the writer is a lonely hunter

writing by Gail Aldwin and other Dorset writers

Launch for ‘adversaries/comrades’

It’s over a week ago that the launch for my debut poetry pamphlet was held at Books Beyond Words in Dorchester. The bookshop is a splendid venue for such a occasion and I was pleased to welcome readers, poets, family and friends to the launch.

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The evening started with mingling, drinks and canapés.

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Next there was a Q & A where Sophie my publisher at Wordsmith_HQ posed a range of questions and following this I shared some of my poems from adversaries/comrades.

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Magdalena Atkinson, my former colleague from Dorset County Council, played some exquisite songs to accompany the theme of siblings which informed my poetry pamphlet.

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This is the official photo to mark the end of the formal proceedings with Sophie and me in the foreground.

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The evening finished with more mingling.

Writing is a strange occupation but it does follow a pattern. First you spend hours working away, improving your writing process and practice. Some of us are fortunate to have our work valued by a publisher who agrees to launch the product. Others have self-belief and publish as indies to enable their work to reach an audience. Whatever route is taken, it’s important to celebrate the publication with an event so that the written product is given a public presentation.

adversaries/comrades has received some wonderful reviews from poets I admire:

Gail Aldwin’s pamphlet, adversaries/comrades, shows us a family world of dodgy deals, discord and sibling rivalry; and love. No family member is exempt; conflict is a fact of family life. Extraordinary, though, is the lack of cynicism showing through the emotion. This is honest, and above all witty, alive with imagery and very moving.

Amanda Oosthuizen, poetry publisher at Words for the Wild

 

This engaging collection of poems draws the reader into moments many of us recognise from family life. They reveal a clarity of vision and memory when put under the poet’s microscope…There is a sense of delight in the choosing of each word of this assured collection.

Alison Lock, poet and writer

 

Gail’s poetry is sharp, astute, playful, wry, yet never sentimental. Every word has earned its place, and the imagery is as clear as a bell. This is a poet who takes her craft seriously, yet isn’t afraid to play with words as well as work with them. An accomplished debut pamphlet.”

Amanda Huggins, Author of Separated From the Sea 

 

It is polished and surprising, exploring the tenderness of complex family relationships but with a narrative voice that is not afraid to touch upon a sub-text of bruises, scars and painful childhood moments. The tenderness of the writing is showcased in the opening poem, ‘Birthday’. I really enjoyed the variety of technique in this collection, as it moves from prose poems to shorter lyric pieces and concrete poetry.

Anne Caldwell, Freelance Writer & Poet, and Associate Lecturer at Open University

 

Thank you to everyone who came to the launch and for all the good wishes I received from those who couldn’t make it. If you would like to purchase a copy of adversaries/comrades the pamphlet is stocked at Books Beyond Words in Dorchester, or it can be purchased through Wordsmith_HQ.

 

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Heads up: new publication

I am delighted to share the news that my debut poetry pamphlet will be published in March 2019. Last summer I entered a competition inviting submissions of poetry on the theme of siblings and I was thrilled to be judged joint winner with Rachel Lewis. My pamphlet is titled adversaries/comrades and includes a range of forms from prose poetry to pattern poetry all based on the relationships between siblings.

Wordsmith_HQ have done a wonderful job in creating the pamphlet and designing the cover.

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The cover image is taken from a photo of children playing in Maumbury Rings, the Neolithic henge situated to the south of Dorchester. Every August bank holiday there is a wonderful day of music held at Maumbury Rings where picnickers enjoy a range of bands. This has become my favourite day of the year in the county town, so I am very pleased with the cover design.

Rachel’s poetry pamphlet is titled Three Degrees of Separation and explores issues about love, family, and survival in the face of mental ill-health. You can read more about the pamphlet and details of the pamphlet launch here

The launch of my poetry pamphlet will take place on Wednesday 27 March 2019, 7–9pm at Books Beyond Words in Dorchester. Please register your interested in attending here. I’m very pleased Magdalena Atkinson will be offering musical accompaniment at the event. It should be a lovely evening…do come along.

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Big Heads staged at Bridport Arts Centre

Over the past couple of years, Sarah Scally, Maria Pruden and I have been co-writing comedy sketches. Once we had sufficient material, Maria approached a group of local actors who agreed to perform the sketches and Bridport Arts Centre offered to stage it. The premiere of Big Heads & Others was on Thursday 8 November 2018.

