the writer is a lonely hunter

writing by Gail Aldwin and other Dorset writers

Heads up: new publication

I am delighted to share the news that my debut poetry pamphlet will be published in March 2019. Last summer I entered a competition inviting submissions of poetry on the theme of siblings and I was thrilled to be judged joint winner with Rachel Lewis. My pamphlet is titled adversaries/comrades and includes a range of forms from prose poetry to pattern poetry all based on the relationships between siblings.

Wordsmith_HQ have done a wonderful job in creating the pamphlet and designing the cover.

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The cover image is taken from a photo of children playing in Maumbury Rings, the Neolithic henge situated to the south of Dorchester. Every August bank holiday there is a wonderful day of music held at Maumbury Rings where picnickers enjoy a range of bands. This has become my favourite day of the year in the county town, so I am very pleased with the cover design.

Rachel’s poetry pamphlet is titled Three Degrees of Separation and explores issues about love, family, and survival in the face of mental ill-health. You can read more about the pamphlet and details of the pamphlet launch here

The launch of my poetry pamphlet will take place on Wednesday 27 March 2019, 7–9pm at Books Beyond Words in Dorchester. Please register your interested in attending here. I’m very pleased Magdalena Atkinson will be offering musical accompaniment at the event. It should be a lovely evening…do come along.

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Squeezing the pips in Antigua

It’s my last few days in Guatemala and I’m determined to  make the most of them. Today I went on a bone-crunching bike ride around the villages on the outskirts of Antigua. You can imagine the difficulty of cycling over cobbled roads like this:

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Thankfully it was a bus ride to collect the bikes in San Juan del Obispo so the cycling to Antigua was mainly downhill.

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I never tire of visiting ruins in Antigua. Some are churches, others are convents but all the damaged facades are endlessly captivating. Here are a couple more ruins that have me enchanted:

Tomorrow we have a Spanish School outing to the coast. I’m looking forward to having lessons at la playa de Monterrico.

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How to learn Spanish in Guatemala

I’m now at the end of my third week in Antigua, Guatemala, I have one more week here so I want to make the most of this fabulous opportunity to learn Spanish. It was after a fortnight that I noticed I was able to contribute more to the Spanish conversation around the dinner table and I certainly feel much less self conscious when trying to make myself understood. I’ve made a determined effort to learn the conjugations of a few important verbs and can now pose and answer simple questions using the past, imperfect, present and future tenses. The next step is to apply the rules to a greater range of verbs.

Much as my vocabulary in Spanish is growing, I seem to be losing the ability to recall words in English. I frequently have afternoon tea at a garden centre close to the school and when I walk around the grounds, I simply can’t remember the names of plants I recognise. Fortunately for me, the plants have tags which read the same in English as in Spanish (Begonia and Fuschia). Indeed, it strikes me that there are very many words in English that are similar in Spanish which must help to make Spanish one of the easier languages for English speakers to acquire. However, it is also easy to get caught out. For example, the Spanish word embarazada bears a striking resemblance to the English word ’embarrassed’ but actually means pregnant. You can image the humour and confusion in making such a mistake!

There are very many advantages to learning Spanish in Guatemala. For a start, the weather in Guatemala in January is lovely. I enjoy the way Antigua has all four seasons in one day: fresh and spring-like in the morning, a lovely summer’s day by noon, an autumnal chill in the afternoon and cold as winter at night. The city has lots of language schools where one-to-one classes are offered at very reasonable rates. Many Americans come here to brush up their language skills and I’ve enjoyed meeting other students from all over north America as well as others from Europe, Australia and New Zealand. My lessons take place on the roof terrace of the school with fabulous views.

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With my teacher, Jasmin. (See the smoke coming from the volcano in the distance.)

Jasmin is a very patient teacher who is tuned into my utterances and laughs at my frequent malapropisms. Most Guatemaltecos speak at a measured pace and this makes engaging in conversation a whole lot easier.

Some of the other benefits of learning Spanish in Guatemala include:

  • fabulous sights and sounds of the city such as the rhythmic clapping when tortillas are patted into shape on streets stalls and in markets
  • humming birds in the gardens
  • fantastic ruins around every corner
  • Mayan crafts, cultural traditions and archaeology
  • chicken buses for transport around the towns (former US school buses spruced up for service)

I’m sure if I had more time, I would be able to think up many other advantages but as I have homework to do, I’ll leave you with some photos.

 

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Pt 3: the FABULOUS wider writing community

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I entered a travel writing competition in 2016 and as runner-up, I was offered a bursary to attend a fiction retreat at Moniack Mhor, Scotland’s creative writing centre. One of the tutors on the programme was Elizabeth Reeder who writes novels, essays and stories. Her debut novel, Ramshackle, was shortlisted for the Saltire Literary Award in 2013 and she’s gone on to write further novels.

