the writer is a lonely hunter

writing by Gail Aldwin and other Dorset writers

E-volunteering and working as an author

Now that I’ve returned to the UK from my VSO volunteer placement at Bidibidi refugee settlement in Uganda, I’m getting back into the swing of my writing life. You can read about how I am collaborating with illustrator Fiona Zechmeister on a children’s picture book called Pan-de-mo-nium here. But I’m not yet willing to relinquish my experiences in Uganda, so I’m very pleased to share the news that I’ve been appointed as a Psychosocial Support and Emotional Learning Expert E-volunteer. This appointment followed an online application and interview. I have a job description and an E-volunteer agreement which last six months and is renewable. I am very impressed with the thorough application process and the support offered by VSO in my new role. I’m also finding this work dovetails very well with my current writing project.

As part of my E-volunteer responsibilities, I’ll co-ordinate a task group with a focus on mental health, psychosocial support and emotional learning to help children and families in the poorest countries. Proposed work includes adapting advice material for parents to support the emotional wellbeing of young children during the Covid 19 lockdown. Already there is very relevant material published to support parenting, please see an example poster below:

english-tipsheet1-updated

There are six posters altogether covering issues such as managing behaviour and providing structure for children during the Covid 19 lockdown. Click here to access these in a worldwide range of languages.

I’m also part of a storytelling task group and from my experience as an author of a children’s picture book, I hope to contribute fully.

During the Covid 19 restrictions, there are challenges in terms of coping with lockdown but also opportunities in extending virtual support to others. It’s a time of working out what’s important as an individual, as a family member and as part of a wider community.

How have you found Covid 19 has affected your outlook?

 

5 Comments »

Collaboration: writing and illustrating

I’ve been busy this week working with illustrator Fiona Zechmiester on a children’s picture book which has the working title ‘pan-de-mo-nim’. The main character is a purple panda called Peta. Because of her colouring, Peta is camouflaged and she causes chaos at her home in a department store. When one of the shop assistants notices she’s up to no good, Peta is made to look like all the other pandas which puts an end to her tricks. How can Peta become a cheeky panda again?

pandasketches

Early sketches and exploration of colour

Fiona lives in Austria but studied in the UK and was awarded an MA in publishing from the University of Derby.  She works on a freelance basis and has been appointed by Victorina Press to illustrate my book which targets three-to-eight-year-old children. In Fiona’s work, the process of illustrating animals begins with a study of anatomy.

Bear_anatomy_FZ-1

Fiona’s research sketches

She then looks at details of a panda that are relevant to the story. Fiona has experience of using many different mediums for her illustrations but the story behind the picture is the guiding principle of the work.

Bear_anatomy_FZ-1 2

Fiona’s research sketches

As the illustrations have developed, I’ve redrafted the story and together Fiona and I decided on fonts and sizes for the text on different pages in the book. As much of my time as a writer involves working alone, this opportunity to work in collaboration has been a fantastic experience. I’ll be posting further illustrations as the picture book gets closer to publication with Victorina Press.

I previously worked with Fiona to design the cover of my debut novel The String Games. This cover won a finalist badge in the International Book Awards 2019. Voting is currently open at The People’s Book Prize where The String Games is a finalist in the fiction category 2020. Please pop over to the website and give my novel your support so that The String Games has a chance to receive further recognition in this prestigious competition. (If you voted in the earlier round, thank you, please vote again now the novel is a finalist.)

tsg final cover image for use on_web

 

3 Comments »

A wish for South Sudan: enduring peace

Before I left the UK to begin my placement at Bidibidi in Uganda (a settlement where refugees from South Sudan are offered a chance to rebuild their lives) a friend recommended I read Emma’s War by Deborah Scroggins. It tells the story of a young, glamorous aid worker, Emma McClune, who went to Sudan in 1987 with an ambition to do good. She embraced her role at Street Kids International and passionately worked towards improving access to education for children. Emma was also impulsive and headstrong: she married Riek Machar, a warlord, and became embroiled in politics. By the time of her death in 1993 in a car accident in Nairobi, Scroggins suggests that for all her courage and commitment, Emma did little to change anything.

