the writer is a lonely hunter

writing by Gail Aldwin and other Dorset writers

The FABULOUS wider writing community

It was Nina Killham who first recommended I read The Deep End of the Ocean by Jacquelyn Mitchard. This is the debut work by a novelists who has gone on to write ten further books for adults plus others for the young adults and the children’s markets. As a first novel, The Deep End of the Ocean gained much attention and acclaim and was the first title chosen for Oprah’s Book Club in 1996. It is a powerful novel, full of suspense as the protagonist, mother to a missing boy, struggles to come to terms with what’s happened. It’s a very moving story that teaches about resilience and compassion in circumstances that are a nightmare to every parent.

5161

As there are parallels between my novel The String Games and Jacquelyn’s work (in terms of a focus on a lost child) I decided to get in touch with Jacquelyn through the contact page of her website. Imagine my surprise when minutes later a reply from this best-selling author popped into my inbox. Jacquelyn kindly agreed to  read my novel with a view to offering an endorsement. Although delighted with this response, I did feel rather impertinent even asking. As a child, my Grandma frequently used the reprimand ‘askers don’t get’ whenever me or my siblings became demanding. But if my Grandpa was within earshot he’d pipe up ‘don’t ask – don’t want’. This memory of my grandparents convinces me there is no harm in asking.

Read the rest of this entry »

Leave a comment »

Pt 3: the FABULOUS wider writing community

41-ifVm8jJL._SX323_BO1,204,203,200_

I entered a travel writing competition in 2016 and as runner-up, I was offered a bursary to attend a fiction retreat at Moniack Mhor, Scotland’s creative writing centre. One of the tutors on the programme was Elizabeth Reeder who writes novels, essays and stories. Her debut novel, Ramshackle, was shortlisted for the Saltire Literary Award in 2013 and she’s gone on to write further novels.

The narrator of Ramshackle is fifteen-year-old Roe who one wintery day finds the man she thinks of as her father has gone missing. In the week that follows, Roe finds out more about herself and her father. At this point in growing up, Roe is an expert of her own experience but anything beyond causes anxiety. Roe’s voice is a mixture of confidence and vulnerability and this is something I wanted to explore in The String Games. Advice from Elizabeth was invaluable in moving forward with the middle part of my novel.

When it came to thinking of authors to approach to endorse The String Games, Elizabeth was at the top of my list. She’s an excellent writer so I’m delighted she felt able to offer the following words:

Gail Aldwin’s The String Games debuts her talent in an intimate portrayal of family, love and loss, and one that gives a glimpse into how crisis might shape each of us.

Elizabeth teaches creative writing at the University of Glasgow. I was fortunate to catch up with her at the Edinburgh International Book Festival in 2017 where she facilitated a wonderful readers’ workshop. Keep an eye out for other events Elizabeth is involved with. If you’re able to attend one of her workshops, seminars or talks you’re bound to enjoy it.

The String Games will be published in May 2019 but if you can’t wait until then you could always dip into my short fiction collection Paisley Shirt. It is also available from Waterstones in Dorchester and Bridport, The Bookshop in Bridport, Gullivers in Wimborne and Serendip in Lyme Regis.

Leave a comment »

The FABULOUS wider writing community

2912227101_1ff7a935d8_m

Credit: Grafik Mekanik, Flickr

My novel The String Games will be published by Victorina Press in May 2019. It is a psychological drama that focuses on the legacy of loss for the protagonist when her four-year-old brother is abducted and murdered during a family holiday in France. The cover is being designed by Fiona Zechmeister and it is exciting to be part of the process from initial ideas to the final product. One of my roles has been to secure endorsements for the novel to support with marketing and promoting the book. From a study of novels which use child characters and child protagonists, I drew up a list of authors to approach. For my blogs each week this December, I will focus on the authors who have kindly offered their support. 

Nina Killham came back to me quickly with a positive response to my request. Nina is the author of three novels including Believe Me which is a wonderful book with a thirteen-year-old narrator called Nic. It is a funny and moving story about a boy who challenges his mother, an astrophysicist and atheist, by turning to the Bible for ways to understand contemporary life.

