the writer is a lonely hunter

writing by Gail Aldwin and other Dorset writers

Blog tour, discount Christmas shopping and further adventures

Where would a writer be without readers? Thank you to everyone who has shown interest in Pandemonium. This week starts a big push to help my children’s picture book reach a wider audience with support from book bloggers. Do watch out for posts on social media with links to further reviews.

If you’re thinking of purchasing a copy of Pandemonium for a young child in your life, now’s the time to do it. There’s a 30% seasonal discount from all Victorina Press titles using the coupon code XMAS2020. Purchasing directly from the publisher is a good way to support this independent press in furthering their ambition to discover unheard voices and promote diversity in publishing. While visiting the Victorina Press bookshop for Christmas purchases, why not treat yourself, too? I can recommend you pre-order Amanda Huggins‘ wonderful novella All Our Squandered Beauty. It’s a captivating read.

I’ve had more fun taking Peta on further adventures in Pandemonium. See what she’s up to now:

In the café, Peta gets hungry …

Enjoy the last week of November and I’ll touch base again on publication day, 1 December 2020.

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Monday 16 November is Odd Socks Day!

Some of these campaigns really do make me cringe (think of #NationalDoughnutDay on 5 June) but not this one. #OddSocksDay is part of Anti-bullying Week 2020 which puts a spotlight on bullying and considers the steps that can be taken to prevent it. Every November, schools in the UK have a focus on bullying and by working with the wider school community, steps are put in place to protect vulnerable youngsters.

This year, #OddSocksDay on Monday 16 November launches a week of activites to raise awareness about bullying. This is intended to be a fun day where there’s no pressure to wear fashionable clothes or dress up. Everyone can wear odd socks, so it couldn’t be simpler. The idea is to encourage people to express themselves and everything that makes us unique.

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Adventures in #PanDeMoNium

Since the start of November, I’ve posted photos on social media of a cheeky purple panda who’s out and about. This is to help promote my forthcoming children’s picture book Pandemonium. In case you don’t follow me on Twitter @gailaldwin, here’s what’s been happening this week.

Last hot chocolate for a month and clinging on for dear life.
Up to something or just hanging around?
What’s happening hare?
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Art under the lockdown lens

In a determined effort to make the most of our freedom before lockdown, David and I visited the Russell-Cotes Gallery in Bournemouth on Saturday. Formerly the home of Merton and Annie Russell-Cotes, the building was completed in 1901 and is stuffed with paintings, sculptures and mementos from overseas travels enjoyed by the couple.

Photo: Ethan Doyle White

Unlike the photo above, it was pouring with rain when we visited, as evidenced by this photo of the leaking conservatory.

Fortunately, the rest of the house is dry! Until 18 April 2021, there is a special exhibition titled Hidden Highlights Life in Lockdown which comprises eighty of the galleries ‘lesser works’ taken out of storage to replace planned exhibitions which had to be rescheduled due to Coronavirus. The gallery invites visitors to reinterpreted the paintings on display through a lockdown lens. Some of the works include hilarious captions which had me laughing out loud. What do you think of these examples?

Shall we drive to Corfe Castle to test our eyesight?

The hand washing and hand sanitising inspection was very thorough
Socially-distanced dating Georgian style

The exhibition has inspired me to run a social media campaign to promote Pandemonium along the same lines. Here’s the first example:

Ghost Buster! Corona Buster!

Stay safe and well.

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Unusual connection

I received a direct message on Twitter this week from Rob Casey, a stand up poet, writer and performer who lives in Bridport. He teaches creative writing at Exeter College and is the Bard of Exeter City Football Club. While he was watching the first match of the season for Manchester City (against Wolverhampton Wanderers, Man City won 3-1), he noticed something about the kit that was relevant to me.

Training kit
Away kit

What do you notice? Love a bit of paisley, I do. Indeed I think the tear drop pattern is so great I named my first published book Paisley Shirt. It is a collection of short fiction and the title story is about a Polish man returning to visit a neighbour in the UK who helped to look after him as a child. With twenty-six other stories in this smart, square book there’s a lot of fiction to enjoy. Novelist and short story writer, Maria Donovan kindly endorsed the collection and says the stories are ‘sensitive, surprising, unnerving, tender and crucial.’ It’s easy to get a kindle copy or a paperback by popping over to Amazon. And, if you’re interested, you can read more about the history of the paisley pattern here.

