the writer is a lonely hunter

writing by Gail Aldwin and other authors

Meet Sundy Flor, Book Blogger at Books Unfold

I came across Sundy Flor’s Twitter account when I was investigating book bloggers online. I checked out her website, Books Unfold, and was impressed with the beautiful graphics she creates to accompany her posts and the interesting format for her reviews. I contacted Sundy Flor to see if she would be interested in reading and reviewing This Much Huxley Knows. She agreed and absolutely loved the novel, you can read the review here. We’ve had several email exchanges since then and it occurred to me readers of The Writer is a Lonely Hunter might be interested in learning more about book blogging and the new fangled Bookstagramming. Who better to ask than Sundy Flor?

Q&A with Sundy Flor from Books Unfold

Can you tell readers about yourself, where you’re from and Books Unfold?

I am Sundy Flor from Davao City, Philippines. I am an avid reader of books from Fantasy and Young Adult to Nonfiction. Books Unfold is my blog where I share my thoughts and the things I learned from books.

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Round up of activities since publication

It was a fortnight ago that This Much Huxley Knows was released. Since then, lots has happened including a Twitter launch which involved some love authors sharing their experiences of childhood to celebrate my seven-year-old narrator, Huxley.

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Come celebrate publication day!

It’s been a long time coming, but today sees the release of This Much Huxley Knows.

The fountain may be dry but the champagne will flow…
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Meet author Paula R C Readman

I’m delighted to introduce Paula R C Readman to readers of The Writers is a Lonely Hunter. Paula and I have been previously published in anthologies by Bridge House Publishing and have met at celebration events. As we’ve both had novels published this year, we thought it would be a good idea to share our experiences. Paula’s answers to a series of questions are posted below.

1) What type of books or genre do you write?

I would class myself as a horror writer, or at least, the darker shade of pale because of my love of Victorian ghost stories. It’s the simplicity of how the Victorians told their dark tales without relying on the use of blood, guts and gore which I love most.  I hope I’ve recreated their chilling tension in my stories too. Of course I do add a bit more bite to my tales as and when they need it, but I don’t overdo it or add it for an unnecessary shock element.    

Of course, die-hard horror fans might find my work more cosy horror/crime rather than what they are looking for, but I feel there’s a market for my kind of work. It’s just finding the right place to market my books, which has me stumped as it isn’t quite horror and not quite a crime novel. I categorise my writing as Gothic Crime.  

2) What was your inspiration behind Seeking the Dark book?

Seeking the Dark is a vampire story with a twist. When I first wrote the novel back in 2005 I had no idea how to write a book.  I had some success with writing nonfiction articles about researching my Readman family roots in Whitby, North Yorkshire

 After suffering a couple of rejections with the nonfiction, I decided to turn my hand to writing short stories. I wrote a story about a girl catching the last bus home. In the last paragraph the twist is revealed and the reader discovers that she’s a vampire. I took the short story into work and showed it to a friend I trusted. Lisa liked the story but wanted to know more about the girl. The short story then became a book. It went through many changes as I learnt the skills needed to refine my ability to write. I have sent it out to quite a few publishers over the years. Unsurprisingly, it suffered quite a few rejections, but on receiving plenty of good feedback it kept me motivated. In the end, I set it to one side and focused on writing short stories for publication as I wanted to build a writing CV of published work in hope to increase my chances of finding a publisher. It wasn’t until my third written novel was published that I decided to submit Seeking the Dark after I had finished editing it again.    

3) Give a short taster of your plotline, and introduce us to your main character. 

Investigative journalist, Jacob Eldritch, is obsessed with solving the mystery of the Dead Men Sleeping, a series of unexplained deaths, but he isn’t aware that the Dark force is gathering strength. 

One evening, he spots a man leading a white-haired beauty through the crowds at his local bar.  A few days later, he sees her again at a hotel, in the company of a different man.  A week later, both men are dead and the police add their names to the unexplained death list. 

While conducting some background research at the library, a young girl doing her homework gives Jacob an unexpected clue. This turns the mystery of the Dead Men Sleeping on its head when he discovers they’re linked to the death of a Whitby ship owner two hundred and twenty-four years ago. 

As the Dark closes in, Jacob must fight, but will he survive?  

4) How did you choose the names of your characters?

