One of the joys of social media is the chance to meet other writers online. In response to a tweet/X where I offered an interview on The Writer is a Lonely Hunter, I was delighted to be contacted by Lucy S Johnson. I found the title of her most recent work The Sizewell Murders intriguing and I was pleased to read an excerpt. Here’s a little more information about Lucy and her work.
About Lucy
Lucy S Johnson writes crime fiction under the name of Ellis Johnson. This includes the Mary Slacker novelette duology (featuring an ensemble cast of chattering class wannabes) and her forthcoming D C I Doggett series – kicking off with ‘The Sizewell Murders’ (where a rotating cast of criminals, set in sleepy Suffolk, confront murder most foul against the backdrop of the construction of a new nuclear power facility in the area).
Writing Career: Lucy began writing seriously at about thirteen. In 1995, she started the first draft of a story about crazy film students, which would become her first novel, a retelling of Michael Powell’s ‘Peeping Tom’, featuring an array of officers, detectives, and a hapless web designer facing the bewildering prospect of online dating with catastrophic and deadly results.
Suffolk is also the setting for Lucy’s upcoming series of D C I Woolley mysteries. Novels such as her forthcoming ‘Ghost Car’ are set in or near to Beccles, while other books include a variety of different settings, in particular North London.
Lucy currently resides in Bungay, Suffolk, on her own without so much as a cat. She is a boat owner, reader, movie lover, and can actually play the guitar!
About The Sizewell Murders
In ‘The Sizewell Murders’, indie writer Lucy S Johnson redefines the crime genre for the 21st century. She takes all the well-worn but much-loved tropes fans will recognise and gives them a new spin that update the time-honoured staples of the genre. A grizzled old copper (DCI Doggett) is tempted out of retirement to investigate the disappearance of a beautiful young girl (Cora – the chief nimby’s cleaner). As Simon tries to clinch the deal his problems seem to multiply – are his spoilt, rich daughters involved or implicated, can his marriage survive the strain?! In doing so she meets the high standards that all crime fans will expect – the cherry on the cake is that her writing is hilarious and she is having the time of her life as an author.
Join Lucy on her writer’s journey.
And now, onto the Q & A:
GA: What got you started as a writer?
I started a few years back – I found out that it was possible to publish your own work and promote it via Amazon in conjunction with social media channels. I just got on with it.
It’s my pleasure to welcome Deborah Klée to The Writer is a Lonely Hunter on the publication day of her fourth novel The Last Act. I first met Deborah as a host and founder of #FriSalon, a weekly tweetchat held on Fridays at 4pm BST where writers come together to discuss a writing topic, share tips and resources. Since then, I’ve been a guest on her podcast The Mindful Writer where we explored the psychological and emotion journey to becoming a writer. These activities demonstrate how committed Deborah is to supporting the writing community and it’s a laudable endeavour. However, the purpose of this interview is to discover the inside story to her latest novel, The Last Act. Here’s the blurb to whet your appetite:
The Last Act
It is 1980 and Jojo Evans is living the dream. Perfect job, perfect man, perfect life – but is it all an illusion?
Jojo doesn’t think so – she cannot believe her good fortune, working as magician’s assistant to her charismatic boyfriend, The Incredible Nico, and sharing his luxurious flat is a far cry from her life in a squat working as a street performer.
Best friend, Annie Daley, isn’t so sure. Jojo seems bewitched by this new boyfriend, and Annie doesn’t trust him.
When Jojo receives an anonymous note warning her to keep away from Nico, the friends suspect it’s from a jealous fan. But the threats that follow cannot be so easily dismissed, and Jojo fears for her life. Annie volunteers to investigate, and enters the world of the Golden Globe Theatre, where nothing is as it seems.
As tensions mount to a career-making show finale, things spiral out of control. Will Jojo and Annie see through the smoke and mirrors in time to save their lives, or is this to be their last act?
With a story based in 1980 and an unusual setting, what was the inspiration behind this novel?
The inspiration was a writing prompt in a creative writing class fifteen years ago. The prompt was one word. Mirrors. We were asked to write 5k words and share 1k each time we met as a group. When I shared the 5k story, my tutor suggested it was the outline of a novel. It was the premise of this story that led me to write novels. I wrote several more novels and had three published before returning to this story. I kept the premise, characters and setting but changed the plot and set it in 1980.
1980 was a time of change. Woman were experiencing power in the workplace for the first time. The entertainment industry was being transformed with new-wave acts: Monty Python’s Flying Circus, Punk Rock. I experienced the 1980s in my teens and so it was fun to recollect those years.
