I’m on Chandler’s Ford Today with Allisons Symes chatting about characters, writing goals and the Dorset Writers’ Network.
Allison is a fellow Chapeltown Books author.

Don’t the collections look splendid displayed together?
I’m on Chandler’s Ford Today with Allisons Symes chatting about characters, writing goals and the Dorset Writers’ Network.
Allison is a fellow Chapeltown Books author.

Don’t the collections look splendid displayed together?
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I’m in good company today, staying in with Linda Hill. Here I share the inspiration behind the title story of Paisley Shirt and find out what Linda, a prolific book blogger, thinks about the collection. Why not pop over and take a look?

Paisley Shirt is now in stock at the Book Depository with free delivery.
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I had such fun searching for images of women wearing paisley shawls (you can see the post here), that I decided to continue looking for paintings, but this time with girls wearing shawls.

Girl in a Red Shawl by Alexi Harlamott (1840-1925)

Aprilliebe by Arthur Hughes (1832-1915)

Girl in a yellow shawl by Eugene de Blaas (1931)

Girl with a green shawl by Joseph deCamp (1900)

Lise in a white shawl by Renoir (1841-1919)
Do any of these images activate stories for you? You can find out how paisley shawls and the development of paisley pattern have influenced the writing of Paisley Shirt by clicking here.
An interview with Allison Symes for Chandler’s Ford Today has me sharing stories about travelling overland on a converted Lodekka bus with Top Deck Travel in 1981.
Find out how this journey links to the publication of Paisley Shirt here.
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Fantastic feedback from Kim Martins on Paisley Shirt
For the last month or so, I’ve been reading a fair bit of Gothic Horror. In fact, I’ve become totally obsessed with it. I’ve also been been reading a lot of flash fiction and two collections feature in my reviews in this post. Might be a book or two in this lot for you to read? Enjoy!
The Hound of the Baskervilles by Sir Arthur Conan Doyle. Published in 1902. I know I’ve read this before, perhaps as a teenager. What can I say? This is Sherlock Holmes in top form and it’s a gripping Gothic horror novel. Despite my love of minimalist language with no horrid adverbs, I am drawn to the florid Victorian-era language. And you certainly cop it with this novel.
The plot is well-known so I won’t go into it, other than to say it revolves around the legend of a hell-hound and an ancient…
View original post 2,313 more words

I’m pleased to join fellow Chapeltown author, Mandy Huggins, on Troutie McFish Tales today. You can read about my experience of writing about place and how I create characters. Do pop over and have a read.
If you’d like to purchase a copy of Paisley Shirt and you live in Dorset, Serendip in Lyme Regis and The Swanage Bookshop hold copies and I’m in negotiations with Gullivers in Wimborne, The Book Shop in Bridport and Waterstones in Dorchester to stock Paisley Shirt, too. You can also find Paisley Shirt in October Books, Southampton.
For those who prefer ordering online, Amazon continues to show an ‘out of stock’ message so try ordering through the Book Depository or another online retailer such as Waterstones. Any good bookshop will be able to order a copy if you quote the ISBN 9781910542293.
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How did I source a publisher? What do I love about flash fiction? What are my other writing projects? Tracy Fells at The Literary Pig invited me to share some of my writing experiences. Do pop over and have a read. Click here.