The first sketch we completed was called Killer Ladybugs – this was drafted during a workshop led by Christine Diment of Juno Theatre. The sketch clashes the invasive behaviours of harlequin ladybirds with Donald Trump’s America First policies. It was topical material at the time of his election yet two years later and (unfortunately for the world) the material remains fresh.  This sketch was originally staged by Cast Iron Theatre in Brighton, so we were confident the writing was entertaining. Our actors Declan Duffy (Borderbug) and Lee Wyles (Ladybug) brought a new and exciting interpretation to the sketch.

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Another sketch called Baby Love also had a previous outing, this time at the Salisbury Fringe where it was performed as a scripted reading. This gave us ideas on how to stage the sketch at Bridport where a woman (Lee Wyles) waits for the X54 bus and chats to Lauren (Sally Hunt) who is obsessed with her little one, Dasiy-Waisy.

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Big Heads was the most experimental of the pieces and took our audience to Easter Island where they learnt what the famous statues were thinking. This was a static piece which relied on voice, silence and facial expression to convey meaning. Our actors Sally Hunt, Dewi Lambert and Declan Duffy performed this brilliantly and audience reaction confirmed it to be a popular sketch.

The three sketches were tied together with a linking piece that used physical theatre to tell the story of a hapless charity envelope collector (Declan Duffy) and his encounters with others.

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The evening was held as a charity fundraiser for the Bridport Arts Centre. All tickets for the show were sold and we had a warm and receptive audience. Thank you to everyone who came along and laughed in all the right places. This was the first time Maria, Sarah and I had directed a performance and we were incredibly grateful to Lee, Sally, Declan and Dewi for their ideas and input. We also had additional roles to ensure the performance went well: Sarah  was responsible for sound effects and lighting, Maria for narration and prompting, I was backstage assisting with costume changes and we all helped as stage hands.

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Gail Aldwin, Sarah Scally, Maria Pruden

 

It was a splendid collaborative effort by performers and writers, one that we plan to repeat in 2019 with further comedy sketches.

Thanks to Peter Roe of Wessex Media for the fabulous photos.

 

 

 

 

 

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One-to-one with the Dorset Growth Hub

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I’ve just had a one-to-one session with digital specialist David Allison from the Dorset Growth Hub. We met at the Duchess of Cornwall in Poundbury to discuss ways to enhance my use of social media for marketing purposes. As a result, I have now taken advantage of the additional facilities on this WordPress blog including use of the poll below. When you have a minute, can you give me some feedback?

If you’re based in Dorset and need help to gain skills and confidence to market your  work as a writer, it’s worth getting in touch with the Dorset Growth Hub, to see how they can help you.

 

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BridLit Fringe

I’m really chuffed to be sharing a few of my stories at the Bridlit Fringe alongside this talented group of local writers. If you’re in Bridport on the morning of Friday 16 November 2018, do drop into the Literary & Scientific Institute for a chance to hear a fantastic range of poetry and prose. Tickets are a bargain at only £5 and are available here.

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I hope to see some of you in the audience!

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Helen Corner-Bryant at the Dorchester Literary Festival

I was delighted to introduce Helen Corner-Bryant’s session ‘On Editing’ at the Dorchester Literary Festival last Sunday. As Chair of the Dorset Writers’ Network, I worked with festival co-director, Janet Gleeson, to arrange this input. Helen is a wonderful speaker who has substantial experience in supporting writers, firstly as an editor’s assistant at Penguin, and then in setting up the Cornerstones Literary Consultancy. Helen seeks to help writers overcome the creative barriers they encounter and with her team, they offer support that might otherwise take a writer much time to work out for themselves.

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Some top tips offered in the session include:

  • If you don’t feel confident writing dialogue it may be because you don’t know your characters well enough. Try interviewing your character or letting them have conversations in your head.
  • Make sure there is a point of tension on every page of your novel
  • Novels work well using a three act structure
  • When you come to a stop with your writing have a think about what this might mean for the work. Could it indicate a problem with the structure, plot or characterisation?

Did you know Cornerstones welcome submissions of the opening ten pages of your novel with the synopsis for a free evaluation?

Because Q&As are so valuable to writers, Helen has devised an ‘ask a literary consultant’ session where she outlines her role then opens the floor to questions. I am now working with the Dorset Writers’ Network to find a date and venue to offer this input. Follow the Dorset Writers’ Network on Facebook and Twitter for updates and/or subscribe to the newsletter on the website.

Helen’s book On Editing: How to edit your novel the professional way is an invaluable resource and is available from any good bookshop or can be purchased through Amazon.