The narrator of Ramshackle is fifteen-year-old Roe who one wintery day finds the man she thinks of as her father has gone missing. In the week that follows, Roe finds out more about herself and her father. At this point in growing up, Roe is an expert of her own experience but anything beyond causes anxiety. Roe’s voice is a mixture of confidence and vulnerability and this is something I wanted to explore in The String Games. Advice from Elizabeth was invaluable in moving forward with the middle part of my novel.

When it came to thinking of authors to approach to endorse The String Games, Elizabeth was at the top of my list. She’s an excellent writer so I’m delighted she felt able to offer the following words:

Gail Aldwin’s The String Games debuts her talent in an intimate portrayal of family, love and loss, and one that gives a glimpse into how crisis might shape each of us.

Elizabeth teaches creative writing at the University of Glasgow. I was fortunate to catch up with her at the Edinburgh International Book Festival in 2017 where she facilitated a wonderful readers’ workshop. Keep an eye out for other events Elizabeth is involved with. If you’re able to attend one of her workshops, seminars or talks you’re bound to enjoy it.

The String Games will be published in May 2019 but if you can’t wait until then you could always dip into my short fiction collection Paisley Shirt. It is also available from Waterstones in Dorchester and Bridport, The Bookshop in Bridport, Gullivers in Wimborne and Serendip in Lyme Regis.

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Pt 2: the FABULOUS wider writing community

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Credit: Grafik Mekanik, Flickr

When it came to seeking endorsements for The String Games, I turned to the authors of novels with child narrators or child protagonists that I had read and enjoyed. Amongst them was a debut novel called Not Thomas by Sara Gethin. I like to read debut novels because it’s good to notice any trends in publishing and to check out the competition. Sara Gethin uses a five-year-old narrator, Tomos, who lives in poverty with his mother but who has experience of another life with his grandparents.  Tomos’s voice displays his innocence and optimism while the implied reader knows more about his mother than Tomos.  Using a young narrator allows the action to  take place beyond the child’s full understanding and this is a strategy I employ in The String Games. 

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Careful use of patterned language and repetition perfectly captures the experiences of Tomos:

I am going up into my bed now. I’m climbing my ladder. I am pulling some tee shirts over me and some towels and jumpers too. I’m trying to get warm. I am thinking about the pictures in the book. I’m thinking about other pictures too like the ones in Charlie and the  Chocolate Factory. That is my favourite book. I had it last week from the library in school. It’s my favourite because of the film me and Dat used to watch. We love the film. We used to sit on the settee and watch it in Nanno and Dat’s house.

This extract cleverly shows how a resourceful little boy operates in challenging circumstances and how he is able to distract himself from his current situation. Use of the child’s interior monologue identifies books that spark memories as a pivot to remembering happier times. The contrast reinforces the precarious nature of Tomos’s life with his mother.

Not Thomas was shortlisted in The Guardian’s Not the Booker Prize 2017 and the Waverton Good Read Award 2018. It is published by Honno. I thoroughly enjoyed reading Not Thomas and urge others to step into the shoes of Tomos and see the world from his perspective. It is an illuminating experience.

Sara Gethin has kindly endorsed The String Games. This is what she says about my novel:

This is a gripping novel, where Gail Aldwin skilfully explores the dynamics of a splintered family coping with a truly awful event, and sensitively explores the repercussions of a burden of guilt unfairly shouldered by a child. Aldwin delves into the murky world of teenage manipulation, questions what makes a bad mother and asks whether forgiveness for a horrific act is ever possible. An insightful, engaging novel, The String Games breaks the reader’s heart and leaves them turning the pages ever more quickly to get to the truth of what really happened.

I’d like to thank Sara for her support and the wonderful endorsement.

I’ll be posting again in December with two other endorsements to share. Thank you for dropping by to read this.

 

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Blog Tour: F J Morris, This Is (Not About) David Bowie

I was delighted to meet F J Morris in Bristol where she shared one of her fabulous stories with an attentive audience. I’d seen Freya’s name on many competition announcements for winners and attached to stories in quality journals, so it was a real treat to attend the reading. She is a great supporter of flash fiction and assisted the organisers of the first flash fiction festival in 2017. Now, I’m thrilled she has agreed to join me on The Writer is a Lonely Hunter, to celebrate the launch of her debut collection of flash fiction. With the intriguing title This Is (Not About) David Bowie, the imaginatively presented collection contains thought-provoking stories that gave me the chance to take another look at modern life, and rethink a thing or two. Shrinking Giants was one of my favourite pieces, full of poignancy yet with an ending that gives hope.

 

Thank you for joining me, Freya and congratulations on your new publication. Here are the questions I’ve posed which I think will be of interest to readers and writers.

Do you write with your audience in mind? Who is your ideal reader?

