the writer is a lonely hunter

writing by Gail Aldwin and other authors

Q&A with Alice Fowler

As with many of the authors I’ve interviewed on The Writer is a Lonely Hunter, Alice and I first met on social media. We both commented on Tweets from the Women Writers Network account, and as I became more aware of Alice through her online presence, it was a delight to realise we had things in common including projects coming to fruition in July. While you don’t need to know anything more about The Secret Life of Carolyn Russell, I’m pleased to introduce Alice and her outstanding short story collection, The Truth Has Arms and Legs which will be released by Fly On The Wall Press on Friday 14 July 2023.

About Alice

Alice Fowler is an award-winning writer of short stories and longer fiction. She won the Historical Writers’ Association short story competition in 2020 and the Wells Festival of Literature short story competition in 2021. Other stories have been short- and long-listed in prizes and printed in anthologies. Her historical novel was longlisted for the 2021 Stylist Feminist Fiction Prize.

Alice has a degree in Human Sciences from Lady Margaret Hall, Oxford and worked as a national print journalist until 2006.

She lives in Surrey with her husband and teenage sons, and loves theatre, tennis and walking in the Surrey Hills.

About The Truth Has Arms And Legs

Delve into a world of change and reinvention. Where relationships are as delicate as turtle eggs, and just as easily smashed.

This poignant short story collection explores pivotal moments that transform our lives. Jenny, whose life is defined by small disasters, discovers a more generous version of herself. A traveller girl might just win her race and alter her life’s course. A widow, cut off in a riverside backwater, opens her heart to a stranger.

In this captivating collection, readers will be moved by the raw vulnerability of human connection, and the resilience that enables us to grow and thrive. In change, Alice Fowler’s characters find the ability to be truly free.

Q&A

The About Alice page on your website says you write short stories and longer fiction including work on a historical novel. What are the benefits of writing both short form and long pieces? Is your process for writing short fiction and longer fiction different? 

Thanks so much for having me on your blog Gail! I particularly like this question as it really makes me think about my writing process. When I begin a short story, I often don’t know where it will end up. Or, if I do have an idea of the ending, I certainly don’t know how I’ll get there. I really enjoy that feeling of discovery. When it’s going well, writing can feel like painting: you add a dab of this colour, and a dab of that one, and then stand back to judge the overall effect.

For me, this approach works very well for short stories precisely because they’re short. You can throw all the plates up in the air and then (hopefully) catch them again. I write my stories from a place of pleasure, and I hope that readers sense that as they read.

With novel writing, this ‘pantser’ approach is riskier. I still like to write this way when I can, but it sometimes sends me off into blind alleys. Ideally when I begin a chapter in my novel I have more of plan – and stick to it! – while leaving enough unknown to make the writing process fun and interesting.

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Happy publication day to Carolyn Russell

It’s taken three years from writing the very first line of The Secret Life of Carolyn Russell to arriving at publication day. There have been many ups and downs in reaching this point, but I’m proud of this story with its mystery and underlying messages that show changes in the moral code over thirty years and provide glimpses into racism in a rural setting. Book blogger, Linda Hill has posted an insightful review covering many of the elements I hoped to get across in her publication day review here.

If you’ve ever wondered how an author spends publication day, here’s my schedule:

7am: write a blog post and send (timing has slipped a bit here)

8am: join Writers’ Hour to finish a Q&A kindly offered by book blogger Victoria Bucknell

9am: check Amazon rankings to see if the novel has made a splash (repeat hourly every ten minutes)

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Excitement is building…

for the release of The Secret Life of Carolyn Russell

At two o’clock this afternoon Bloodhound Books officially revealed the cover of my new novel The Secret Life of Carolyn Russell. Doesn’t it look splendid? The pumps and tote bag give a distinctly 1970s vibe to the mystery while the rest of the branding suits the psychological suspense elements. To be honest, it’s a relief to have this off my desk and going out into the world in less than 4 weeks. The final stages of bringing a novel to publication is a mixture of joy and panic. Release day is Monday 3 July but if you’d like to get your UK copy organised early, here’s a Kindle pre-order link. (The paperback version should be available shortly.) My thanks go to Suzanne Goldring, Joanna Barnard and Jacquelyn Mitchard for the endorsements.

An enthusiastic early reader has posted a five-star review on Goodreads. It’s a real shot in the arm when someone who’s read my previous books says The Secret Life of Carolyn Russell is her favourite to date.

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Welcome to Maria McDonald, author of The Devil’s Own

Maria and I are both published by the leading independent fiction publisher Bloodhound Books. On signing my contract, I was encouraged to interact with other Bloodhound Books authors through a private Facebook group. This was where Maria and I met and we’ve taken this connection to a new level through this interview. I’m sure you’ll find Maria’s writing journey inspiring and her debut novel a sinister yet fascinating story. Here’s the blurb for The Devil’s Own.

