the writer is a lonely hunter

writing by Gail Aldwin and other Dorset writers

Adventures in #PanDeMoNium

Since the start of November, I’ve posted photos on social media of a cheeky purple panda who’s out and about. This is to help promote my forthcoming children’s picture book Pandemonium. In case you don’t follow me on Twitter @gailaldwin, here’s what’s been happening this week.

Last hot chocolate for a month and clinging on for dear life.
Up to something or just hanging around?
What’s happening hare?
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Pan de mo nium: cover reveal

I love the stage in the writing process when all that hard work comes to fruition. There are steps along the way that cause angst or excitement but there’s nothing to replace that sense of ‘it really is going to happen’ when I see the final cover design for my publication. Here it is, ta-dah:

Welcome to the world of Pan de mo nium my children’s picture book. You can read more about the inspiration for the story here. I absolutely love this image as it captures the characteristics of giant pandas:

They’re fun: see that cheeky expression!

They’re shy: those eyes!

They’re a symbol of vulnerability: imagine it!

They’re peaceful: well, not so peaceful in the case of Pan de mo nium. That’s the point of the story!

The final draft has gone to the printers and I’ll receive proofs within the next week. A last read through and then these copies will be sent into the world headed for readers and book bloggers who have kindly agreed to offer early reviews.

Be sure to get a copy for young children in time for Christmas by placing a pre-order now at the Victorina Press website.

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sneak preview: pan de mo nium

I’ve been working on a children’s picture book for a very long time indeed. The idea for pan de mo nium came when I was teaching a module of writing for children to undergraduates at the University of South Wales in 2015. We were looking at some features of anthropomorphism, where animals have human characteristics, and I shared examples where this technique was used to explore danger vicariously and therefore safely. Students joined the discussion before going slightly off task and started chatting about cute red pandas.

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Red pandas are found in the mountains of Nepal, northern Myanmar and central China. These animals spend most of their lives in trees.

I spent a long time wondering what the relationship would be like between a giant panda and a red panda living in central China. I started thinking about what it would be like to be part of the same family but look totally different. (Although in fact red pandas are not related to giant pandas). Could these thoughts be explored through anthropomorphism? Would it be possible for a cute and cuddly character to experience tensions around not fitting in?  I began to wonder if the issue of identity could be explored through children’s fiction by creating a purple panda.

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In Pan de mo nium Peta lives in a department store where her purple colour offers camouflage. She gets up to all sorts of mischief but when she’s spotted, the shop assistant puts an end to her tricks.  What can Peta do to become a cheeky panda once again?

Here’s a sneak preview of a scene from inside the book.  I love the colour palate that Fiona Zechmeister has cleverly used here.

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