I purchased a Book Spa as a birthday gift for my daughter in 2023. It’s been a long time coming (I reserved a place for myself too) and we finally made the trip to Mr B’s in Bath this week. The Book Spa involves chatting with a member of the bookselling team over tea and cake to gain an idea of our interests. Nethmi then collected a tower of books for us to browse. (The Reading Spa includes £60 to spend on books, plus a Mr B’s mug and cloth bag and a £10 gift card for future purchases.) Here is the stash of books I chose.
I went with a broad range of requests (and likewise my daughter) but these are the books I took away with me:
A novel written in second person: How to Get Filthy Rich in Rising Asia by Mohsin Hamid. A riveting tale of one man’s journey from impoverished rural boy to corporate tycoon.
Much of August was taken up with a rather wonderful cruise around the Norwegian fjords. We went because I’d bought a lavish evening dress in 2022 and hadn’t had a chance to wear it. There was also the small matter of a 32nd wedding anniversary to celebrate. (Our 30th was a damp squib thanks to Covid.) I wasn’t entirely confident cruising was going to be our thing and I couldn’t imagine what it would be like on the ship – my nearest comparison was a shopping centre! I’m pleased to report P&O’s Aurora was a delightful place to spend time. Here are my top three highlights of the holiday:
Skjolden
After two days at sea looking out on nothing more than (thankfully) flat, grey water and the occasional cargo ship or off-shore wind farm, we woke up in Skjolden (otherwise known as the king of fjords). We went for a walk around a lake and admired the reflections in the water and strolled past a couple of dramatic waterfalls.
Visits to Norwegian towns
We docked at eight different places. Usually we could walk straight off the ship but on one occasion had to catch a tender. Most of the towns boasted churches, museums and riverside walks. I can’t say these brief visits really provided a sense of place but the beauty of the fjords in which they were nestled was undeniable.
Onboard activities
Each evening we were provided with a programme of events for the following day. During the cruise, I enjoyed lectures on art and Norwegian history, I joined line dancing and dance fit classes as well as regular sessions at the gym. I even attended a vocal workshop. We were allocated a dinner table in the restaurant at 8:30pm and found our travelling companions to be great fun. And, of course, there were two occasions when I got to wear the lavish green evening dress on formal nights. Thanks to plenty of exercise and portion control on restaurant servings, I avoided putting on any weight.
You may notice the lavish green dress matches the cover of The Secret Life of Carolyn Russell perfectly. From today for the whole month of September, you can buy a kindle copy for only 99p. Do check out the other suspense titles from Bloodhound Books, too.
It’s my pleasure to welcome Deborah Klée to The Writer is a Lonely Hunter on the publication day of her fourth novel The Last Act. I first met Deborah as a host and founder of #FriSalon, a weekly tweetchat held on Fridays at 4pm BST where writers come together to discuss a writing topic, share tips and resources. Since then, I’ve been a guest on her podcast The Mindful Writer where we explored the psychological and emotion journey to becoming a writer. These activities demonstrate how committed Deborah is to supporting the writing community and it’s a laudable endeavour. However, the purpose of this interview is to discover the inside story to her latest novel, The Last Act. Here’s the blurb to whet your appetite:
The Last Act
It is 1980 and Jojo Evans is living the dream. Perfect job, perfect man, perfect life – but is it all an illusion?
Jojo doesn’t think so – she cannot believe her good fortune, working as magician’s assistant to her charismatic boyfriend, The Incredible Nico, and sharing his luxurious flat is a far cry from her life in a squat working as a street performer.
Best friend, Annie Daley, isn’t so sure. Jojo seems bewitched by this new boyfriend, and Annie doesn’t trust him.
When Jojo receives an anonymous note warning her to keep away from Nico, the friends suspect it’s from a jealous fan. But the threats that follow cannot be so easily dismissed, and Jojo fears for her life. Annie volunteers to investigate, and enters the world of the Golden Globe Theatre, where nothing is as it seems.
As tensions mount to a career-making show finale, things spiral out of control. Will Jojo and Annie see through the smoke and mirrors in time to save their lives, or is this to be their last act?
With a story based in 1980 and an unusual setting, what was the inspiration behind this novel?
The inspiration was a writing prompt in a creative writing class fifteen years ago. The prompt was one word. Mirrors. We were asked to write 5k words and share 1k each time we met as a group. When I shared the 5k story, my tutor suggested it was the outline of a novel. It was the premise of this story that led me to write novels. I wrote several more novels and had three published before returning to this story. I kept the premise, characters and setting but changed the plot and set it in 1980.