A set of century-old diaries found in an attic draws an Irish couple into a tale of murder and madness, in this absorbing new suspense.

After forty years in the Irish army, Brian is looking forward to retiring and spending time with his wife—though he worries about adjusting to civilian life. While clearing the attic before they move house, he makes a discovery: three journals dating back to the early twentieth century.

One was written by Arthur, an ex-Connaught Ranger; another by Arthur’s wife, Edith, a colonel’s daughter; and the third by Henry, a British soldier and Arthur’s best friend.

Brian and his wife are soon engrossed in reading the diaries and following the intertwined stories of these three people from the past. But it soon becomes chillingly clear that these diaries contain more than the daily adventures of ordinary lives. Because one of the three is a killer . . .

Thank you, Maria, for joining me on The Writer is a Lonely Hunter and agreeing to answer the questions that struck me while reading your impressive debut novel.

What steps brought you to write The Devil’s Own?

The gem of the idea for this book has been lying dormant in the back of my mind since I first saw the Curragh Camp, way back in 1978. I was working, waitressing with my mother at a dinner dance in one of the messes. My career as a waitress was very short-lived! During a break over a cup of tea, we got talking to the army chef about the building we were in, the history of the camp and the general consensus on the night – if only walls could talk.

Little did I know I would end up living in the camp, albeit for a short time around 1993. The Curragh is filled with history, going back to the days of British rule. My husband was born in the Curragh, grew up there. At one stage it had a vibrant community, completely self-contained. I was fascinated by the stories I heard from his family and our friends about the people who lived in the camp. I didn’t write them down at the time. It would take another forty years for that first spark of an idea to come to fruition.

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How true crime podcasts inspired ‘The Secret Life of Carolyn Russell’ a psychological suspense mystery

In December 2022, Chris Dawson, a former PE teacher and rugby league star was sentenced to 24 years in prison by the New South Wales Supreme Court in Australia for the murder of his wife decades earlier. Although Lynette’s body has never been found, The Teacher’s Pet podcast shone a light on Chris Dawson’s sordid affair with a pupil from the school where he worked, the obsession with her that followed, and the disappearance of his wife. Release of the podcast hosted by Hedley Thomas in 2018 finally persuaded police to reinvestigate the case and charges were brought. 

I became hooked on true crime podcasts in early 2020. At the time, I was living in a remote town in the north west of Uganda and volunteering at a nearby refugee settlement. The power supply was very unreliable and cuts happened most evenings at eight o’clock. With no light to read by, I was often in bed and under my mosquito net around the same time. The nights were long and hot so I spent many hours listening to the podcasts I’d downloaded at a local hotel. I developed a fascination for crime stories from around the world but it was the series podcasts that allowed me to tune into the twists and turns that created crucial listening. It occurred to me I could learn something from the way podcasts were put together that could inform the plotting of my own fictional writing. 

Prior to leaving for Uganda, I had established a regular writing routine which meant getting up early to focus on a writing project before the working day started. I hoped to continue this routine while living overseas but the demands of volunteering on the settlement and the inconsistent electricity supply put an end to that ambition. Power in the town kicked in for about 40 minutes at seven in the morning, and at that time there was always a rush to prepare for the day ahead where I worked with colleagues to improve the social and emotional wellbeing of refugee families fleeing conflict in South Sudan. It was challenging and rewarding work which left little headspace for creativity. Instead, I became absorbed in the refugee stories I collected as part of my work, and the podcasts I listened to each evening. With a wealth of material stored away, I was empowered to write again following repatriation to my home in Dorset, UK due to Covid-19. 

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Interview with Barbara Conrey

It is my pleasure to welcome Barbara Conrey to The Writer is a Lonely Hunter once again. We first met online in 2021 when she was kind enough to answer questions about her debut novel Nowhere Near Goodbye. (You can find the piece here.) She now has a splendid second novel released with the evocative title My Secret to Keep. This fascinating story made me wonder about Barbara’s writing process which she explains in this author interview. But first, here is some information about the novel:

When Maggie Bryan works up the nerve to tell her parents she’s pregnant, they immediately disown her. Later that night, her boyfriend is killed. In desperation, she turns to her brother, Sam. Against his wife’s wishes, Sam brings Maggie to his home in rural Pennsylvania.

While Maggie awaits the birth of her child and navigates the tension in her new home, she decides to finish high school. There, she meets Anne Phillips, a volunteer educator and full-time architect. Over time, Maggie becomes drawn to Anne in ways she doesn’t understand, but she knows enough to keep her feelings hidden.

After a devastating loss, Maggie tries to move on, but secrets and betrayals keep her from living her fullest life. Beginning in the late 1940s and spanning decades, My Secret to Keep portrays a woman at war with society, her family, and herself.