I have two books which I tend to reach for when deciding on my main characters’ names, plus I collect interesting names from the television while watching the news. 

The Dictionary of Surnames, by Mark Anthony Lower is part of a collection of nonfiction books I kept from my days spent researching my family history. The second book is a Dictionary of Fictional Characters by William Freeman. I pick and mix my character’s name though sometimes the characters tell me their names as they develop in my mind. I’m dyslectic so find it difficult to pronounce certain names. If I keep stumbling over them when reading my work aloud, I have to change it for something that flows off my tongue.     

5) Will your readers find your main character likeable or not?

Yes, I think most readers will find Jacob Eldritch likeable. He’s very much your boy next-door type of a guy, though he can be a bit self-contained as he has a failed marriage behind him because of his obsession. I hope the readers find Amanita Virosa an intriguing character, if a little scary.   

6) How did you choose the title for your book? Had you chosen the title before writing the book, or on completion?

Seeking the Dark has changed titles four times as I was concerned that the first few ideas were too religious and might put readers off. The final idea for the book title came from a comment I heard on a radio show when driving home from work. The radio guest said, “Well, it was like seeking in the dark.” I have no memory of what they were chatting about, as all I could do was just keep repeating the phrase Seeking the Dark until I got home so I could write it down.

7) How did you choose the cover picture? Did you have an idea of what you would like?

I always imagined the book cover would have a woman wearing a large brimmed hat that covered the top half of her face as I always saw Amanita as the lead character in the book. She would be holding a champagne glass, with a half-smile playing on her lips. For years, I had focused on her point of view, but while editing the book last year, I suddenly had a light bulb moment and realised that Jacob was in fact the main character.  This helped when my publisher at Darkstroke asked me to select a cover picture from a website. I first looked on Amazon at the same category as my book came under to see what the norm was. Most of the books under Vampires had bloody fangs and neck chewing. I wanted my book to stand out from the crowd as it isn’t a straightforward vampire novel.  On seeing the cover picture I chose, I felt it had both elements of my plotline and title. I hoped it would speak to the reader as the picture shows Jacob at the bottom and the ominous Dark hanging over him. 

8) If a film maker chose your book to adapt, would you be happy with a based on version film or series, or would you want them to stick as closely as possible to your original idea? What wouldn’t you be happy with .i.e. too much violence, complete change of character etc.? 

Hmm, this is a difficult question to answer because I know that a filmmaker has a limited amount of time in which to tell the story. A novel gives an author more freedom to explore different elements within their storyline. I hope I would at least recognise my characters, and they wouldn’t just focus on the sex and violent parts within my plotline.  

9) Have you started writing your next book? Is it something original or a follow on novel?

As the Crow Flies isn’t quite a follow on to The Funeral Birds as that was a novella. It will be more of a standalone which allows me to go into more background details of the main characters. Most of the readers that reviewed the book wanted to know more about the characters especially Granny Wenlock and who she was. As The Crow Flies will be a darker book with the same sense of humour between the husband and wife private detective agency team.    

10) While writing the book did you have a light bulb moment when everything came together, and what triggered it?  

As I’ve already said, for years I had focused on Amanita Virosa being the main character in the novel. Since 2005 while writing the book and re-editing over the years I had always seen it from her point of view until last year.  For eight straight months, I worked, with an online friend, Kim Martin on editing Stone Angels. In that time I learnt a great deal from her. 

Once my first published novel, Stone Angels was accepted by Darkstroke I then worked alongside the publisher on its final edits. All the skills I learnt from both Kim and Laurence, I then put into action when editing Seeking the Dark. As I was editing the novel, it became clear that Jacob had the stronger point of view. This revelation became the turning point in the novel’s life and made it far easier to edit. I feel it’s a more powerful book too.   

Thank you so much for being my guest, Paula. You’ve give some really good insights into your writing process.

Paula’s novels are well worth reading so do use the links below to buy your copy.