 

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Big Heads and Others

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Really pleased to see Big Heads and Others an evening of comedy sketches co-written by Sarah Scally, Maria Pruden and me in the autumn brochure for the Bridport Arts Centre. The show will take you on a journey from the topical and tropical to the meticulous and ridiculous. Do come along if you’re in the area. It is being staged on Thursday 8 November 2018 at 7.30pm. For tickets click here.

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Flaghead Chine Poetry Commission

During my writing residency at Short & Sweet in Wimborne (you can read about it here), I was contacted by landscape designer Barbara Uphoff to write a poem for  a plaque. Barbara developed the new seaside garden at Flaghead Chine in Poole and wanted to incorporate poetry into the design.

The garden is approached through the wooded and shady chine and it acts as a connection between the land and the sea. Constructed with Purbeck Stone planters, boulders and seating, the garden is positioned beside the sandy beach and gives views to Harry’s Rock across the water.

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Old Harry’s Rock from Pixabay

The garden is intended as a meeting point for family and friends where children can enjoy quiet play thanks to the three seashell structures. The sculptors Phil Bews and Diane Gorvins created small scale models of a whelk, an ammonite and a sea urgin which the stonemasons, Albion Stone, were able to use in making the large shells.

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My poem appears on a brushed metal plaque attached to one of the boulders. Barbara and I agreed the the poem should be a haiku to celebrate the natural environment. You can read it here:

It was an honour to write the poem and I am delight to see it positioned in the seaside garden as public art.

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Writing Inspiration – The South West

When Nicole Fitton and I met on Twitter we were keen to share the experience of living and writing in the South West of England. I am pleased to welcome Nicole to The Writer is a Lonely Hunter where she answers our shared questions (mine appear after).  First, let me introduce Nicole.

Nicole Fitton lives and writes in the heart of Devon. She writes both thrillers and short stories, many of which have been short and longlisted. This year her flash fiction piece ‘Yellow‘ was featured as part of  National Flash Fiction Day on the Flash Flood Journal Blog.

Nicole Fitton

  1. Have you always lived in South West England?

The short answer is no! I started my journey towards living in the West Country as a ‘grockle’ (tourist). The children were small back then and we would set off at the crack of sparrows and head west. Like many who’d travelled before us, we would wind our way slowly down the A303 for two glorious weeks in North Devon come rain or shine! We promised ourselves that if we ever got the opportunity to relocate we would grab it with both hands. Well, that’s what happened. In 2010 we relocated because of my husband’s work. It was a big decision. I am so proud of the way our kids adapted. It was a big shock initially, but within a few months they were taking everything in their stride – even school lessons delivered on the beach – now that was a first!

Until our move to Devon I had lived mainly in big cities such as London and New York. My work in international PR and marketing took me all over the world, and I know I draw on a lot of those experiences when I write.

I now live betwixt the villages of Iddesleigh and North Tawton. Iddesleigh is famously the home of author Michael Morpurgo whilst North Tawton was home to the late poet laureate Ted Hughes. It is a place of isolation, and I love it. There is something quite profound about my small hamlet which runs along the river Taw. Perhaps it is the ebb and flow of the river. I’m not sure, but I know it has worked its way into my bones. Living in a farming community the effects of late harvests, early harvests, failed crops, all subconsciously inform my thinking. I seem to draw on the landscape especially with my short stories.

  1. Is there one particular place in the South West that is special to you, if so why?

I find myself drawn back to the River Taw time and time again. When we first arrived in Devon, it was the first place I discovered within walking distance of the house. We would spend many a happy hour skimming stones, swimming or sitting on ‘the beach’ (a patch of sandy shingle by the river’s edge). There are many ‘hidden’ parts of the river and every time I walk there I find something new.

Further afield I would say it would have to be the North Devon coastline. It is wild and structurally stunning. The rock formations you see are dramatic and magnificent. I have a story in mind for that coastline! Peppered in between the ancient stone cliffs are sandy coves and big expanses of golden beaches. My favourite beach is Westward Ho! The only place in the UK to have an exclamation mark as part of its name – fact!

WestWard Ho!

  1. What is it like to be a writer in the South West?

Devon is a superb place to write, and if someone were to do an audit or something clever like that I believe they would find a writer present in every village! There are a wealth of literary festivals and events across the county, which provide fantastic opportunities for support and collaboration year round.It is such a positive community. I belong to a group called the Sakura Positive Press Writers Group; we hold open mic evenings in our local pub for storytelling. It’s great fun. It would be great if we could roll this out across the region. Stories were initially told that way, and it would be great to see this form reignited.