51t1Yfe-KBL._SX329_BO1,204,203,200_

I was first in touch with Nina a few years ago when she offer to give feedback on the first three chapters of a novel and the synopsis as a donation to the Authors for Refugees charity auction. I was lucky to win the lot and benefitted greatly from Nina’s feedback. We stayed in touch and she recommended several further novels for me to read so that I could learn how published authors develop stories around child characters. It was at Nina’s suggestion that I read Out Stealing Horses by Per Petterson. This is a great book that considers the lifelong repercussions from the accidental death of a child.

Without further ado, please let me unveil Nina’s full endorsement of The String Games:

Gail Aldwin excels at creating characters you care about. The String Games, her story of a child lost on a holiday to France, avoids melodrama and leaves the reader hoping the best for her characters as they move beyond the last page.

I’d like to thank Nina for her support, encouragement and of course, that lovely endorsement.

If you can’t wait until May to read my novel, you could always dip into my short fiction collection Paisley Shirt which is available from Waterstones in Dorchester and Bridport, The Bookshop in Bridport, Gullivers in Wimborne and Serendip in Lyme Regis.

 

1 Comment »

Blog Tour: F J Morris, This Is (Not About) David Bowie

I was delighted to meet F J Morris in Bristol where she shared one of her fabulous stories with an attentive audience. I’d seen Freya’s name on many competition announcements for winners and attached to stories in quality journals, so it was a real treat to attend the reading. She is a great supporter of flash fiction and assisted the organisers of the first flash fiction festival in 2017. Now, I’m thrilled she has agreed to join me on The Writer is a Lonely Hunter, to celebrate the launch of her debut collection of flash fiction. With the intriguing title This Is (Not About) David Bowie, the imaginatively presented collection contains thought-provoking stories that gave me the chance to take another look at modern life, and rethink a thing or two. Shrinking Giants was one of my favourite pieces, full of poignancy yet with an ending that gives hope.

 

Thank you for joining me, Freya and congratulations on your new publication. Here are the questions I’ve posed which I think will be of interest to readers and writers.

Do you write with your audience in mind? Who is your ideal reader?

My ideal reader is one that is living. I was going to say a human being, but to be honest, I’m not even that fussed what they identify as. I grew up in an old mining town on the outskirts of Bristol where my mum grew up. People didn’t really read. And so I’ve been asking myself a lot of big questions about fiction and why we should bother. Why should people read?

There are a lot of studies out that that explain how art helps us to understand ourselves and humanity better. Artists deal in feelings better than any other discipline. In the days we live in, it’s so important that we recognise the importance of feelings and how they influence us. Society doesn’t encourage us to be okay with them. They’re considered second-rate. But they have such a big influence on us. I read a study once that a judge’s decisions became more harsh depending on the time of day and his eating patterns (ie – if he’s hangry then you’ve no hope in hell). So it doesn’t matter how smart you are, or how aware you are, your feelings are more in control of you than you know.

We are not machines. We are not products. So I think it’s vital that we value artists, and that artists recognise their own worth, their own power. What people are consuming right now is influencing them in ways they don’t even realise. And we need to write, sing, dance, paint our way out of it. We need a new story to tell ourselves. Stories that have peace, hope, joy, magic. Stories that make you glad to be alive. Stories that bring us together. But ultimately, we need more people reading, and that’s a challenge I’m interested in taking on. So I guess they’re the ones I want to reach out to.

What do you hope readers will take away from your collection? 

That anything is possible. That we are the writers of our own story. That we can be who we really are. A few people have read my collection and told me which stories were their favourites, and what I love the most is that they all chose different ones. I really wanted to cover a range of people, a spectrum of identities, ages, genders, backgrounds – that felt true to Bowie, and what he stood for. I wanted the collection to reflect his essence. Bowie in himself is a powerful idea. He reached out to everyone who didn’t fit in, and it turns out, that’s a hell of a lot of people. Like many, he gave me permission to be as outrageous as I wanted. He allowed me to take risks. To be true to myself. I hope people reading my collection will feel that too.