JoJo and Annie are great characters. Did you set out to make female friendship significant in the story?
I don’t think I set out to write about female friendship, but it is important to me and therefore finds a way into most of my novels. Jojo and Annie’s friendship is challenged when their lives take different directions. The feelings of being left behind, envy, and bereavement are ones I’ve experienced at different stages of my life with close friendships. I wanted to explore that.
How do you decide on names and nicknames for your characters?
Sometimes I use a name generator on Google for suggestions. In The Last Act I chose the names early on, thinking I could change them later, but once I knew my characters I couldn’t – they are their names! Annie Apple-cheeks, Annabelle’s nickname, just came to me, as Jojo exclaimed it in my head. I imagine Annie with a pretty, round, and open face.
A girl I knew at college had a boyfriend called Nick and, wanting to sound Italian, he changed it to Nico. So, I borrowed from him.
The novel is written with two viewpoint characters (JoJo and Annie). Did you organise the changes of viewpoint at the planning stage?
I did. I grappled for a short while with whose story it was – Jojo’s or Annie’s. I decided it was about their friendship and they were equally important to the story. So, I gave them equal space. I love them both, Jojo for her energy and imagination, Annie for her loyalty and kindness.
Your prologue is particularly interesting as it includes interview quotes with staff from the Golden Globe following a fire at the Victorian theatre. Why did you decide on this format?
I start and finish with news reports. The Last Act is about performers at The Golden Globe Theatre competing for media attention in the hope it will launch them to stardom. Little Fires Everywhere and Big Little Lies use a similar technique in reporting an incident in the prologue. I wanted to create intrigue and focus the reader on the theatre’s big night when the last act would offer up the next big star in the world of magic.
Danger in the novel comes in many forms. Romantic relationships are complicated and add to the jeopardy. Was this your intention when you set out to write the book?
I started with the premise of the note: If you value your life, keep away from him. I realised that this could have two meanings. The threat could come from within the relationship or from outside of it.
What’s next for you Deborah?
I have just finished writing a dual timeline novel set in WWII and 1960s, The Evacuee’s Secret. A North Yorkshire village flooded in 1966 to create a reservoir inspired this novel. I would like to write more dual timeline stories and have a couple more in my head waiting to be written.
Thank you for joining me on The Writer is a Lonely Hunter, Deborah. It’s been great to find out more about you and your novel The Last Act.
About Deborah Klée
Deborah Klée is an award-winning author of page-turning, uplifting stories about friendship, community, and emotional courage. After a career in health and social care: an occupational therapist, health service manager, freelance journalist, and management consultant, she now enjoys writing happy endings for her protagonists.
Deborah lives on the Essex coast, where she loves to walk by the sea or the surrounding countryside filling her pockets with shells, and acorns, and her head with stories.
As with many of the authors I’ve interviewed on The Writer is a Lonely Hunter, Alice and I first met on social media. We both commented on Tweets from the Women Writers Network account, and as I became more aware of Alice through her online presence, it was a delight to realise we had things in common including projects coming to fruition in July. While you don’t need to know anything more about The Secret Life of Carolyn Russell, I’m pleased to introduce Alice and her outstanding short story collection, The Truth Has Arms and Legs which will be released by Fly On The Wall Press on Friday 14 July 2023.
About Alice
Alice Fowler is an award-winning writer of short stories and longer fiction. She won the Historical Writers’ Association short story competition in 2020 and the Wells Festival of Literature short story competition in 2021. Other stories have been short- and long-listed in prizes and printed in anthologies. Her historical novel was longlisted for the 2021 Stylist Feminist Fiction Prize.
Alice has a degree in Human Sciences from Lady Margaret Hall, Oxford and worked as a national print journalist until 2006.
She lives in Surrey with her husband and teenage sons, and loves theatre, tennis and walking in the Surrey Hills.
About The Truth Has Arms And Legs
Delve into a world of change and reinvention. Where relationships are as delicate as turtle eggs, and just as easily smashed.
This poignant short story collection explores pivotal moments that transform our lives. Jenny, whose life is defined by small disasters, discovers a more generous version of herself. A traveller girl might just win her race and alter her life’s course. A widow, cut off in a riverside backwater, opens her heart to a stranger.
In this captivating collection, readers will be moved by the raw vulnerability of human connection, and the resilience that enables us to grow and thrive. In change, Alice Fowler’s characters find the ability to be truly free.
Q&A
The About Alice page on your website says you write short stories and longer fiction including work on a historical novel. What are the benefits of writing both short form and long pieces? Is your process for writing short fiction and longer fiction different?
