For anyone on Twitter, you may have come across online pitching events that encourage writers to compose a tweet using 280 characters to get their story under the eyes of literary agents and publishers. If the tweet is ‘liked’ there’s an opportunity to submit a query letter, synopsis of the work and the first three chapters for consideration. It’s a good way to bypass the slush pile and I’ve attracted some interest by honing my elevator pitch to the size of a tweet. In previous twitter pitches I’ve used the following to describe my latest novel (the words in capitals suggest comparable titles):
THE WIDOW x HIGH FIDELITY
Menopausal journalist rediscovers her mojo by developing a true crime podcast about a missing West Country teenager in 1979. The dual timeline reveals the girl’s story of infatuation and exploitation with an unforgettable twist.
Earlier this year, I saw another twitter pitch advertised by Bloodhound Books, a leading independent publisher based in Cambridge.
the writer is a lonely hunter 