Purchase Links

Seeking The Dark, Stone AngelsThe Funeral Birds, Days Pass Like a Shadow

Social Media Links

Blog: https://paularcreadmanauthor.blog
Facebook: https://facebook.com/paula.readman.1
Twitter: Paula R C Readman@Darkfantasy13

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Say hello to Just One Look by Joanne Kukanza Easley

I am delighted to introduce fellow Black Rose Writing author Joanne Kukanza Easley for an interview. She is an active supporter of women writers and I was pleased to be able to return the favour with an early review of her engaging second novel Just One Look. I was so fascinated by the characters and setting in this novel, I invited Joanne for an interview. She kindly agreed. As today is the release date of Just One Look, we also have the launch to celebrate. Congratulations, Joanne!

About Just One Look

In 1965 Chicago, thirteen-year-old Dani Marek declares she’s in love, and you best believe it. This is no crush, and for six blissful years she fills her hope chest with linens, dinnerware, and dreams of an idyllic future with John. When he is killed in action in Viet Nam, Dani’s world shatters. She launches a one-woman vendetta against the men she seeks out in Rush Street’s singles bars. Her goal: break as many hearts as she can. Dani’s ill-conceived vengeance leads her to a loveless marriage that ends in tragedy. At twenty-four, she’s left a widow with a baby, a small fortune, and a ghost-make that two.

Set in the turbulent Sixties and Seventies, Just One Look explores one woman’s tumultuous journey through grief, denial, and letting go.

Q&A

Just One Look is your second novel, can you tell us about your debut, Sweet Jane?

Sweet Jane tells the story of a young woman who thinks she has overcome her past by putting it in a box. When her estranged mother dies, she returns home to confront the people and events of her past that made her the woman she is. The story unfolds in alternating chapters of past and present, that juxtapose parallel stories of struggle and growth.

The dialogue in Just One Look is so effective and includes humour. How do you create authentic voices for your characters?

I love crafting dialogue and work at hard at nuances of word choice to make my characters distinct. Listening to how people talk is important. I also have a clear mental image of my characters and know their backstory—because I wrote it.

You capture young love effectively. Which books do you admire that also have a yearning love at their centre?

The two classics that come to mind are Jane Eyre and Wuthering Heights. But I rely on my own experience and memories when I write about love.

Paige, Dani’s younger sister, is a great character and always a foil for Dani’s romantic relationships. Was this always your intention?

Yes, I wanted the contrast between the characters. Not only do the sisters not look alike, they have very different personalities. Dani is jealous of Paige as a teen but grows to appreciate her.

I love the product placement in your novel, for example, the different colognes that you name. How do you choose these items?

I chose them by the era. When I was a teen, the boys drenched themselves in Jade East. And I drenched myself in Yardley’s Oh! De London. 

Just One Look is set in the Chicago neighbourhood where you grew up. How important is the setting to your writing?

Just One Look pays homage to the place I grew up and helped form my character. (I’ve assured my childhood friends this a work of fiction.) In each book, the setting is an integral part of the story, almost like a character. 

John’s family heritage is from Hungary shown through the food and traditions. How did you research this?

Researching on the internet is my main method; although, as a child, I had a neighbor who baked Hungarian pastries.

With your second novel now published, what are your future writing plans?

I am working on my third novel I’ll Be Seeing You. It’s the story of Lauren Eaton, Sweet Jane’s AA sponsor, who was always secretive about her past. Jane appears in the novel too. The story spans the years from 1940-1986, requires a lot of research, and takes the reader from a Texas cattle ranch to Manhattan, then back to Texas.

About Joanne Kukanza Easley

Joanne Kukanza Easley’s multi-award-winning debut novel, Sweet Jane, was released in March 2020. The novel was named the winner in adult fiction in the 2020 Texas Author project. A retired registered nurse with experience in both the cold, clinical operating room, and the emotionally fraught world of psychiatric hospitals, she lives and writes on a small ranch in the Texas Hill Country. Just One Look, her second novel, will be released on June 24, 2021. Her current project I’ll Be Seeing You features characters from Sweet Jane.

Gail’s review of Just One Look

Set against the backdrop of war in Vietnam, teenage Dani falls in love with John, a new boy from Tennessee. His Hungarian family settle into multicultural Chicago, the city where Just One Look is set. Dani’s commitment to her first love contrasts with the turbulent love life of Paige, her younger sister and the marriage break up of her parents. The narrative is punctuated by national and world events, including conscription. John joins the 101st Airborne but never returns leaving Dani to steel herself for a future without him. Bereft, this young woman navigates family responsibilities, educational and employment challenges, unexpected events and much more to come out the other side ready for a proper new relationship. This character-driven novel is filled with wonderful period, cultural and culinary details that enliven the story. Read this book and experience the tumultuous emotions of a young woman. 