Thanks so much for having me on your blog Gail! I particularly like this question as it really makes me think about my writing process. When I begin a short story, I often don’t know where it will end up. Or, if I do have an idea of the ending, I certainly don’t know how I’ll get there. I really enjoy that feeling of discovery. When it’s going well, writing can feel like painting: you add a dab of this colour, and a dab of that one, and then stand back to judge the overall effect.
For me, this approach works very well for short stories precisely because they’re short. You can throw all the plates up in the air and then (hopefully) catch them again. I write my stories from a place of pleasure, and I hope that readers sense that as they read.
With novel writing, this ‘pantser’ approach is riskier. I still like to write this way when I can, but it sometimes sends me off into blind alleys. Ideally when I begin a chapter in my novel I have more of plan – and stick to it! – while leaving enough unknown to make the writing process fun and interesting.
It’s taken three years from writing the very first line of The Secret Life of Carolyn Russell to arriving at publication day. There have been many ups and downs in reaching this point, but I’m proud of this story with its mystery and underlying messages that show changes in the moral code over thirty years and provide glimpses into racism in a rural setting. Book blogger, Linda Hill has posted an insightful review covering many of the elements I hoped to get across in her publication day review here.
If you’ve ever wondered how an author spends publication day, here’s my schedule:
7am: write a blog post and send (timing has slipped a bit here)
8am: join Writers’ Hour to finish a Q&A kindly offered by book blogger Victoria Bucknell
9am: check Amazon rankings to see if the novel has made a splash (repeat hourly every ten minutes)
Maria and I are both published by the leading independent fiction publisher Bloodhound Books. On signing my contract, I was encouraged to interact with other Bloodhound Books authors through a private Facebook group. This was where Maria and I met and we’ve taken this connection to a new level through this interview. I’m sure you’ll find Maria’s writing journey inspiring and her debut novel a sinister yet fascinating story. Here’s the blurb for The Devil’s Own.
A set of century-old diaries found in an attic draws an Irish couple into a tale of murder and madness, in this absorbing new suspense.
After forty years in the Irish army, Brian is looking forward to retiring and spending time with his wife—though he worries about adjusting to civilian life. While clearing the attic before they move house, he makes a discovery: three journals dating back to the early twentieth century.
One was written by Arthur, an ex-Connaught Ranger; another by Arthur’s wife, Edith, a colonel’s daughter; and the third by Henry, a British soldier and Arthur’s best friend.
Brian and his wife are soon engrossed in reading the diaries and following the intertwined stories of these three people from the past. But it soon becomes chillingly clear that these diaries contain more than the daily adventures of ordinary lives. Because one of the three is a killer . . .
Thank you, Maria, for joining me on The Writer is a Lonely Hunter and agreeing to answer the questions that struck me while reading your impressive debut novel.
What steps brought you to write The Devil’s Own?
The gem of the idea for this book has been lying dormant in the back of my mind since I first saw the Curragh Camp, way back in 1978. I was working, waitressing with my mother at a dinner dance in one of the messes. My career as a waitress was very short-lived! During a break over a cup of tea, we got talking to the army chef about the building we were in, the history of the camp and the general consensus on the night – if only walls could talk.
Little did I know I would end up living in the camp, albeit for a short time around 1993. The Curragh is filled with history, going back to the days of British rule. My husband was born in the Curragh, grew up there. At one stage it had a vibrant community, completely self-contained. I was fascinated by the stories I heard from his family and our friends about the people who lived in the camp. I didn’t write them down at the time. It would take another forty years for that first spark of an idea to come to fruition.
It is my pleasure to welcome Barbara Conrey to The Writer is a Lonely Hunter once again. We first met online in 2021 when she was kind enough to answer questions about her debut novel Nowhere Near Goodbye. (You can find the piece here.) She now has a splendid second novel released with the evocative title My Secret to Keep. This fascinating story made me wonder about Barbara’s writing process which she explains in this author interview. But first, here is some information about the novel:
When Maggie Bryan works up the nerve to tell her parents she’s pregnant, they immediately disown her. Later that night, her boyfriend is killed. In desperation, she turns to her brother, Sam. Against his wife’s wishes, Sam brings Maggie to his home in rural Pennsylvania.
While Maggie awaits the birth of her child and navigates the tension in her new home, she decides to finish high school. There, she meets Anne Phillips, a volunteer educator and full-time architect. Over time, Maggie becomes drawn to Anne in ways she doesn’t understand, but she knows enough to keep her feelings hidden.