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Pan de mo nium: cover reveal

I love the stage in the writing process when all that hard work comes to fruition. There are steps along the way that cause angst or excitement but there’s nothing to replace that sense of ‘it really is going to happen’ when I see the final cover design for my publication. Here it is, ta-dah:

Welcome to the world of Pan de mo nium my children’s picture book. You can read more about the inspiration for the story here. I absolutely love this image as it captures the characteristics of giant pandas:

They’re fun: see that cheeky expression!

They’re shy: those eyes!

They’re a symbol of vulnerability: imagine it!

They’re peaceful: well, not so peaceful in the case of Pan de mo nium. That’s the point of the story!

The final draft has gone to the printers and I’ll receive proofs within the next week. A last read through and then these copies will be sent into the world headed for readers and book bloggers who have kindly agreed to offer early reviews.

Be sure to get a copy for young children in time for Christmas by placing a pre-order now at the Victorina Press website.

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Good company at Victorina Press

Established in 2017, Victorina Press believes in bibliodiversity. This is where small independent presses create a healthy publishing eco system by ensuring new and undiscovered authors reach an audience. I feel lucky to be published with Victorina Press alongside Rhiannon Lewis author of My Beautiful Imperial a Water Scott recommended historical novel, Chris Fielden author of Alternative Afterlives, fellow Dorset writer Vicki Goldie author of the cosy crime Charters Mysteries series and more recently Amanda Huggins, with her coming-of-age novella All Our Squandered Beauty.

I first met Amanda at a Christmas party celebrating our first flash fiction collections published in 2018 by Chapeltown Books. You can read more about Amanda’s Brightly Coloured Horses here. Amanda went on to have two further collections published by Retreat West Books and a poetry pamphlet which won a Saboteur Awards prize in 2020.

Now Amanda is an author with Victorina Press, I had the pleasure to receive an early copy of her novella for review:

All Our Squandered Beauty is a coming-of-age novella set in the 1970s where the protagonist, Kara, a fisherman’s daughter struggles to come to terms with the loss of her father. She rejects the prospect of early marriage that her best friend settles for and focuses instead on future studies in London. During the summer, she spends time on a Greek island where she learns more about herself and her relationships with others. Kara can’t see that she’s emotionally fragile but gradually she learns some mistakes can be rectified while others she has to live with. The sea provides a backdrop to the narrative, sometimes powerful ‘to see the water change from grey to ink and the sky deepen to fire’ and at other times benign, ‘millpond calm, a deep deep blue.’ This is a wonderful read filled with tenderness, charm and hope.

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You can purchase All Our Squandered Beauty now from the Victorina Press shop and it will be available from early 2021 through Waterstones, Foyles and Amazon.

 

 

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Happy Birthday to you

My debut novel The String Games is one year old today. It’s been quite a journey from launch to anniversary and here are some of the things I have learnt along the way.

Book launches

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  • invite everyone you know and turn the launch into a party to thank all those who have shown interest in your writing . Make sure there’s plenty of wine and nibbles, and loads of books to sell!

Make the most of opportunities 

  • when I attended a Christmas lunch 2018 with the Society of Authors in Salisbury, I had no idea it would lead to an invitation to deliver a session at the Bridport Literary Festival 2019. Chance meetings are often the best!

Put yourself out there

Book is Judged by Cover-1

  • Press releases have enabled The String Games to feature locally, regionally and nationally in print publications and online features. I’ve also talked on local radio programmes several times. There’s nothing wrong with getting about!

Literary festivals

  • I’ve attended so many festivals as a participant but now I’m a published novelist it’s a delight to feature on programmes as an invited guest. Besides the Bridport Literary Festival, I’ve also delivered input at Sturminster Newton Literary Festival, Blandford Literary Festival and Stockholm Writers Festival. Get me, delivering at international events!

Finge Festivals

  • I write collaboratively as part of 3-She to develop comedy sketches. Last summer we took a show to  Shaftesbury Fringe. There’s such a lot to be learnt from the process of writing with others. Love a good gig!