Purchase links for Just One Look

Amazon US, Barnes & Noble, Amazon UK

Find Joanne on social media

Website, Facebook, Twitter

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Introducing Barbara Conrey

I love writing a blog because I’m never quite sure who my posts will reach. Earlier this year Barbara Conrey got in touch and introduced me to her debut novel Nowhere Near Goodbye. It’s a well-paced, intense and thought-provoking novel which has received many superb reviews. I’d like to welcome Barbara to The Writer is a Lonely Hunter to discuss her book. 

About the author

Barbara Conrey is the USA Today Bestselling author of NOWHERE NEAR GOODBYE, published on August 4th, 2020, by Red Adept Publishing. 

NOWHERE NEAR GOODBYE is Barbara Conrey’s debut novel.

Previously, Barbara worked in the health care industry before opting for an early retirement, which lasted all of three months. She then accepted a finance position, for which she had absolutely no background, and four years later, she decided to write a book. But not about finance.

Travel is her passion, along with reading, writing, hiking, and exploring antique shops. Her greatest love is Miss Molly, her rescue beagle. There are stories to be told about beagles, and Barbara hopes to incorporate some of them into her books.

Barbara lives in Pennsylvania, close to family and friends.

About Nowhere Near Goodbye

A mother’s love vs. a doctor’s oath.

Oncologist Emma Blake has dedicated her life to finding a cure for a rare brain cancer. Twenty-five years ago, Emma’s childhood friend Kate died of glioblastoma, and Emma vowed to annihilate the deadly disease. Now, Kate’s father, Ned, is pushing her to work harder to fulfill that promise.

When Emma discovers she’s pregnant, she’s torn between the needs of her family and the demands of her work. While Ned pressures her to do the unthinkable, her husband, Tim, decorates the nursery. Unwilling to abandon her research, Emma attempts to keep both sides of her life in balance.

Emma knows she needs to reconcile her past with her present and walk the fine line between mother and physician. But Ned has a secret, and when Emma discovers what he’s been hiding, the foundation of her world cracks.

Nowhere Near Goodbye is a story of family, failure, and second chances.

Q&A

Nowhere Near Goodbye is a great title. Were there others in contention? Why did you settle upon this title?

I also love this title (Nowhere Near Goodbye)! My first title was Remembering Kate because the story was originally about the child who died of Glioblastoma, not the doctor who researched the disease and discovered a procedure that would remove the tumor in its entirety without destroying healthy brain tissue.

Nowhere Near Goodbye was really organic: Emma, the pediatric oncologist who discovered the cure, was (first) Kate’s childhood friend. She was nowhere near ready to say goodbye to Kate when Kate died.

The novel has a gorgeous cover. Can you share the thinking behind this design?

I had seen a book cover that portrayed a window, and I loved it for its simplicity. When I explained to the designer who created the cover what I wanted, I ended up describing one of the most poignant scenes in the book. The only surprise was the African violet that sits on the windowsill. That was the designer’s addition. Unbeknownst to him, African violets were part of the table settings in my daughter’s garden wedding reception and have always been a favorite house plant of mine.

There seems to be an absence of grieving in the novel for the early death of Kate. Does this happen off stage or could it account for the ways some of the characters behave?

The absence of grieving was purposeful because the story was not about Kate. Still, Kate was never forgotten, and it was her death that caused so much good to happen: Emma’s determination to become an oncologist and find a cure for Glioblastoma. 

Mother-daughter relationships are put under the microscope in Nowhere Near Goodbye. Was this always your intention?

Yes! I want to put these relationships under the microscope to study what makes us (as both mothers and daughters) do the things we do. Love the way we do. 

I find the subject fascinating, maybe because of my relationship with my own mother, where I never realized she understood me until she was dying, and maybe because of my relationships with my own daughters. Writers can mine a wealth of stories just from studying mothers and daughters and the love/hate emotions they inspire. 

In reading work by the feminist theorist Judith Keegan Gardiner, she proposes that for women writers the hero is her author’s daughter. What is your relationship to the characters you have created? 