Can you describe the process of putting together a flash collection?

The initial idea only came when someone asked me to write a collection. I had wanted to put one together for a while. But every theme or idea I had to string a bunch of stories together ran out of juice. It was like being in a labyrinth, thinking you’re on the right track, only to find myself at another dead end.

Then Bowie died. It was like watching an explosion. A supernova. A massive star had collapsed at the end of its life, and it sent out these ripples, this burst of energy. His impact on people spilled out. David Bowie was more than a person. He was a feeling. He was an idea. So that’s when lightning struck, and I saw my way through the labyrinth.

But that was just the beginning. There were a whole host of obstacles and riddles to work through after the first draft. The journey to publication was not straight or easy, but the extra time helped me to develop it more. There were a lot of stories that fell short of what I wanted so I ditched them. And then I put the rest together into a larger narrative structured by David Bowie quotes. I wanted people to feel like there was a bigger picture, a journey to go on, but that element came later.

Do you have a favourite flash and what was the inspiration for writing it?

Slush puppies (there’s a reading of it here): it’s about hidden love between two school girls. I wrote it in a Bristolian accent, so I have to read it in one. And it has a sort of musical quality to it. I wanted to write it in such a way that when you read it, you could feel the build-up and overflowing passion.

My stories are a bit like Frankenstein’s monster – some of the story was inspired by something that happened to friends when I was growing up, some of it is my imagination, and a fair bit has been harvested from different poems I wrote when I was in love. This one does it all. It takes me back in so many ways. Nostalgia is a powerful thing, and so is love.

Congratulations on your new appointment as Assistant Editor for fiction at Bare Fiction. What does this role involve?

Cheers! At the moment its: reading, reading, reading. Then deciding with the editor and team, which stories we think should be published. Robert does a wonderful job running the magazine, and his aspirations are amazing, so I can’t wait to help him achieve them. Plans and aspirations are a foot – so watch this space!

Do you have any favourite writing resources you would like to share with readers of The Writer is a Lonely Hunter?

Oh there are lots! When I read Orwell’s ‘Why I write’ in my twenties that basically became my mantra. I try to avoid writing to show off skills or knowledge. I remember a time when I was eight and I learnt this new word and was so excited to use it. But when I finally did, and nobody understood it, I realised how pointless it was. I felt the embarrassment of those around me, and how they withdrew. You lose people when you make them feel stupid – they disengage. So reading Orwell, made me consciously think about what sort of writer I wanted to be.

I’m always telling people to use the ‘Hemingway editor’ website. I’m going to use it on this interview. It helps me to be an editor to myself and to clean up my sentences. Then there’s Grammarly and Scrivener for the tools that make life easier.

What are your future plans?

To write. I know how that sounds. But it’s a constant fight with myself. I started to write a new novel called Burning down the house a few months ago, but with all the fiddling about, I’ve lost track of spending time on it. I want to write scripts, and make this app, and do another collection… So that’s my problem. Too many things, too many ideas, not enough writing.

What in insightful interview! Thank you, Freya. This is (not about) David Bowie is published by Retreat West Books and is currently on pre-order with Amazon. If anyone is in Bristol on 27 September at 7pm and would like to attend the book launch of This is (not about) David Bowie, your invitation is here.

Leave a comment »

Jessie Cahalin AKA Books in my Handbag

Jessie Cahalin is a prolific book blogger who is also a published author. I was delighted to read her recently published novel You Can’t Go It Alone which has received many four and five star reviews. Jessie kindly dedicates much support to other writers through her blog.  You can find my cover on Jessie’s very popular Handbag Gallery. Here you can click on any cover you fancy and the link takes you to further information about the book. Here’s a picture of what to expect:

fullsizeoutput_19a1

She hosts a Blogger’s Cafe, too. This works on the same principle as the Handbag Gallery but this time showcases the blogs of a range of authors.

fullsizeoutput_1b96

I’ve been fortunate to be interviewed on Jessie’s blog and she’s posted one of my stories. You can read both here. All Jessie’s posts are accompanied by wonderful images to compliment the text. The care Jessie takes in presentation makes it an absolute delight to appear on her blog.

