eva Ibbotson, Hilary McKay (I just love her family stories) and Lydia Syson who has written some terrific historical novels for teenagers.

But I am discovering new children’s authors all the time, and they all have an influence.

What’s next, Cathy?

I’m very excited about my new historical novel set largely in the early nineteenth-century, so once The White Phoenix is well and truly launched, I’m looking forward to getting back to that. However, I have to say that quite a few people have asked about a sequel to The White Phoenix, so I might give that some thought too. I love the characters so much, it would be a pleasure to go back to them.

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The Blurb

London, 1666. After the sudden death of her father, thirteen-year-old Lizzie Hopper and her mother take over The White Phoenix – the family bookshop in the shadow of St Paul’s Cathedral.

But England is at war with France and everywhere there are whispers of dire prophecies. As rumours of invasion and plague spread, Lizzie battles prejudice, blackmail and mob violence to protect the bookshop she loves.

When the Great Fire of London breaks out, Lizzie must rescue more than just the bookshop. Can she now save the friend she wasn’t supposed to have?

Purchase links

Foyles, Waterstones, Book Guild Bookshop, Amazon.

Social media

Twitter: @Crr1Randall

For children’s literature that is emotionally engaging, do give The White Phoenix a read. You won’t be disappointed.

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At the London Book Fair 2019

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Writing plates are spinning

I’m currently in the fortunate position of having a debut novel published, a children’s picture book under contract, a novel on submission and a new work-in-progress. My time is carved up between marketing and promoting The String Games, sending out submission packages for This Much Huxley Knowsfinalising the illustrations for Pan de mo nium and cracking through the first draft of Little Swot. It’s just as well my only other commitment is ten hours a week e-volunteering with VSO. Some days it feels like my feet hardly touch the ground but I’m not complaining.

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Does this girl look like a little swot?

With all of these plates spinning, the real excitement is my new work-in-progress Little Swot which is quite different from my other manuscripts. The idea came from evenings in Ugandawhen I was too tired to read, too hot to sleep and so listened to podcasts. I’m writing one thousand words each day which soon adds up and I’m now over half way through the story and pleased with my progress. I’ve written a synopsis so I know what’s going to happen and I’ve played around with ideas for pitching the novel to publishers when the time comes.Indeed, I’d love to receive some feedback from you. Do you think this novel idea has legs?

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What’s happening? It’s pandemonium!

The children’s picture book I’ve been working on with illustrator Fiona Zechmeister is doing its final round. Collaboration means that the illustrations and text for Pan de mo nium circulate between us. Now, Fiona is putting the finishing touches to the illustrations and I’m pleased to share some images that demonstrates the latter stages of the redrafting process.

Pan de mo nium is a story about Peta who doesn’t look like other pandas in the toy department because of her purple coat. This provides camouflage and enables her to get up to mischief. When a shop assistant spots Peta, this puts an end to her tricks. Peta must learn more about herself… but does this stop Peta’s fun? Of course not!

Here is the title page for Pan de mo nium. This image will also feature on the cover although the final layout is not yet agreed.

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The font was chosen early in the process, the word ‘pandemonium’ presented as if broken into syllables and the place of the title in the centre of the page agreed. The sketch of Peta gives an impression of movement and joy.

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Next we discussed colours. Fiona used watercolours to experiment with different shades of purple.

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What is it with me?

Just when I gain the skills and confidence to be good at something, I decide to move on and try something new. I can see this pattern in my writing. First I was all enthusiastic about flash fiction, then writing a novel. Poetry got shoe-horned between the two and now I’m into children’s literature. Others like to consolidate their learning and deepen their understanding but I’m more interested in starting the next new project. What is it with me?

 

I came to reflect on the meandering journey of my writing career when I shared with a friend my new passion for cycling. It started with a bad knee. When I came back from Uganda into lockdown UK, I decided to use the full one hour per day of time we were allowed to exercise. Hence my runs lengthen from 6km to 8km and I was out every single day. I knew from half marathon training that running each day is not recommended but I became so focused on running further and faster that I ignored my better judgement until my knee buggered. Then even walking was painful and after a week of elevating my leg and applying frozen peas, my knee was better. So, as lockdown continued and my need to get out every day grew, I took up cycling. I was amazed that my lady shopper bike that had never been used since arriving in Dorset in 2007 still had tyres fit to cycle on.

When I started to become fit in 2017, I so enjoyed swimming. Loved going back to the sport I enjoyed as a child and even re-taught myself how to swim front crawl and regularly completed forty lengths of the pool. The only trouble with swimming is the drag of getting to the pool only to end up wet and cold. So, running was an improvement on that. I could start my exercise on leaving the front door and running in any weather certainly warms you up. Now my passion is cycling. This is good to do in the time of Coronavirus because you have to grip the handlebar and there’s no chance of touching anything untoward while out and about.

So with this background in changing exercise routines, should I think about doing a triathlon? Certainly not. It’s one obsession at a time for me. And so for my writing. It’s all about children’s literature at the moment. This week finds me busy making contact with book bloggers who specialise in children’s picture books and I’ve also attended several sessions at an online children’s literature festival. So with the publication of Pan de mo nium scheduled for December, what is my next project going to be? I’ll let you in on a secret, it’s got something to do with podcasts.

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