Nicole’s Blog : www.nicolefittonauthor.com

Facebook:https://www.facebook.com/nicolefittonauthor/

Twitter:@MisoMiss

Instagram: https://www.instagram.com/misomiss/

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Gail Aldwin

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  1. Have you always lived in South West England?

Dorchester in Dorset became my home in 2007. At the beginning, I wasn’t particularly pleased to be moving from my lovely life in south London but my children and me had to up sticks when my husband got a job in the county town. I soon came to appreciate the benefits of living in a county area and it certainly extended the childhood experiences of my son. He spent his summers building camps and swimming in the river where his London friends thought a good day out was visiting Chessington World of Adventures.

Although I was brought up in London, I spent several years travelling overseas and have lived and worked in Australia, Papua New Guinea and Santiago de Compostela in northern Spain. I do like a remote and beautiful location but living in one is not always easy. There are stories set in Australia and Papua New Guinea in Paisley Shirt, my recently published collection of short fiction. Something of a place remains with me from all the different locations I’ve experienced.

  1. Is there one particular place in the South West that is special to you, if so why?

Chapel Porth in winter

My husband is from Cornwall and we spent many summers on the north coast when my children were little. Our favourite beach is Chapel Porth near St Agnes where a river meets the sea. Out of season, my husband and son spent many hours damming the river in order to flood the beach but that wouldn’t make them popular in the summer when it gets packed with visitors. My novel The String Games draws from my experience of losing my son when he was three years old on a crowded beach. While I was busy smothering my daughter in sunscreen, he wandered off.  I started searching for him by heading in the wrong direction. In spite of a tannoy announcement, he was lost for forty minutes then I eventually found him way down the beach jumping over the ways and completely oblivious to the panic he had caused.

Closer to home in Dorchester, it’s possible to walk across the water meadows and experience Thomas Hardy country. I love going to the cottage that is the place of his birth in Higher Bockhampton. I usually take a detour to visit the great writer’s gravestone in the churchyard at Stinsford. Although it was Hardy’s dying wish to be buried there with his parents, the executor of his will had other ideas and Hardy’s body ended up in Poets’ Corner at Westminster Abbey while his heart was buried in Dorset.  Along the shaded riverside walk I imagine how this place sparked ideas for Hardy and try to generate a few myself!

  1. What’s it like to be a writer in the South West?

Dorset has a thriving writing community with literary events scheduled across the county. I am Chair of the Dorset Writers’ Network and work with the steering group to inspire writers and connect creative communities. We do this by putting on workshops and talks to support writers at different stages of their writing journey. The South West is full of creative people and I love to link up with writers in different counties. I have taken steps to achieve this by joining activities in Devon. I delivered a spoken word performance at the Sandford Y Festival book event and participated in the Chudleigh Dragons pitching competition as part of their annual festival. I would love to see better links for writers across the South West so that we can celebrate the creativity of the region.

Dorset Writers Network:            http://www.dorsetwritersnetwork.co.uk

Facebook:                                https://www.facebook.com/gailaldwinwriter/

Twitter:                                     @gailaldwin

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Writing residency in Shire Hall Café at Shire Hall Historic Courthouse Museum, Dorchester

I was delighted the Shire Hall Café agreed to join the creative café project started by my publisher Gill James. The café is situated on the mezzanine level of the Shire Hall Historic Courthouse Museum and with the museum’s history of crime, punishment and justice, the café provides a stimulating environment for writers.

Joining me for the creative café were writers from Dorchester, Swanage and an American from Nevada. (She was a delegate at the Thomas Hardy Conference who took time out to visit me.) Two participants were interested in developing children’s fiction while others were busy with short stories aimed at the adult market. It was a pleasure and a privilege to offer feedback on their work in progress and to discuss new projects. Some of my writing prompts also proved useful in developing new writing.

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Sat on one of the long tables at the back of the café, we were able to enjoy the breeze through the open sash windows and the views across the tables. I am a frequent visitor to the café as I queued on the opening day to make sure I won the ‘free coffee for a year’ given to the first person through the door. The building is at the end of my road, so if I need a change of scene during one of my writing days at home, I pop along to claim my free drink and spend time writing in the café.

Thank you to the Shire Hall Café and the Shire Hall Historic Courthouse Museum for hosting this event. If you would like information about joining a creative café session in the future, do contact me here.

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