1980 was a time of change. Woman were experiencing power in the workplace for the first time. The entertainment industry was being transformed with new-wave acts: Monty Python’s Flying Circus, Punk Rock. I experienced the 1980s in my teens and so it was fun to recollect those years.
JoJo and Annie are great characters. Did you set out to make female friendship significant in the story?
I don’t think I set out to write about female friendship, but it is important to me and therefore finds a way into most of my novels. Jojo and Annie’s friendship is challenged when their lives take different directions. The feelings of being left behind, envy, and bereavement are ones I’ve experienced at different stages of my life with close friendships. I wanted to explore that.
How do you decide on names and nicknames for your characters?
Sometimes I use a name generator on Google for suggestions. In The Last Act I chose the names early on, thinking I could change them later, but once I knew my characters I couldn’t – they are their names! Annie Apple-cheeks, Annabelle’s nickname, just came to me, as Jojo exclaimed it in my head. I imagine Annie with a pretty, round, and open face.
A girl I knew at college had a boyfriend called Nick and, wanting to sound Italian, he changed it to Nico. So, I borrowed from him.
The novel is written with two viewpoint characters (JoJo and Annie). Did you organise the changes of viewpoint at the planning stage?
I did. I grappled for a short while with whose story it was – Jojo’s or Annie’s. I decided it was about their friendship and they were equally important to the story. So, I gave them equal space. I love them both, Jojo for her energy and imagination, Annie for her loyalty and kindness.
Your prologue is particularly interesting as it includes interview quotes with staff from the Golden Globe following a fire at the Victorian theatre. Why did you decide on this format?
I start and finish with news reports. The Last Act is about performers at The Golden Globe Theatre competing for media attention in the hope it will launch them to stardom. Little Fires Everywhere and Big Little Lies use a similar technique in reporting an incident in the prologue. I wanted to create intrigue and focus the reader on the theatre’s big night when the last act would offer up the next big star in the world of magic.
Danger in the novel comes in many forms. Romantic relationships are complicated and add to the jeopardy. Was this your intention when you set out to write the book?
I started with the premise of the note: If you value your life, keep away from him. I realised that this could have two meanings. The threat could come from within the relationship or from outside of it.
What’s next for you Deborah?
I have just finished writing a dual timeline novel set in WWII and 1960s, The Evacuee’s Secret. A North Yorkshire village flooded in 1966 to create a reservoir inspired this novel. I would like to write more dual timeline stories and have a couple more in my head waiting to be written.
Thank you for joining me on The Writer is a Lonely Hunter, Deborah. It’s been great to find out more about you and your novel The Last Act.
About Deborah Klée
Deborah Klée is an award-winning author of page-turning, uplifting stories about friendship, community, and emotional courage. After a career in health and social care: an occupational therapist, health service manager, freelance journalist, and management consultant, she now enjoys writing happy endings for her protagonists.
Deborah lives on the Essex coast, where she loves to walk by the sea or the surrounding countryside filling her pockets with shells, and acorns, and her head with stories.
It’s taken three years from writing the very first line of The Secret Life of Carolyn Russell to arriving at publication day. There have been many ups and downs in reaching this point, but I’m proud of this story with its mystery and underlying messages that show changes in the moral code over thirty years and provide glimpses into racism in a rural setting. Book blogger, Linda Hill has posted an insightful review covering many of the elements I hoped to get across in her publication day review here.
If you’ve ever wondered how an author spends publication day, here’s my schedule:
7am: write a blog post and send (timing has slipped a bit here)
8am: join Writers’ Hour to finish a Q&A kindly offered by book blogger Victoria Bucknell
9am: check Amazon rankings to see if the novel has made a splash (repeat hourly every ten minutes)
for the release of The Secret Life of Carolyn Russell
At two o’clock this afternoon Bloodhound Books officially revealed the cover of my new novel The Secret Life of Carolyn Russell. Doesn’t it look splendid? The pumps and tote bag give a distinctly 1970s vibe to the mystery while the rest of the branding suits the psychological suspense elements. To be honest, it’s a relief to have this off my desk and going out into the world in less than 4 weeks. The final stages of bringing a novel to publication is a mixture of joy and panic. Release day is Monday 3 July but if you’d like to get your UK copy organised early, here’s a Kindle pre-order link. (The paperback version should be available shortly.) My thanks go to Suzanne Goldring, Joanna Barnard and Jacquelyn Mitchard for the endorsements.