Curry favour with your publisher

  • I’m delighted that Victorina Press have show confidence and commitment in me as an author and thanks to my publisher, I attended the London Book Fair 2019. My novel is also a finalist in The People’s Book Prize. Covid 19 permitting, there’s a black tie do to celebrate this achievement later this year!
  • The team at Wordsmith_HQ continue to promote my poetry pamphlet adversaries/comrades and share my writing successes across their writing community. Good eggs all round!

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Scratched Enamel Heart, Amanda Huggins

Here’s a treat for you. Amanda Huggins joins The Writer is a Lonely Hunter to answer a few questions about her latest (fabulous) short story collection Scratched Enamel Heart.

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About Scratched Enamel Heart

A lonely woman spends a perfect night with a stranger, yet is their connection enough to make her realise life is worth living? Maya, a refugee, wears a bracelet strung with charms that are a lifeline to her past; when the past catches up with her, she has a difficult decision to make. Rowe’s life on the Yorkshire coast is already mapped out for him, but when there is an accident at the steelworks he knows he has to flee from an intolerable future. In the Costa prize-winning ‘Red’, Mollie is desperate to leave Oakridge Farm and her abusive stepfather, to walk free with the stray dog she has named Hal.

These are stories filled with yearning and hope, the search for connection and the longing to escape. They transport the reader from India to Japan, from mid-west America to the north-east coast of England, from New York to London. Battered, bruised, jaded or jilted, the human heart somehow endures.

About Amanda

Amanda Huggins is the author of the short story collection, Separated From the Sea, which received a Special Mention in the 2019 Saboteur Awards, and a second collection, Scratched Enamel Heart, which features ‘Red’, her prize-winning story from the 2018 Costa Short Story Award. She has also published a flash fiction collection, Brightly Coloured Horses and a poetry collection, The Collective Nouns for Birds, which is currently shortlisted for  a Saboteur Award.

She has been placed and listed in numerous competitions including Fish, Bridport, Bath, InkTears, the Alpine Fellowship Writing Award and the Colm Toibin International Short Story Award. Her travel writing has also won several awards, notably the BGTW New Travel Writer of the Year in 2014, and she has twice been a finalist in the Bradt Guides New Travel Writer Award.

Amanda grew up on the North Yorkshire coast, moved to London in the 1990s, and now lives in West Yorkshire.

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Questions for Amanda

Your stories in Scratched Enamel Heart are set in different countries and locations. How do you decide on a setting for your story. What is the importance of the place in the development of your story?

It has always been important to me that my fiction has a strong sense of place – something I’ve carried over from my travel writing. Sometimes an idea for the setting comes first, and the story that follows is inspired and shaped by certain aspects of the location. The landscapes and cities in which the stories are set became important characters in their own right. They can reflect emotions or influence characters’ behaviour – such as the way the wait for the monsoon rains affects Maggie’s decisions in ‘A Longing for Clouds’, and the heat and desert landscape have an effect on Miranda in ‘Distant Fires’ – two stories set in the sensory overload of India. Closer to home, a snow-filled London becomes a major character in ‘A Brightness To It’, forming a soft-edged cocoon around the main characters. Two strangers bond in a soulless hotel room after a chance encounter, and are protected from the reality of the outside world by the beauty of their snow-changed environment – yet the city is only temporarily altered, and this reflects their own fragile situation. In ‘Red’, Mollie is trapped on Oakridge Farm with her mother and violent stepfather, and the vast spaces and relentless red dust of the American mid-west are a contrast to her confinement. The open plains and the endless highway offer freedom, yet the landscape is also hostile and bleak, holding up a mirror to her predicament. One of my favourite locations is Japan. My stories are often about displacement and alienation, trying to find connection, about lost characters in big cities. This can go hand in hand with the notion of things never being exactly as they seem, of them being a little off-centre, misunderstood, or lost in translation – and Japan is the perfect backdrop to reflect that.

The stories in Scratched Enamel Heart range in length from a single side to several pages. How do you decide the length of each story?

It’s not often that I set out to write a piece of fiction of a particular length. I’m usually exploring an idea without knowing where it will take me – it could end up being 300 words or 3000 words. Sometimes, when a longer story isn’t working, I find it can be pared right down to a one-page story that works much better. However, I am writing longer stories most of the time right now, and in doing so I seem to be going against the trend. As more writers are turning towards short flash pieces, I find I’m leaning towards longer fiction!