I’m part of all of my characters. I’m torn between what I should do and what I want to do, like Emma. I’m irreverent, like Kate. I’m driven, like Ned. I’m feisty, like Miss Maggie.

What’s next for you, Barbara? 

Next is Miss Maggie’s story. I fell in love with her in Nowhere Near Goodbye. She entered the story as a sixty-year-old woman who has her own demons to fight, but she always had Emma’s back – even when Emma thought she was against her, Miss Maggie was only trying to show Emma the difference between what she wanted and what she thought she wanted.

Gail’s review of Nowhere Near Goodbye

A remarkable novel of ambition, heartbreak and redemption, Nowhere Near Goodbye follows the journey of Emma who is inspired to find a cure for a rare cancer that killed her childhood friend. Emma is a driven woman who prioritises research commitments over relationships in order to make amends for the misplaced guilt she shoulders over Kate’s early death. Are her sacrifices worthwhile? Only if the promise of a fresh start comes to fruition. A thoroughly absorbing read.  

Purchase Links for Nowhere Near Goodbye

Amazon USA, Amazon UK, Bookshop.org

Find out more about Barbara through her social media links:

www.facebook.com/baconreywriter

www.Twitter.com/barbaraconrey

www.Instagram.com/barbara

Barbara Conrey Books – BookBub

Website

www.barbaraconreyauthor.com

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Welcome to Jessica Norrie, author of The Magic Carpet

I became aware of Jessica Norrie and her novels through membership of a Facebook Group called Book Connectors. As the name suggests, it’s a place to connect, particularly targeted to authors and book bloggers. It was with real interest that I was drawn to Jessica’s novel The Magic Carpet. There are certain commonalities in our experiences as authors (we were both formerly teachers) and in the subject of our novels. Jessica’s novel The Magic Carpet covers the experiences of five families with children attending Year Three in an outer London school during the start of the academic year 2016. This Much Huxley Knows is set in the suburbs of London during the autumn term of the same year and is written from the viewpoint of a seven-year-old boy in Year Two.

Following email exchanges, I invited Jessica to The Writer is a Lonely Hunter in order to find out more about her experiencesI extend a warm welcome to Jessica and invite her to answer the following questions that occurred to me while reading The Magic Carpet. 

  • Although The Magic Carpet focuses on particular families during a specific time period, did you write this novel with universal truths in mind?

Towards the end of my teaching career, I felt the need to distil thirty years, thousands of individuals, situations and conversations into something coherent, otherwise they’d all continue buzzing round my head and I wouldn’t feel free to concentrate on anything else. As everyone knows, all human children and adults combine their similarities in different ways that make them into individuals but with common interests. I wanted to see if I could get at that. 

  • There is a large cast of characters in The Magic Carpet and the use of multiple viewpoints. How did you plan and write the novel to offer perspectives from so many different community members?

A 7-year-old said one day “If we only write in capital letters, you can’t tell us off for not using them.” That says so much about how children’s minds explore ideas, and what’s good and bad about learning to write. In the book I gave Mandeep the idea, and a grandmother who’s probably dyslexic but never diagnosed and helps with his homework after school, then I filled out the family, added neighbours, worked my way along the street… Actually five families reflect a fraction of what teachers encounter daily. Whenever I was struggling with the multiple POVs I reminded myself I was usually bombarded with thirty at once. It was just a question of keeping order. 

  • As the title of your novel suggests, traditional stories and personal histories are central to the writing. How important do you think traditional tales are to learning and development as a child and throughout life?

I was an exceptionally lucky child because with a bookseller father I had a huge variety of brilliant children’s books. But especially to children from homes without books, traditional tales are essential. They overlap across cultures and they’re stepping-stones to other reading. They help order good from bad too although I think nowadays we’d be rightly wary of handsome princes who break in and kiss us in bed or cripple us in tiny glass shoes. Traditional stories are also versatile to teach with and happy teachers make for happy learners! As opposed to fronted adverbials which are vicious spells cast by bad fairies.

  • James Kelman was accused of cultural appropriation in using an eleven-year-old boy from Ghana to narrate Pigeon English, a novel about gang culture on a south London estate. What are your views on cultural appropriation? 