An enthusiastic early reader has posted a five-star review on Goodreads. It’s a real shot in the arm when someone who’s read my previous books says The Secret Life of Carolyn Russell is her favourite to date.
Maria and I are both published by the leading independent fiction publisher Bloodhound Books. On signing my contract, I was encouraged to interact with other Bloodhound Books authors through a private Facebook group. This was where Maria and I met and we’ve taken this connection to a new level through this interview. I’m sure you’ll find Maria’s writing journey inspiring and her debut novel a sinister yet fascinating story. Here’s the blurb for The Devil’s Own.
A set of century-old diaries found in an attic draws an Irish couple into a tale of murder and madness, in this absorbing new suspense.
After forty years in the Irish army, Brian is looking forward to retiring and spending time with his wife—though he worries about adjusting to civilian life. While clearing the attic before they move house, he makes a discovery: three journals dating back to the early twentieth century.
One was written by Arthur, an ex-Connaught Ranger; another by Arthur’s wife, Edith, a colonel’s daughter; and the third by Henry, a British soldier and Arthur’s best friend.
Brian and his wife are soon engrossed in reading the diaries and following the intertwined stories of these three people from the past. But it soon becomes chillingly clear that these diaries contain more than the daily adventures of ordinary lives. Because one of the three is a killer . . .
Thank you, Maria, for joining me on The Writer is a Lonely Hunter and agreeing to answer the questions that struck me while reading your impressive debut novel.
What steps brought you to write The Devil’s Own?
The gem of the idea for this book has been lying dormant in the back of my mind since I first saw the Curragh Camp, way back in 1978. I was working, waitressing with my mother at a dinner dance in one of the messes. My career as a waitress was very short-lived! During a break over a cup of tea, we got talking to the army chef about the building we were in, the history of the camp and the general consensus on the night – if only walls could talk.
Little did I know I would end up living in the camp, albeit for a short time around 1993. The Curragh is filled with history, going back to the days of British rule. My husband was born in the Curragh, grew up there. At one stage it had a vibrant community, completely self-contained. I was fascinated by the stories I heard from his family and our friends about the people who lived in the camp. I didn’t write them down at the time. It would take another forty years for that first spark of an idea to come to fruition.
In December 2022, Chris Dawson, a former PE teacher and rugby league star was sentenced to 24 years in prison by the New South Wales Supreme Court in Australia for the murder of his wife decades earlier. Although Lynette’s body has never been found, The Teacher’s Pet podcast shone a light on Chris Dawson’s sordid affair with a pupil from the school where he worked, the obsession with her that followed, and the disappearance of his wife. Release of the podcast hosted by Hedley Thomas in 2018 finally persuaded police to reinvestigate the case and charges were brought.
I became hooked on true crime podcasts in early 2020. At the time, I was living in a remote town in the north west of Uganda and volunteering at a nearby refugee settlement. The power supply was very unreliable and cuts happened most evenings at eight o’clock. With no light to read by, I was often in bed and under my mosquito net around the same time. The nights were long and hot so I spent many hours listening to the podcasts I’d downloaded at a local hotel. I developed a fascination for crime stories from around the world but it was the series podcasts that allowed me to tune into the twists and turns that created crucial listening. It occurred to me I could learn something from the way podcasts were put together that could inform the plotting of my own fictional writing.
Prior to leaving for Uganda, I had established a regular writing routine which meant getting up early to focus on a writing project before the working day started. I hoped to continue this routine while living overseas but the demands of volunteering on the settlement and the inconsistent electricity supply put an end to that ambition. Power in the town kicked in for about 40 minutes at seven in the morning, and at that time there was always a rush to prepare for the day ahead where I worked with colleagues to improve the social and emotional wellbeing of refugee families fleeing conflict in South Sudan. It was challenging and rewarding work which left little headspace for creativity. Instead, I became absorbed in the refugee stories I collected as part of my work, and the podcasts I listened to each evening. With a wealth of material stored away, I was empowered to write again following repatriation to my home in Dorset, UK due to Covid-19.