To top all this, Jessie has just posted an outstanding review of Paisley Shirt. She’s taken prompts from my collection to write the review as a piece of flash fiction. This not only demonstrates her talents as a writer but is a wonderful tribute to my collection. I am absolutely thrilled and can’t thank Jessie enough.

fullsizeoutput_1b99

It’s well worth taking time to browse Jessie’s blog. It is a celebration of reading and writing where you’re bound to find something of interest.

3 Comments »

Writing residency in Shire Hall Café at Shire Hall Historic Courthouse Museum, Dorchester

I was delighted the Shire Hall Café agreed to join the creative café project started by my publisher Gill James. The café is situated on the mezzanine level of the Shire Hall Historic Courthouse Museum and with the museum’s history of crime, punishment and justice, the café provides a stimulating environment for writers.

Joining me for the creative café were writers from Dorchester, Swanage and an American from Nevada. (She was a delegate at the Thomas Hardy Conference who took time out to visit me.) Two participants were interested in developing children’s fiction while others were busy with short stories aimed at the adult market. It was a pleasure and a privilege to offer feedback on their work in progress and to discuss new projects. Some of my writing prompts also proved useful in developing new writing.

fullsizeoutput_1b03

Sat on one of the long tables at the back of the café, we were able to enjoy the breeze through the open sash windows and the views across the tables. I am a frequent visitor to the café as I queued on the opening day to make sure I won the ‘free coffee for a year’ given to the first person through the door. The building is at the end of my road, so if I need a change of scene during one of my writing days at home, I pop along to claim my free drink and spend time writing in the café.

Thank you to the Shire Hall Café and the Shire Hall Historic Courthouse Museum for hosting this event. If you would like information about joining a creative café session in the future, do contact me here.

3 Comments »

Facing the Chudleigh Dragons

Joining this event was a bit like going to the dentist: not something to look forward to but it was worthwhile. I prepared for the five-minute pitch of my novel The String Games by thinking about presentations by successful participants on the show. Of course the Chudleigh Dragons were not a fearsome bunch like their TV counterparts but comprised novelist Sophie Duffy, publisher Dr Tarja Moles and Ian Hobbs, founder of the Devon Book Club.

IMG_1509

I organised my presentation by starting with my elevator pitch:

The String Games is a story about the abduction and murder of a four-year-old boy told from the viewpoint of his older sister. Rather than a crime novel, the story draws upon psychological drama to focus on the legacy of loss for the protagonist. String is the controlling metaphor for the novel which includes characters who are puppets on strings, others who are strung along and some who need to cut the apron strings.

513px-Cats-cradle.svg

The following three minutes focused on:

The structure of the novel

Organised into three parts, The String Games uses a different string figure to name each of the sections.  With the visual aid of a rainbow string, I was able to talk and manipulate the string to make a cat’s-cradle and a worm but showing how to make Jacob’s Ladder was beyond me. Instead,  I illustrated how my protagonist is able to draw her life into an ordered pattern of threads by showing a picture of the string figure.

USP

There are many novels that alternate the experiences of the protagonist as a child and an adult or as a teenager and an adult but there are few which include the three stages of development. This is the USP for my novel. The structure works like a triptych with panels showing the experiences of the child, the teenager and the adult in the three parts of the novel. In this way, it’s possible for the adult to look back on the child she used to be and hardly recognise herself. But, it is by reconnecting with the experiences of the child that my protagonist is able to integrate feelings of unresolved grief for her brother and move forward as an adult.

Theme

The thread that runs through The String Games relates to the resilience of my protagonist. Readers vicariously enjoy her ability to overcome the obstacles I set. She became my protagonist-daughter and as an author-mother I was able to champion her so that by the end of the novel, my protagonist is equipped with the skills and confidence to live her life beyond the pages of my book. I let her go to continue her own story so that I am free to produce new fiction.