Pigeon English is a fantastic novel, partly based I understand on Damilola Taylor. Anyone from any background is free to take that story or any other and write it their own way – Edna O’Brian did with Girl, encountering the same accusations. Opinions have hardened in recent years and I wouldn’t dare write The Magic Carpet now. Not because I think I shouldn’t, but because I’m terrified of trolls who expect everyone else to accept their opinion but don’t compromise or listen themselves. That’s not to say that evidenced criticism for poor research, or for perpetuating stereotypes and tropes isn’t absolutely valid and welcome. 

You can’t set a realistic novel in London with only one ethnicity. It’s obvious to anyone who’s lived in diverse streets and learnt in diverse schools. By coincidence, Guy Gunaratne published his excellent In Our Mad and Furious City while I was finishing TMC. It also has five London narrators from different backgrounds. Does he have more right to do that because he’s BAME? He writes Irish, Afro-Caribbean, Muslim yet he’s not any of those. As a white woman, do I have more right than a man to write about domestic violence against women? Was I fair to set it in an Asian heritage household? Sadly, domestic violence exists in all cultures. Fortunately so do good stories and writers. 

If opportunities to write and publish were historically fairer, this debate wouldn’t arise and everyone could develop empathy and imagination by writing and reading whatever they’re drawn to. Until very recently opportunities for writers from any kind of minority have been so limited that it’s logical now to justify ring fencing their life experiences and histories for them. But in the long term if all writers only write about what they know best it will limit everyone.   

Hmm – I’m a bit conflicted on this!

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Introducing Linda Rosen

I’m delighted to welcome fellow Black Rose Writing author Linda Rosen to The Writer is a Lonely Hunter. Formerly a fitness professional, Linda became an novelist when her debut The Disharmony of Silence was published in March 2020. I’m so pleased to be able to connect with Linda who splits her time between New Jersey and Florida. As an early reader of Linda’s second novel Sisters of the Vine, I became immersed in the story of Liz, a most tenacious protagonist. I’m thrilled Linda has joined me for an interview to share more information about herself and her books.

About Sisters of the Vine

Housewife and mother with a loving husband to take care of her – that’s all Liz, a Fifties gal, ever wanted. Over her father’s objections, she drops out of college to marry Rick, who dreams of living off the land. They buy a farm on a verdant hillside in the Hudson Valley, but can’t agree on what to plant. When they discover French-American hybrid grapes, Liz is confident they’ll be happy. Grapes are classy.

As the rich soil sinks into her soul and the vines begin to thrive, the marriage grows rocky. Refusing to disappoint her father again, Liz is determined to make her marriage work . . . until she discovers a photograph hidden in the old barn.

Faced with impossible decisions, Liz is desperate. She has a vineyard ready to harvest and no idea how to accomplish the task. Does she have the moxie to flourish? Or will she and the land turn fallow?

Sisters of the Vine is released 25 March 2021 and is available for pre-order through the publisher Black Rose Writing.

Q & A

Sisters of the Vine is your second novel, can you tell us about your debut, The Disharmony of Silence

Thanks for asking. I’m happy to. The Disharmony of Silence is about a clandestine love affair in 1920s Brooklyn that leads to a family secret held for eighty-four years. Carolyn Lee, the protagonist, is desperate for family. When she discovers this shocking secret, she is determined, against all advice, to reveal it. The secret has the potential to tear lives apart. Or, it could bring her the closeness and comfort she longs for. It all depends on how she handles it.

The Disharmony of Silence was published at the start of the pandemic. How did this impact on you as a writer launching a debut novel?

Actually, having my debut published during this time was, for me, the silver lining in this pandemic. With book events all turning to virtual, I was able to “meet” readers from all over, from places I never would have gotten to if events were in person. In addition, the writing community is extremely giving and many well-published authors stepped up to help promote me, as well as my fellow 2020 debuts. Facebook groups were formed with on-line book clubs and podcasts and Zoom took over virtual book talks and interviews. I’ve met so many wonderful writers who I now call friends. And met readers, as I’m doing now on your blog, who I probably never would have met if not for Covid 19 shutting down in-person events. That said, I am looking forward to this pandemic being over and am so very sorry for everyone who has lost a loved one to this horrendous virus. 

A sense of place is important in Sisters of the Vine. How do you choose your settings?