My ideal reader is one that is living. I was going to say a human being, but to be honest, I’m not even that fussed what they identify as. I grew up in an old mining town on the outskirts of Bristol where my mum grew up. People didn’t really read. And so I’ve been asking myself a lot of big questions about fiction and why we should bother. Why should people read?

There are a lot of studies out that that explain how art helps us to understand ourselves and humanity better. Artists deal in feelings better than any other discipline. In the days we live in, it’s so important that we recognise the importance of feelings and how they influence us. Society doesn’t encourage us to be okay with them. They’re considered second-rate. But they have such a big influence on us. I read a study once that a judge’s decisions became more harsh depending on the time of day and his eating patterns (ie – if he’s hangry then you’ve no hope in hell). So it doesn’t matter how smart you are, or how aware you are, your feelings are more in control of you than you know.

We are not machines. We are not products. So I think it’s vital that we value artists, and that artists recognise their own worth, their own power. What people are consuming right now is influencing them in ways they don’t even realise. And we need to write, sing, dance, paint our way out of it. We need a new story to tell ourselves. Stories that have peace, hope, joy, magic. Stories that make you glad to be alive. Stories that bring us together. But ultimately, we need more people reading, and that’s a challenge I’m interested in taking on. So I guess they’re the ones I want to reach out to.

What do you hope readers will take away from your collection? 

That anything is possible. That we are the writers of our own story. That we can be who we really are. A few people have read my collection and told me which stories were their favourites, and what I love the most is that they all chose different ones. I really wanted to cover a range of people, a spectrum of identities, ages, genders, backgrounds – that felt true to Bowie, and what he stood for. I wanted the collection to reflect his essence. Bowie in himself is a powerful idea. He reached out to everyone who didn’t fit in, and it turns out, that’s a hell of a lot of people. Like many, he gave me permission to be as outrageous as I wanted. He allowed me to take risks. To be true to myself. I hope people reading my collection will feel that too.

Can you describe the process of putting together a flash collection?

The initial idea only came when someone asked me to write a collection. I had wanted to put one together for a while. But every theme or idea I had to string a bunch of stories together ran out of juice. It was like being in a labyrinth, thinking you’re on the right track, only to find myself at another dead end.

Then Bowie died. It was like watching an explosion. A supernova. A massive star had collapsed at the end of its life, and it sent out these ripples, this burst of energy. His impact on people spilled out. David Bowie was more than a person. He was a feeling. He was an idea. So that’s when lightning struck, and I saw my way through the labyrinth.

But that was just the beginning. There were a whole host of obstacles and riddles to work through after the first draft. The journey to publication was not straight or easy, but the extra time helped me to develop it more. There were a lot of stories that fell short of what I wanted so I ditched them. And then I put the rest together into a larger narrative structured by David Bowie quotes. I wanted people to feel like there was a bigger picture, a journey to go on, but that element came later.

Do you have a favourite flash and what was the inspiration for writing it?

Slush puppies (there’s a reading of it here): it’s about hidden love between two school girls. I wrote it in a Bristolian accent, so I have to read it in one. And it has a sort of musical quality to it. I wanted to write it in such a way that when you read it, you could feel the build-up and overflowing passion.

My stories are a bit like Frankenstein’s monster – some of the story was inspired by something that happened to friends when I was growing up, some of it is my imagination, and a fair bit has been harvested from different poems I wrote when I was in love. This one does it all. It takes me back in so many ways. Nostalgia is a powerful thing, and so is love.

Congratulations on your new appointment as Assistant Editor for fiction at Bare Fiction. What does this role involve?

Cheers! At the moment its: reading, reading, reading. Then deciding with the editor and team, which stories we think should be published. Robert does a wonderful job running the magazine, and his aspirations are amazing, so I can’t wait to help him achieve them. Plans and aspirations are a foot – so watch this space!

Do you have any favourite writing resources you would like to share with readers of The Writer is a Lonely Hunter?

Oh there are lots! When I read Orwell’s ‘Why I write’ in my twenties that basically became my mantra. I try to avoid writing to show off skills or knowledge. I remember a time when I was eight and I learnt this new word and was so excited to use it. But when I finally did, and nobody understood it, I realised how pointless it was. I felt the embarrassment of those around me, and how they withdrew. You lose people when you make them feel stupid – they disengage. So reading Orwell, made me consciously think about what sort of writer I wanted to be.

I’m always telling people to use the ‘Hemingway editor’ website. I’m going to use it on this interview. It helps me to be an editor to myself and to clean up my sentences. Then there’s Grammarly and Scrivener for the tools that make life easier.

What are your future plans?

To write. I know how that sounds. But it’s a constant fight with myself. I started to write a new novel called Burning down the house a few months ago, but with all the fiddling about, I’ve lost track of spending time on it. I want to write scripts, and make this app, and do another collection… So that’s my problem. Too many things, too many ideas, not enough writing.