It is my pleasure to welcome Barbara Conrey to The Writer is a Lonely Hunter once again. We first met online in 2021 when she was kind enough to answer questions about her debut novel Nowhere Near Goodbye. (You can find the piece here.) She now has a splendid second novel released with the evocative title My Secret to Keep. This fascinating story made me wonder about Barbara’s writing process which she explains in this author interview. But first, here is some information about the novel:
When Maggie Bryan works up the nerve to tell her parents she’s pregnant, they immediately disown her. Later that night, her boyfriend is killed. In desperation, she turns to her brother, Sam. Against his wife’s wishes, Sam brings Maggie to his home in rural Pennsylvania.
While Maggie awaits the birth of her child and navigates the tension in her new home, she decides to finish high school. There, she meets Anne Phillips, a volunteer educator and full-time architect. Over time, Maggie becomes drawn to Anne in ways she doesn’t understand, but she knows enough to keep her feelings hidden.
After a devastating loss, Maggie tries to move on, but secrets and betrayals keep her from living her fullest life. Beginning in the late 1940s and spanning decades, My Secret to Keep portrays a woman at war with society, her family, and herself.
And now to the questions:
How much planning was involved in writing a novel that spans decades?
Writing a novel that spans decades is eerily similar to those blasted reading math problems when I was in grade school – and I wasn’t very good at them then, either. So there’s a lot of counting forwards and backward and practically using my fingers to ensure I’ve got my timelines right.
The blurb describes Maggie as a woman at war with society, her family, and herself. This so clearly describes the protagonist, and yet she achieves acceptance too. Did you know what would happen at the end of the novel when you started writing the book?
The ending of this book nearly did me in because Maggie only achieved acceptance, and by this, I mean accepting herself after she lost Anne. I was devastated.
You cleverly dovetailed the latter part of the novel with the story in your debut, Nowhere Near Goodbye. This gave me the chance to reconnect with Kate’s story. Was this your intention?
Most people don’t know that once Nowhere Near Goodbye was under contract, I had to rewrite a good half of the book. I had originally submitted it as a two-person point of view, with one being Emma and the other being Kate. My editor convinced me I could make a stronger story by changing to a single point of view, Emma’s.
So I had all this material. Some of it I used in Maggie’s character in Nowhere Near Goodbye; don’t forget, I had to rewrite a good part of the book, so I fleshed out Maggie’s role, and when I did that, Maggie became much more interesting. That’s when I started thinking about a prequel to Nowhere Near Goodbye to tell Maggie’s story.
It was International Women’s Day on Wednesday 8 March 2023, a global event which celebratesthe social, economic, cultural and political achievements of women. As my contribution to the day, I joined a group of readers and writers at Bridport Library where there was a series of events including a writerly quiz, a lucky dip and talks by local writers. I was delighted to be interviewed by Sarah Scally who asked some searching questions about This Much Huxley Knows. Also on the programme was Nikki May who enjoyed phenomenal and rapid success with her novel Wahala, which tells the story of three Anglo-Nigerian best friends and a fourth woman who infiltrates their group. (I have the novel on order from Dorset Libraries and will watch out for the TV series coming on the BBC.) It was refreshing to hear about her writing journey where it took five years to become an overnight success.
It has long been an ambition to visit Ávila, close to Madrid in Spain. I love walled cities such as York and Ávila is equally impressive. ( I love to see the housing inside the walls.) When I realised it was possible to volunteer with Vaughan Town at el Barco de Ávila (a town not too far from Ávila), this killed two birds with one stone.
Vaughan Town is an organisation which recruits native English speaking volunteers to improve the spoken language skills of Spanish business people. Participants experience English emersion with over eighty hours of contact. As volunteers, David and I got to stay in a four-star hotel for six nights with all meals provided (three courses with wine at lunch and dinner plus a sumptuous breakfast). Volunteers came from Canada, England, the USA and Ireland. It was a unique opportunity to meet interesting people and converse with members of this intergenerational group. As well as one-to-ones, there were scripted telephone calls, group activities, presentations and comedy sketches. It was a rewarding experience to be part of the journey that saw participants develop their skills and fluency in using spoken English. I thoroughly recommend volunteering.
I’m here as the narrator in Cinderella (if you can see behind David’s head).
Now I’m back at home again, there’s lots of catching up to do. I’m continuing to work on a new novel set on a tropical island which focuses on the tension between affluent holidaymakers and local communities. The Vaughan Town experience has given me ideas for another story, so you could call it research.
But, the new priority for this week is getting in a practice run in preparation for the Weymouth half marathon on 19 March. Wish me luck!
the writer is a lonely hunter 