Thank you. I worked hard for the vineyard to come alive. Settings are so important to me when I read a novel that I wanted to make mine evocative. I want my readers to inhabit place, smell the aromas and feel the textures. Therefore, I choose places that I know well, where I’ve walked the streets and ate the food, heard the birds sing, or as in Sisters of the Vine, stood in vineyards, felt the grapes in my fingers, smelled the rich moist earth and tasted the bold wine. 

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Happy publication day, Joe Siple

I’m delighted to welcome Joe Siple to The Writer is a Lonely Hunter. Joe is an established author published by Black Rose Writing, an independent press based in Texas. I was so impressed with Joe’s debut novel The Five Wishes of Mr. Murray McBride, I decided to submit my second novel to Black Rose Writing and this has now been accepted for publication. In the meantime, Joe’s sequel The Final Wish of Mr. Murray McBride will be published today, 21 January 2021. I was fortunate to be an early reader of this splendid sequel and I’m thrilled Joe has agreed to join me for an interview. 

About The Final Wish of Mr. Murray McBride

Jason Cashman has reached the goal he spent the last twenty years seeking, but instead of feeling content, he feels empty. When he meets Alexandra Lopez, a ten-year-old America-loving girl facing deportation, he is inspired by his old friend, Murray McBride, to give her five wishes before she must leave.

They set out to check off as many wishes as possible, but when Jason’s transplanted heart begins to fail, he must choose between his obligations to the past and his hope for a future.

The interview

 Q. I’m fascinated by the relationships between characters in your novels and particularly the strength of intergenerational friendships. What inspired you to write about this?

A. I’ve always been intrigued by how similar most people are, at their core. Yet people of all kinds–young and old, black and white, religious and atheist–seem so different on the surface. I find it fun to explore relationships where the characters find a way to get beyond their superficial differences, to the closeness we all crave.  

Q. In The Final Wish of Mr. Murray McBride, your young protagonist faces an uncertain future in America due to ill health and her family’s immigration status. Why write about such a contentious issue?

A. There are two reasons. The first is a result of a family trip to Guatemala. During this “volunteer vacation” we saw the difference between people who were receiving money from a relative in the U.S.–some in the U.S. illegally– and those who weren’t. And I realized that if I were in their situation, I would also do whatever it took to provide for my family’s well-being. We also met many kind, gentle people there and I realized just how human they are, which is easy to lose sight of in the debate over immigration in this country. 

The second reason was the result of the change in U.S. immigration policy that separated young children from their parents as a way to scare others from trying to cross the border illegally, as well as the “Remain in Mexico” policy that forced innocent families into territory run by Mexican drug lords. I knew that writing about these things could anger some readers and potentially hurt my career, but it was important that the people I reach with my book see the humanity in these people. I also think it’s important to note that I don’t believe we should have “open borders” and let anyone in. But I do think we need an immigration policy that treats people as human beings. That is the point I try to make with this book, and I believe making that point is worth the risk. 

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Meet Dawn Knox

I’m delighted to welcome Dawn Knox to my blog today. We’ve both had stories in print and online anthologies from Bridge House Publishing and have met in person at London celebration events. Dawn writes in a range of genres so I’m thrilled to learn more about her latest release.

Dawn, please can you tell us about your new book?

Of course! It’s called The Macaroon Chronicles and it’s published by Chapeltown Publishing. It is a – hopefully – humorous romp on the fictitious Isle of Macaroon with Eddie the Bald Eagle who is really a chicken but doesn’t like to admit it and his friends: Brian, who’s a monkey, Colin who’s a lemur and doesn’t like to be referred to as a monkey, Gideon the failed spy who’s a pig and finally, two teenage rabbits, Babs and Deirdre, who are addicted to social media. The geography of the Isle of Macaroon is interesting because it contains Meringue Mountains with chocolate waterfalls, cheese mines, a custard river and the island itself, is surrounded by the Bouillabaisse Sea to the east and the Vichyssoise Ocean to the west.

How did you become interested in writing?

I’ve always read lots of books and made up stories in my head, probably as a result of being an only child, but writing stories only began about fifteen years ago when I was trying to help my, then, teenage son to complete his essay homework. In fact, I was actually trying to encourage him to start it! And the beginning of a story which I came up with interested me so much that I carried on writing it although I think my son thought of an idea of his own for his essay. But that incident began a real passion for writing and a few years ago when I had a bit of upset in my life and was feeling rather down I realised that writing was therapeutic and could lift me out of my thoughts and transport me to a different world. I’ve been writing each day ever since. 