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I’m delighted to welcome fellow Chapeltown Books author Mandy Huggins to The Writer is a Lonely Hunter. She is a prolific writer whose name appears frequently as a winner or runner-up in a range of competitions and her stories are widely published on websites and in print anthologies. Brightly Coloured Horses, her collection of flash fiction has received rave reviews and I’m keen to learn more about Mandy.
What do you do for a day job? How does working in a different context affect your writing?
I work in engineering, so it’s a completely different world to writing. I enjoy getting out and talking to people every day, and writing is a solitary pursuit, so it actually makes for a good mix. The only real way my day job affects my writing is by severely restricting the time I have to actually write! I have a half hour walk to work, which is useful thinking time, so I’m often jotting down notes as soon as I arrive.
You’re widely known as the writer Mandy Huggins, but you’re also called Amanda and Troutie McFish. How are your different personas distinguished?
Troutie McFish is a nickname that was given to me by a colleague when I lived in London, and it became my Twitter handle and blog name long before I was promoting my writing. It always raises a smile when I tell people my email address!
I recently made a decision to use the name Amanda for my forthcoming short story collection, Separated From the Sea. All my family, friends and work colleagues know me as Mandy, but it feels like the right moment in my writing career to start using my full name as my author name. I just hope I don’t confuse everyone!
You’ve enjoyed considerable success with travel writing and short fiction. Do you think there is elitism attached to different types of writing?
Yes, sadly I think there is elitism attached to different types of writing, and genre fiction such as horror and fantasy is often perceived to be less ‘worthy’ than contemporary literary fiction. However, I think things have changed in the poetry world. The new wave of performance poets has led to a sudden upsurge in sales of poetry collections, and I think this is one form of writing that is becoming much less elitist.
Do you have ambition to be published in any particular journal or anthology? Where are your favourite places to be published? Do you have any recommendations for platforms to seek publication or particular resources?
I dream of having a short story published in The New Yorker, and it would be lovely to be included in Salt’s Best British Short Stories. However, I’m lucky to have been published in an interesting mix of journals, websites, newspapers and anthologies, and I’m grateful to every editor that has ever liked my work enough to have me!
The main resources I use for competition listings and publication opportunities are the Competition Guide supplement that comes twice-yearly with Writing Magazine, Mslexia’s Indie Press Guide, and the writer Paul Mcveigh’s wonderful blog.
Do you ever get jealous of the success of other writers?
No, not at all. I’m always delighted when writers I know are published or win an award.
Brightly Coloured Horses, your newly published collection of flash fiction has consistently received 5* reviews. What were the challenges in putting the collection together?
I selected the stories I wanted to include in Brightly Coloured Horses from around 50 pieces of flash fiction I’ve written in the last five years or so. In the end it wasn’t that difficult to choose. The 27 stories that made it were the ones that just seemed to fit together naturally as a cohesive collection. I’m a very slow writer, and a lot of work had already gone into honing every story.
What’s next for you, Mandy?
I’m thrilled to say that I have another book coming out in June – my first full-length short story collection, Separated From the Sea. I’m currently working on the final edits with Amanda Saint at Retreat West Books, and the cover reveal is imminent! Two books coming out in the same year is wonderful, but it’s not for the faint-hearted! The promotional side of things is hard work and time-consuming, as you know, and I’m finding I have no time left over to write anything new. The third book could be a long way off!
Thank you for joining me on The Writer is a Lonely Hunter, Mandy. What an exciting year you have ahead.
Twitter: https://twitter.com/troutiemcfish
Blog: http://troutiemcfishtales.blogspot.co.uk/
Amazon: https://www.amazon.co.uk/Brightly-Coloured-Horses-Mandy-Huggins/dp/1910542199
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I’m over on Linda Parkinson-Hardman’s blog today answering a range of questions including:
and
Why not pop over and take a look at my answers? Click here.
authors blogs flash fiction interview Reading short stories writing
In the style of Marina Sofia’s Friday Fun Reading Women post, I have collected images of women in paintings wearing paisley pattern shawls. These shawls became popular in the nineteenth century when mass production of the design (which originated in Kashmir) started in Norwich and then Paisley in Scotland. Thus paisley shawls became an exotic, must-have garment that became a marker of respectability. Although popular in Britain, the shawls were widely available in Europe, too.

Paisley Shawl by Robert Lewis Reid (1862-1929)

Sunday Afternoon by George Morren (1868-1941)

Portrait of a Young Lady by Eduard Friedrich Leybold (1798-1879)

Irish colleen wearing green plaid shawl (1890)

Will you go out with me Fido? by Alfred Stevens (1823-1906)
If these images have pricked your curiosity about the place of paisley pattern in the arts, why not read the story in my collection Paisley Shirt which was inspired by this design?
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