What in insightful interview! Thank you, Freya. This is (not about) David Bowie is published by Retreat West Books and is currently on pre-order with Amazon. If anyone is in Bristol on 27 September at 7pm and would like to attend the book launch of This is (not about) David Bowie, your invitation is here.

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Big Heads staged at Bridport Arts Centre

Over the past couple of years, Sarah Scally, Maria Pruden and I have been co-writing comedy sketches. Once we had sufficient material, Maria approached a group of local actors who agreed to perform the sketches and Bridport Arts Centre offered to stage it. The premiere of Big Heads & Others was on Thursday 8 November 2018.

The first sketch we completed was called Killer Ladybugs – this was drafted during a workshop led by Christine Diment of Juno Theatre. The sketch clashes the invasive behaviours of harlequin ladybirds with Donald Trump’s America First policies. It was topical material at the time of his election yet two years later and (unfortunately for the world) the material remains fresh.  This sketch was originally staged by Cast Iron Theatre in Brighton, so we were confident the writing was entertaining. Our actors Declan Duffy (Borderbug) and Lee Wyles (Ladybug) brought a new and exciting interpretation to the sketch.

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Another sketch called Baby Love also had a previous outing, this time at the Salisbury Fringe where it was performed as a scripted reading. This gave us ideas on how to stage the sketch at Bridport where a woman (Lee Wyles) waits for the X54 bus and chats to Lauren (Sally Hunt) who is obsessed with her little one, Dasiy-Waisy.

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Big Heads was the most experimental of the pieces and took our audience to Easter Island where they learnt what the famous statues were thinking. This was a static piece which relied on voice, silence and facial expression to convey meaning. Our actors Sally Hunt, Dewi Lambert and Declan Duffy performed this brilliantly and audience reaction confirmed it to be a popular sketch.

The three sketches were tied together with a linking piece that used physical theatre to tell the story of a hapless charity envelope collector (Declan Duffy) and his encounters with others.

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The evening was held as a charity fundraiser for the Bridport Arts Centre. All tickets for the show were sold and we had a warm and receptive audience. Thank you to everyone who came along and laughed in all the right places. This was the first time Maria, Sarah and I had directed a performance and we were incredibly grateful to Lee, Sally, Declan and Dewi for their ideas and input. We also had additional roles to ensure the performance went well: Sarah  was responsible for sound effects and lighting, Maria for narration and prompting, I was backstage assisting with costume changes and we all helped as stage hands.

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Gail Aldwin, Sarah Scally, Maria Pruden

 

It was a splendid collaborative effort by performers and writers, one that we plan to repeat in 2019 with further comedy sketches.

Thanks to Peter Roe of Wessex Media for the fabulous photos.

 

 

 

 

 

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One-to-one with the Dorset Growth Hub

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I’ve just had a one-to-one session with digital specialist David Allison from the Dorset Growth Hub. We met at the Duchess of Cornwall in Poundbury to discuss ways to enhance my use of social media for marketing purposes. As a result, I have now taken advantage of the additional facilities on this WordPress blog including use of the poll below. When you have a minute, can you give me some feedback?

If you’re based in Dorset and need help to gain skills and confidence to market your  work as a writer, it’s worth getting in touch with the Dorset Growth Hub, to see how they can help you.

 

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Helen Corner-Bryant at the Dorchester Literary Festival

I was delighted to introduce Helen Corner-Bryant’s session ‘On Editing’ at the Dorchester Literary Festival last Sunday. As Chair of the Dorset Writers’ Network, I worked with festival co-director, Janet Gleeson, to arrange this input. Helen is a wonderful speaker who has substantial experience in supporting writers, firstly as an editor’s assistant at Penguin, and then in setting up the Cornerstones Literary Consultancy. Helen seeks to help writers overcome the creative barriers they encounter and with her team, they offer support that might otherwise take a writer much time to work out for themselves.

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Some top tips offered in the session include:

  • If you don’t feel confident writing dialogue it may be because you don’t know your characters well enough. Try interviewing your character or letting them have conversations in your head.
  • Make sure there is a point of tension on every page of your novel
  • Novels work well using a three act structure
  • When you come to a stop with your writing have a think about what this might mean for the work. Could it indicate a problem with the structure, plot or characterisation?

Did you know Cornerstones welcome submissions of the opening ten pages of your novel with the synopsis for a free evaluation?

Because Q&As are so valuable to writers, Helen has devised an ‘ask a literary consultant’ session where she outlines her role then opens the floor to questions. I am now working with the Dorset Writers’ Network to find a date and venue to offer this input. Follow the Dorset Writers’ Network on Facebook and Twitter for updates and/or subscribe to the newsletter on the website.

Helen’s book On Editing: How to edit your novel the professional way is an invaluable resource and is available from any good bookshop or can be purchased through Amazon.

 

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