the writer is a lonely hunter

writing by Gail Aldwin and other Dorset writers

The FABULOUS wider writing community

It was Nina Killham who first recommended I read The Deep End of the Ocean by Jacquelyn Mitchard. This is the debut work by a novelists who has gone on to write ten further books for adults plus others for the young adults and the children’s markets. As a first novel, The Deep End of the Ocean gained much attention and acclaim and was the first title chosen for Oprah’s Book Club in 1996. It is a powerful novel, full of suspense as the protagonist, mother to a missing boy, struggles to come to terms with what’s happened. It’s a very moving story that teaches about resilience and compassion in circumstances that are a nightmare to every parent.

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As there are parallels between my novel The String Games and Jacquelyn’s work (in terms of a focus on a lost child) I decided to get in touch with Jacquelyn through the contact page of her website. Imagine my surprise when minutes later a reply from this best-selling author popped into my inbox. Jacquelyn kindly agreed to  read my novel with a view to offering an endorsement. Although delighted with this response, I did feel rather impertinent even asking. As a child, my Grandma frequently used the reprimand ‘askers don’t get’ whenever me or my siblings became demanding. But if my Grandpa was within earshot he’d pipe up ‘don’t ask – don’t want’. This memory of my grandparents convinces me there is no harm in asking.

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Pt 3: the FABULOUS wider writing community

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I entered a travel writing competition in 2016 and as runner-up, I was offered a bursary to attend a fiction retreat at Moniack Mhor, Scotland’s creative writing centre. One of the tutors on the programme was Elizabeth Reeder who writes novels, essays and stories. Her debut novel, Ramshackle, was shortlisted for the Saltire Literary Award in 2013 and she’s gone on to write further novels.

The narrator of Ramshackle is fifteen-year-old Roe who one wintery day finds the man she thinks of as her father has gone missing. In the week that follows, Roe finds out more about herself and her father. At this point in growing up, Roe is an expert of her own experience but anything beyond causes anxiety. Roe’s voice is a mixture of confidence and vulnerability and this is something I wanted to explore in The String Games. Advice from Elizabeth was invaluable in moving forward with the middle part of my novel.

When it came to thinking of authors to approach to endorse The String Games, Elizabeth was at the top of my list. She’s an excellent writer so I’m delighted she felt able to offer the following words:

Gail Aldwin’s The String Games debuts her talent in an intimate portrayal of family, love and loss, and one that gives a glimpse into how crisis might shape each of us.

Elizabeth teaches creative writing at the University of Glasgow. I was fortunate to catch up with her at the Edinburgh International Book Festival in 2017 where she facilitated a wonderful readers’ workshop. Keep an eye out for other events Elizabeth is involved with. If you’re able to attend one of her workshops, seminars or talks you’re bound to enjoy it.

The String Games will be published in May 2019 but if you can’t wait until then you could always dip into my short fiction collection Paisley Shirt. It is also available from Waterstones in Dorchester and Bridport, The Bookshop in Bridport, Gullivers in Wimborne and Serendip in Lyme Regis.

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Pt 2: the FABULOUS wider writing community

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Credit: Grafik Mekanik, Flickr

When it came to seeking endorsements for The String Games, I turned to the authors of novels with child narrators or child protagonists that I had read and enjoyed. Amongst them was a debut novel called Not Thomas by Sara Gethin. I like to read debut novels because it’s good to notice any trends in publishing and to check out the competition. Sara Gethin uses a five-year-old narrator, Tomos, who lives in poverty with his mother but who has experience of another life with his grandparents.  Tomos’s voice displays his innocence and optimism while the implied reader knows more about his mother than Tomos.  Using a young narrator allows the action to  take place beyond the child’s full understanding and this is a strategy I employ in The String Games. 

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Careful use of patterned language and repetition perfectly captures the experiences of Tomos:

I am going up into my bed now. I’m climbing my ladder. I am pulling some tee shirts over me and some towels and jumpers too. I’m trying to get warm. I am thinking about the pictures in the book. I’m thinking about other pictures too like the ones in Charlie and the  Chocolate Factory. That is my favourite book. I had it last week from the library in school. It’s my favourite because of the film me and Dat used to watch. We love the film. We used to sit on the settee and watch it in Nanno and Dat’s house.

This extract cleverly shows how a resourceful little boy operates in challenging circumstances and how he is able to distract himself from his current situation. Use of the child’s interior monologue identifies books that spark memories as a pivot to remembering happier times. The contrast reinforces the precarious nature of Tomos’s life with his mother.

Not Thomas was shortlisted in The Guardian’s Not the Booker Prize 2017 and the Waverton Good Read Award 2018. It is published by Honno. I thoroughly enjoyed reading Not Thomas and urge others to step into the shoes of Tomos and see the world from his perspective. It is an illuminating experience.

Sara Gethin has kindly endorsed The String Games. This is what she says about my novel:

This is a gripping novel, where Gail Aldwin skilfully explores the dynamics of a splintered family coping with a truly awful event, and sensitively explores the repercussions of a burden of guilt unfairly shouldered by a child. Aldwin delves into the murky world of teenage manipulation, questions what makes a bad mother and asks whether forgiveness for a horrific act is ever possible. An insightful, engaging novel, The String Games breaks the reader’s heart and leaves them turning the pages ever more quickly to get to the truth of what really happened.

I’d like to thank Sara for her support and the wonderful endorsement.

I’ll be posting again in December with two other endorsements to share. Thank you for dropping by to read this.

 

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