After a devastating loss, Maggie tries to move on, but secrets and betrayals keep her from living her fullest life. Beginning in the late 1940s and spanning decades, My Secret to Keep portrays a woman at war with society, her family, and herself.
And now to the questions:
How much planning was involved in writing a novel that spans decades?
Writing a novel that spans decades is eerily similar to those blasted reading math problems when I was in grade school – and I wasn’t very good at them then, either. So there’s a lot of counting forwards and backward and practically using my fingers to ensure I’ve got my timelines right.
The blurb describes Maggie as a woman at war with society, her family, and herself. This so clearly describes the protagonist, and yet she achieves acceptance too. Did you know what would happen at the end of the novel when you started writing the book?
The ending of this book nearly did me in because Maggie only achieved acceptance, and by this, I mean accepting herself after she lost Anne. I was devastated.
You cleverly dovetailed the latter part of the novel with the story in your debut, Nowhere Near Goodbye. This gave me the chance to reconnect with Kate’s story. Was this your intention?
Most people don’t know that once Nowhere Near Goodbye was under contract, I had to rewrite a good half of the book. I had originally submitted it as a two-person point of view, with one being Emma and the other being Kate. My editor convinced me I could make a stronger story by changing to a single point of view, Emma’s.
So I had all this material. Some of it I used in Maggie’s character in Nowhere Near Goodbye; don’t forget, I had to rewrite a good part of the book, so I fleshed out Maggie’s role, and when I did that, Maggie became much more interesting. That’s when I started thinking about a prequel to Nowhere Near Goodbye to tell Maggie’s story.
It was International Women’s Day on Wednesday 8 March 2023, a global event which celebratesthe social, economic, cultural and political achievements of women. As my contribution to the day, I joined a group of readers and writers at Bridport Library where there was a series of events including a writerly quiz, a lucky dip and talks by local writers. I was delighted to be interviewed by Sarah Scally who asked some searching questions about This Much Huxley Knows. Also on the programme was Nikki May who enjoyed phenomenal and rapid success with her novel Wahala, which tells the story of three Anglo-Nigerian best friends and a fourth woman who infiltrates their group. (I have the novel on order from Dorset Libraries and will watch out for the TV series coming on the BBC.) It was refreshing to hear about her writing journey where it took five years to become an overnight success.
Why not tune into Suzie Grogan’s Talking Books radio show on 10Radio (or use your usual world steaming service) to find me giving away the inside story on writing This Much Huxley Knows and much more. Alternatively, if you’d prefer a breath of Scottish air, here are some photos from our walk in the Pentland Hills (south west of Edinburgh) yesterday.
If you’re active on Twitter, you’ve probably seen tweets about This Much Huxley Knows bounding around your screen. I’ve been fortunate to have the support of many book bloggers who generously tweet about my recently published novel. And there are others on Twitter who retweet about reviews and posts and yet more who share details. Whenever this happens, I like to find out more about the kind person who is helping to spread the word about Huxley. Often I follow them and sometimes I make contact. This is what happened when I came across a tweet from author Stevie Turner. She has such a interesting website with information about her books, her awards and certificates and much more. There are also pages offering support to other authors including interviews. When I read some of the fascinating conversations with a whole range of creative people, I wanted to be amongst their ranks. And following my moto, there’s no harm in asking, I sent an email request. Stevie was very gracious in her reply. She thought up a list of twenty questions which I answered and Q&A now appears on her website. It’s such a boon to have the support of another writer.
Now that the interview is live, can I encourage you to pop over for a read? And while you’re there, do have a look around Stevie’s website to find out more about this generous, multi-genre author and blogger. Here’s the link.
I came across Sundy Flor’s Twitter account when I was investigating book bloggers online. I checked out her website, Books Unfold, and was impressed with the beautiful graphics she creates to accompany her posts and the interesting format for her reviews. I contacted Sundy Flor to see if she would be interested in reading and reviewing This Much Huxley Knows. She agreed and absolutely loved the novel, you can read the review here. We’ve had several email exchanges since then and it occurred to me readers of The Writer is a Lonely Hunter might be interested in learning more about book blogging and the new fangled Bookstagramming. Who better to ask than Sundy Flor?
Q&A with Sundy Flor from Books Unfold
Can you tell readers about yourself, where you’re from and Books Unfold?
I am Sundy Flor from Davao City, Philippines. I am an avid reader of books from Fantasy and Young Adult to Nonfiction. Books Unfold is my blog where I share my thoughts and the things I learned from books.
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