Joining this event was a bit like going to the dentist: not something to look forward to but it was worthwhile. I prepared for the five-minute pitch of my novel The String Games by thinking about presentations by successful participants on the show. Of course the Chudleigh Dragons were not a fearsome bunch like their TV counterparts but comprised novelist Sophie Duffy, publisher Dr Tarja Moles and Ian Hobbs, founder of the Devon Book Club.
I organised my presentation by starting with my elevator pitch:
The String Games is a story about the abduction and murder of a four-year-old boy told from the viewpoint of his older sister. Rather than a crime novel, the story draws upon psychological drama to focus on the legacy of loss for the protagonist. String is the controlling metaphor for the novel which includes characters who are puppets on strings, others who are strung along and some who need to cut the apron strings.
The following three minutes focused on:
The structure of the novel
Organised into three parts, The String Games uses a different string figure to name each of the sections. With the visual aid of a rainbow string, I was able to talk and manipulate the string to make a cat’s-cradle and a worm but showing how to make Jacob’s Ladder was beyond me. Instead, I illustrated how my protagonist is able to draw her life into an ordered pattern of threads by showing a picture of the string figure.
USP
There are many novels that alternate the experiences of the protagonist as a child and an adult or as a teenager and an adult but there are few which include the three stages of development. This is the USP for my novel. The structure works like a triptych with panels showing the experiences of the child, the teenager and the adult in the three parts of the novel. In this way, it’s possible for the adult to look back on the child she used to be and hardly recognise herself. But, it is by reconnecting with the experiences of the child that my protagonist is able to integrate feelings of unresolved grief for her brother and move forward as an adult.
Theme
The thread that runs through The String Games relates to the resilience of my protagonist. Readers vicariously enjoy her ability to overcome the obstacles I set. She became my protagonist-daughter and as an author-mother I was able to champion her so that by the end of the novel, my protagonist is equipped with the skills and confidence to live her life beyond the pages of my book. I let her go to continue her own story so that I am free to produce new fiction.
At the end of my pitch, the Chudleigh Dragons posed a couple of questions relating to the readership of my novel. Although I’d like The String Games to reach a wide audience, its appeal lies with those who enjoy literary fiction. As a reminder of my pitch, I gave each of the Dragons a mini book of The String Games.
Thank you to Elizabeth Ducie and the Chudleigh Writers’ Circle for organising this event. Well done to the winner Jean Burnett.
If you can’t wait until my novel finds a publisher, try reading my short fiction collection Paisley Shirt instead. It is available with free delivery from The Book Depository or online from Amazon UK and Amazon USA. It is stocked in Gullivers Wimborne, The Bookshop Bridport, Serendip Lyme Regis, The Swanage Bookshop and branches of Watersones.
the writer is a lonely hunter 
Well done – such good experience!
You set a high standard, Gail. I’ll be following your progress with String Games with interest. Chip.
And I am very interested in your next novel, too.
Thank you for sharing your experience pitching your novel. Your were certainly organized, and I’m sure the Chudleigh Dragons appreciated it. “The String Games” sounds like exactly the kind of book I enjoy reading. I can’t wait for you to find a publisher for it. Way to go, Gail!!
Thanks, Jim. Your support is always appreciated.