And now to the questions:

How much planning was involved in writing a novel that spans decades?

Writing a novel that spans decades is eerily similar to those blasted reading math problems when I was in grade school – and I wasn’t very good at them then, either. So there’s a lot of counting forwards and backward and practically using my fingers to ensure I’ve got my timelines right.

The blurb describes Maggie as a woman at war with society, her family, and herself. This so clearly describes the protagonist, and yet she achieves acceptance too. Did you know what would happen at the end of the novel when you started writing the book?

The ending of this book nearly did me in because Maggie only achieved acceptance, and by this, I mean accepting herself after she lost Anne. I was devastated.

You cleverly dovetailed the latter part of the novel with the story in your debut, Nowhere Near Goodbye. This gave me the chance to reconnect with Kate’s story. Was this your intention?

Most people don’t know that once Nowhere Near Goodbye was under contract, I had to rewrite a good half of the book. I had originally submitted it as a two-person point of view, with one being Emma and the other being Kate. My editor convinced me I could make a stronger story by changing to a single point of view, Emma’s.

So I had all this material. Some of it I used in Maggie’s character in Nowhere Near Goodbye; don’t forget, I had to rewrite a good part of the book, so I fleshed out Maggie’s role, and when I did that, Maggie became much more interesting. That’s when I started thinking about a prequel to Nowhere Near Goodbye to tell Maggie’s story.

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The next stage of working on my manuscript

The copyedits for The Secret Life of Carolyn Russell were returned to me recently. I had a fortnight to go through them and found this was just about long enough to complete the changes needed. Here are three things I was reminded about along the way:

Compound words

How could I have got so many compound words wrong? Take two separate words and combine them to make a new word with a different meaning. When you put the nouns post + box together, created is the red box where we post our letters, a postbox. Sounds simple, right?

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A sojourn in Prague

I was pleased to spend a few days in Prague with my family at the end of March. The trip was originally planned for 2020 but postponed due to Covid. We stayed in a central location and wandered the cobbled streets until my feet cried for mercy. It was good travelling as a group because we each had different things we wanted to see. All set for a bit of endurance sightseeing, we tackled the Prague castle complex on the first day. Other highlights included watching the astronomical clock strike the hour, the view over Prague from the Petřín lookout tower, the Jewish quarter and photos in front of the Lennon wall.

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Latest events

It was International Women’s Day on Wednesday 8 March 2023, a global event which celebrates the social, economic, cultural and political achievements of women. As my contribution to the day, I joined a group of readers and writers at Bridport Library where there was a series of events including a writerly quiz, a lucky dip and talks by local writers. I was delighted to be interviewed by Sarah Scally who asked some searching questions about This Much Huxley Knows. Also on the programme was Nikki May who enjoyed phenomenal and rapid success with her novel Wahala, which tells the story of three Anglo-Nigerian best friends and a fourth woman who infiltrates their group. (I have the novel on order from Dorset Libraries and will watch out for the TV series coming on the BBC.) It was refreshing to hear about her writing journey where it took five years to become an overnight success.

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Cracking on with the writing

Ever since I received a publishing contract for my dual timeline mystery The Secret Life of Carolyn Russell, I’ve been slaving over a new manuscript. It seemed completely do-able to get this latest work-in-progress shipshape before the publication schedule for book number three arrives in 2023. In October, I had nothing near a complete draft. It seems to me I approach each new novel in a different way. For the current work, I kept losing the thread of what I was doing which made me turn back to the beginning and start again. During the early months, I wasn’t sure what the spine of the story was about. But I worked my way into it and discovered one of the themes to be coercive control. Phew! That was a relief. But writing has many layers and the next priority was to ensure the three viewpoint characters had distinct voices. This is when a little comedy crept in and I discovered one of the characters to be quite humorous. (As a rule of thumb, if the writing makes me chuckle, I assume others will find it funny too.)

I’ve worked as hard as I can to complete and edit the manuscript. The next stage involves sending it to five beta readers for feedback. During my last read through, I discovered I’d used the word with 655 times. That meant I needed to get the pruning sheers out and reduce the usage considerably. Other of my high frequency words include all, now and only. Thank goodness for the find and replace function.

I’m now settling into a few days away from writing. It’s my husband’s birthday today and with my adult children home for Christmas, we visited the I Grew Up in the 80s exhibition at Dorset Museum. We also treated ourselves to breakfast in the cafe. Here are a couple of photos:

Who remembers these? (The visit also acts as research for a story I’m developing set in the 1980s.)

I will be away from my computer for much the Christmas break. On 2 January, I’m heading off to Cambodia but I’ll be back in touch again afterwards. What plans do you have for the next few weeks?

Happy holidays everyone!

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