At the end of my pitch, the Chudleigh Dragons posed a couple of questions relating to the readership of my novel. Although I’d like The String Games to reach a wide audience, its appeal lies with those who enjoy literary fiction. As a reminder of my pitch, I gave each of the Dragons a mini book of The String Games. 

fullsizeoutput_1ad1

Thank you to Elizabeth Ducie and the Chudleigh Writers’ Circle for organising this event. Well done to the winner Jean Burnett.

If you can’t wait until my novel finds a publisher, try reading my short fiction collection Paisley Shirt instead. It is available with free delivery from The Book Depository or online from Amazon UK  and Amazon USA.  It is stocked in Gullivers Wimborne, The Bookshop Bridport, Serendip Lyme Regis, The Swanage Bookshop and branches of Watersones.

5 Comments »

A round-up for this week

While I’ve been away in Cornwall on512px-Port_Isaac_2 a retreat in Port Isaac with three writing friends, plenty has been happening on the promotional front for Paisley Shirt. 

 

 

First there was a lovely review on Frost Magazine for Paisley Shirt. Click on the image to read this.fullsizeoutput_19a5

 

 

 

Then there was an interview on Tracy Baines’ blog. Here I talk about the distinctive nature of flash fiction.

fullsizeoutput_19b7

fullsizeoutput_19ad

On Wednesday there was an article in the Dorset Echo about Paisley Shirt reaching the long list in the Best Short Story Collection category of the Saboteur Awards 2018. I was very pleased to find my collection alongside work by Tom Vowler, Tania Hershman and other notable writers. There’s still time to vote for the short listed titles here.

 

 

 

fullsizeoutput_19b3

 

I also discovered that Paisley Shirt has been purchased by Dorset Libraries as part of their lending stock and is now available for loan in Poole, Bathnes, Bristol, North Somerset, Somerset and South Gloucestershire libraries through Libraries West.

Quite a week and I’m now exhausted by all the activity. Hope you have a good weekend.

3 Comments »

Gorgeous covers

Here are all the current titles in the short fiction series published by Chapeltown Books. A group of good looking covers with enticing stories inside.

My collection Paisley Shirt is available as a Kindle Edition through Amazon and paperback copies can now be purchased from all good bookshops. Recommended bookshops in Dorset include Serendip, Lyme Regis; The Book Shop, Bridport; Winstone’s, Sherborne; Gullivers, Wimborne Minster; Westbourne Book Shop, Bournemouth; and Waterstones, Dorchester.

4* and 5* reviews of Paisley Shirt can be found on goodreads. If you do decide to purchase a copy of Paisley Shirt, further reviews are very welcome.

3 Comments »

Never Give Up

 

Pasiley Shirt Image

Cover Image for ‘Paisley Shirt’ photo credit: menswear market

I’ve read lots of post about How I Got Published and although I know how deeply maddening it can be to hear about another’s success, I feel obliged after all the pitfalls to share my experience with you.

I have four novels sitting in a drawer, two of which are completely unpublishable while the others may see the light of day when I get around to re-writing. I have been on my writing journey for eight years: writing regularly, attending writing festivals, having one-to-ones, keeping the feelers out, updating my blog and becoming a whizz on social media. I must have entered hundreds of competitions, and enjoyed a couple of notable wins (my name was listed in Elle magazine once). I briefly enjoyed representation but that was until my agent took maternity leave and decided not to return to work.

One of the upsides of enduring so much failure is that I resorted to seeking professional help by joining a writing course that led to a qualification. After four years of part time study I am now on the verge of changing my title to Doctor and I am looking forward to graduating in the summer! This has also enabled me to seek employment with a university where I will work with students of creative writing.

The novel written as part of my studies is still seeking a home, but in the meantime, I have signed a contract with a small independent publisher to have a collection of my flash fiction published. Paisley Shirt contains 27 stories with characters and situations to offer a range of perspectives on what it is like to live in our world.

It is wonderful to have a publisher who believes in my work and a thrill to think I will have a published book at last. It won’t bring me riches, but it is acknowledgement of the progress I’ve made. The mantra remains: never give up.

 

 

 

 

7 Comments »