Do you prefer to write in any particular genre and if so, which?

I’ve tried many genres including sci-fi, speculative fiction, historical romance, horror and humorous, quirky stories. I’ve also won two prizes for non-fiction writing, which surprised me greatly! It would be hard to say which I prefer although it’s probably fair to say that I prefer the genre I’m writing in at that particular moment. The only genre I haven’t written is erotica and at the moment I have no plans to start that although if I did want to have a go, I think I’d use a pen name!

Of all the stories you’ve written, which is your favourite and why?

It would have to be one of those stories that are in my book The Great War – 100 Stories of 100 Words Honouring Those Who Lived and Died 100 Years Ago and I would probably pick a different one each day (well, at least for one hundred days!). I always describe that book as the one that contains my heart and soul. Writing a story in exactly 100 words necessarily means that it is a compact and concentrated story and of course the subject of the First World War is extremely emotive. But of all the stories I have written they are the ones which mean the most to me.

Have any of your characters ever decided to take things into their own hands and write themselves a bigger part or a different part than you’d intended? If so which one or ones?

Two of the characters in The Macaroon Chronicles are ones who wrote themselves larger parts. The first is Eddie the Bald Eagle who’s really a chicken and he came about when I was planning a short story to read at my writers’ group. I’d been watching a clip of the British ski-jumper Mike Edwards or as everyone knew him, ‘Eddie the Eagle’, who captured everyone’s hearts in the Winter Olympics of 1988 in Calgary. I thought ‘Eddie the Eagle’ was a fine name and initially, the character was going to be human but I thought it might be fun if he was actually a bird. And then to give him a twist, I turned him into a Bald Eagle and even more bizarrely, I decided that his vanity would compel him to represent himself as a bald eagle whereas in fact, he was a bald chicken. The other character was Gideon who merely popped up to help Eddie out of one of the many spots of bother in which he finds himself, but Gideon was so endearing with his incompetence and inability to pass his exams to become a fully-qualified spy, he earned his place in the rest of the book.  He is completely inept at using the espionage tools he’s been given and has an unfortunate knack of shooting any bystanders with his sleeping-dart-tipped pens. So, Gideon was allowed to stay and he ended up joining Eddie, Colin and Brian on their adventures on the Isle of Macaroon.

Is there a specific word count to which you usually work either intentionally or unintentionally?

When I’m writing short stories, they tend to be between 2000 and 3000 words unless of course I am aiming for a Drabble which is exactly 100 words. However, I generally I end up with more words than I intend and then have to edit to cut back to the desired word count. But I think that’s good because it makes me think about the appropriate words and perhaps to cut out any waffle.

I notice food features greatly in your current work. Tell us more.

It certainly does, as I’ve said before, the Isle of Macaroon is made of many food-related geographical features and even the names of the towns reflect this, in that at the beginning, Eddie, Brian and Colin are heading to Spudwell to the stadium, to perform in a music concert. The chums’ boat is moored in Hummus-on-Sea and just before Christmas, Colin finds himself in Treacletart and on his way back to Hummus-on-Sea, he’s nearly run down by the bus from Eggsenham!

I assume you must like macaroons. True or false?

Unfortunately, I have to stick to a strict diet which limits carbohydrates. Nowadays I don’t eat macaroons at all but I adore anything that’s coconut flavoured.

In The Macaroon Chronicles, on the Isle of Macaroon, there are Meringue Mountains with chocolate waterfalls, cheese mines and a custard river. Sounds delicious! Where would you head to first?

Definitely the cheese mines would be my first port of call for the reason that I gave above, in that I have to limit the carbohydrates I eat. But perhaps a trip to the Bouillabaisse Sea might be quite tasty as well!


You can follow Dawn here on https://dawnknox.com 

on Facebook: https://www.facebook.com/DawnKnoxWriter

on Twitter: https://twitter.com/SunriseCalls 

Amazon Author: http://mybook.to/DawnKnox

The Macaroon Chronicles can be purchased here mybook.to/TheMacaroonChronicles

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