Congratulations on signing with Victorina Press for the publication of your novella. It’s good to have you onboard as a fellow Victorina Press author. You’ve also had a collection of poetry recently published, the wonderful The Collective Nouns For Birds. What’s it like being a writer of short fiction, long fiction and poetry? How do you manage your time?

Thanks, Gail! I’m already enjoying working with the Victorina team – and it’s lovely to share a publisher with writers I know, such as yourself and Chris Fielden. All our Squandered Beauty is my first novella, and is based around the title story from my first short story collection, Separated From the Sea.

The Collective Nouns for Birds began to take shape when I was snowed-in at a cottage in the North Pennines. I didn’t plan to write a collection – I was just feeling my way at first, as I hadn’t written any poetry since my late teens. However, I discovered I really enjoyed writing it, and the poems started to come together as a loosely themed body of work. A review by Amanda McLeod sums it up better than I can:  “Huggins explores…all the ways in which we lose things, the clarity and sometimes sadness that retrospection can bring. There is the transition from childhood to adulthood, the parting of lovers and friends, loss of life, of special places.”

I don’t think poetry and short fiction are always that different from each other. My prose style leans towards the lyrical/poetical, and I tend to write narrative poetry, so for me there is a real crossover between the two forms. Sometimes a poem will morph into a short story and vice versa – there are a couple of poems in my collection which also feature as flash pieces in Scratched Enamel Heart.

Longer fiction is a relatively new direction for me, and once again it’s something that has come about by accident rather than by design. Both my novellas have developed from short stories, and in each case it was because several readers wanted to know what happened next after those original stories had ended.

I sometimes find it difficult to manage my time – especially as I have a day job four days a week – but once I’m committed to a project then I always finish it before moving on to the next thing. I already have a ‘next thing’ in sight actually – and it may well turn out to be the longest writing project I’ve undertaken to date!

Wow, Amanda. You are so prolific. Good luck with your next project!

If you’re interested in learning more about Amanda, you can read a previous interview here.

Where to find Amanda

@troutiemcfish

https://troutiemcfishtales.blogspot.com/

Where to purchase Scratched Enamel Heart

Available from 27 May from Amazon 

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My review of Scratched Enamel Heart

This short fiction collection contains twenty-four emotionally-charged stories that take readers on a journey to households and communities in a range of countries. Through these stories, Amanda Huggins cleverly shows us the commonality of emotional experience. That feelings of isolation, love, grief, loss and regret occur in different backgrounds and cultures. And equally, that hope and the promise of a fresh start is possible. Amanda Huggins writes in a beautiful and empathetic way to immerse readers in the challenges and dilemmas she presents to her characters. As readers we care about these characters and learn from them. This is a truthful, authentic and essential read.

 

 

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Woman on the Golden Hind

I’m reading a fascinating novel just now. It’s On Wilder Seas by Nikki Marmery. What an absolutely fabulous cover!

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The narrator is Maria, an enslaved woman who shares her experiences of living on the Golden Hind for nine months.  Meticulously researched, Nikki Marmery allows Maria to live and breathe where nothing is noted about her in the records besides the dates she boarded and left the ship. The action takes place in 1579 during Francis Drake’s circumnavigation voyage.  Maria is a lone woman amongst eighty sailors. Determined to become free, Maria uses tenacity and quick thinking to her advantage.

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Many of you will know there is a reconstruction of the English galleon that has been  berthed at St Mary Overie Dock in Southwark since 1996. Whenever I walk past this full-size reconstruction of Golden Hind I am reminded of how compact the ship appears. Goodness knows how Maria coped! Since the launch of the  reconstruction in 1973, the galleon has sailed  more than 140,000 miles to San Francisco, Japan, the Caribbean and other destinations.  Impressive!

SWF

I will be interested to meet Nikki Marmery online when we appear alongside Karen Havelin on the Debutants panel at the Stockholm Writers’ Festival on Friday 22 May 2020. We are all previous attendees of the festival and have had our debut novels published in the last year. Join us at what is now known as the #StuckHomeWritersFestival here.

 

 

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