the writer is a lonely hunter

writing by Gail Aldwin and other Dorset writers

The String Games wins an award

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Victorina Press the publisher of The String Games is delighted that two of their books have been awarded as finalists in the Best Cover Design for Fiction and Non-Fiction in the 2019 International Book Awards. My novel The String Games was selected as a finalist in the Best Cover Design for Fiction.

The cover image features the profile of the protagonist of the novel as a young woman and the string design for the title represents the controlling metaphor of the novel. The catalyst for The String Games is the abduction and murder of a young boy and the story is told from the perspective of his older sister. The characters lead tangled lives that are knotted and twisted but Imogen is eventually able to get to the truth of what happened to her brother and address issues of unresolved grief. The outcome of this coming-of age story is positive, showing the possibility of fresh starts and new beginnings

I worked with the illustrator, Fiona Zechmeister, to produce the cover design. It was a collaborative effort to bring about a cover we were both pleased with. Fiona is an outstanding illustrator and I’m delighted her skills are recognised in this award.

The String Games  is available online through Victorina PressWaterstones and Amazon.  It is  also stocked by independent bookshop in Dorset including Serendip in Lyme Regis,  The Book Shop in Bridport, Gullivers in Wimborne and Winstone’s in Sherborne.

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Copenhagen, Stockholm and the Writers Festival

I don’t watch much television but David and I thoroughly enjoyed the Scandinavian noir crime series The Bridge.  With Saga Norén as the lead detective (it is suggested she has Asperger’s), audiences follow collaborative investigations between Sweden and Denmark.  Before this programme, I had never been aware of the significance of the Øresund/Öresund Bridge in linking the two countries and this seeded an idea for a visit.

It was from a tweet by writer Lizzie Harwood, that I became aware of the second Stockholm Writers Festival (SWF) scheduled for the beginning of May 2019. The programme included writers I was keen to meet and became the incentive I needed to book a trip to Denmark and Sweden. Once the flights were organised, we left it to the last minute to find accommodation in Copenhagen and by chance, we ended up in a good hotel located close to the Langelinie promenade. Each morning we took a run to visit the Little Mermaid statue, then followed a path along the ramparts of the fort then bought pastries for breakfast which we ate on the rooftop of the hotel.

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After four nights in Copenhagen, we travelled across the bridge by train to Stockholm and stayed at an airbnb in the city. The SWF began on Friday afternoon with a celebration of winning writers from the First Pages competition, followed by a literary quiz and mingling in a bar. The festival brought together English language writers in Sweden and participants from other countries. On Saturday and Sunday there were a range of workshops offered, panel discussions, talks, opportunities for networking and one-to-ones with agents. I attended two workshops that were particularly empowering and they have enabled me to revisit pieces of flash fiction and develop them for publication. (One of these stories has since been accepted by FlashFlood, the National Flash Fiction Day journal which will appear on the website on 15 June.) The first workshop was delivered by Jessica Lourey who shared strategies to identify powerful emotions from personal history to feed fictional stories. The other was a workshop on developing dialogue delivered by Cassie Gonzales which highlighted elements of the said, the unsaid and the unsayable. The two inputs dovetailed to create a valuable resource in plotting fiction.

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Now I’m back at home and I’m delighted to be able to apply the new skills I developed at the festival. I’m also thrilled to be part of a new writing community and have connected with many participants at the festival through social media. Thank to you to Catherine Pettersson, founder of the festival, and all those who have supported it to make the event so successful.

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