91IrxA0qRzL._AC_UL320_ML3_

The backdrop to Emma’s story is the complex historic, social, cultural and political situation in Sudan. Following years of civil war, South Sudan became the world’s newest nation when it gained independence from Sudan in 2011. Peace was short lived and civil war erupted in 2013 when President Kiir sacked his entire cabinet and accused Vice President Riek Machar of supporting a failed coup. An agreement to halt the conflict collapsed in 2015 and fighting continued, primarily in Yei River state. This is the area from which many of the refugees in Bidibidi fled in 2016. In Yei, the National Salvation Front (NAS), continued to fight government forces. By 2018, a power sharing agreement was signed between Salva Kiir and Riek Machar which led to the signing of a Unity Government agreement on 20 February 2020. United Nations Secretary-General António Guterres called upon members of the Transitional Government of National Unity to “fully adhere to the letter and spirit of the Agreement”, so that the people of South Sudan can finally realise the benefits of durable peace and stability they deserve.

Following the announcement of a peace agreement, the South Sudanese refugees I knew in Bidibidi remained cautious. None were ready to rush back to their homeland but instead adopted a ‘let’s wait and see’ approach. One of the caregivers (a teacher of young children) I worked with, Beatrice, talked about her life before becoming a refugee. She married young, had two children then was widowed when her husband was killed in a motorbike accident. Her father owned some land where she was able to develop skills of cultivation. She grew cassava, maize and beans. Then she married a second time (had two further children) and she continued to cultivate the land of her husband’s family. ‘My life at that time was very nice. I made money and paid for my children to go to school, paid for them when they were sick. I bought clothing for myself and my children. I had a very happy life in South Sudan. Then the time of war started and I had to save my life and my children. I lost everything: my land, my house, my garden. We were afraid as any person could attack you, rebels were everywhere. They would grab anything you have. They took things from my garden saying it belonged to them. If you don’t have luck they kill you, if you have luck they just let you go.’

IMG_4801

Read the rest of this entry »

1 Comment »

News about my creative writing

In all the time I’ve been busy volunteering in Uganda, there has been activity on the creative writing front at home. I was shortlisted in a poetry competition run by my publisher Victorina Press. My entry has now been translated into Spanish and included in this beautiful bilingual poetry anthology. David sent me a photo and I’m looking forward to reading the book when I get home.

87001784_10216092675456241_8977790518448619520_n

Other news relates to the The String Games. My debut novel is one of fourteen finalist in The People’s Book Prize and voting is now open to select a winner in the fiction category. Thank you to everyone who has supported me to reach this stage. You are now able to vote again and if you haven’t voted before, this is your chance. Find out all about The String Games here. You don’t need to have read the whole novel as the opening pages are available for you to make a judgement. When you’re ready to vote, scroll down, add your details, tick the box and submit. The String Games is up against some stiff competition but wouldn’t it be great to see a Dorset writer on the stage come presentation day? Congratulations to the other finalists.

mock03

 

1 Comment »

Summer Break

I’ve been quiet on this blog over the summer because I spend a fortnight in Edinburgh each August. This is a wonderful city and delightful to visit when the Edinburgh Fringe is in full swing and during the two weeks of the Edinburgh International Book Festival. Each morning at the book festival there is a free session called 10 at 10, where on the stroke of ten o’clock a visiting author provides a short reading of their work. It was during one of these sessions that I was introduced to the fabulous short stories written by Wendy Erskine.

c6303413-1420-4ddb-b99d-fbecd7038aba

by the castle with friends

Wendy’s stories are set in East Belfast where she lives and works as a teacher. They are drawn from the people and place but reflect a wider narrative around challenges associated with love, isolation and the everyday obstacles that can floor us. I was intrigued by the snippet from a short story Wendy shared so I bought the collection Sweet Home and attended a Q&A session later in the day at Golden Hare Books, located near where I stay each summer in Stockbridge.

In her introductions, Wendy explains that she hasn’t been writing for long and credits a course run by The Stinging Fly magazine as instrumental to her development as a short story writer. She also claims her only previous publishing success was having a recipe for baked banana printed in a newspaper. (The instructions involved nothing more than putting a banana in a hot oven until the skin turns brown and then eating it.)

Sweet Home is a remarkable collection of ten short stories that fizz with tension, sadness and humour. The dialogue is outstanding which makes attending a reading such a pleasure. If you’re looking to dip into a collection that shares dark themes which are illuminated through everyday interactions, then this is the one for you.

 

1 Comment »

This Much I Know, planning a new novel

I’m having such fun writing my current novel-in-progress. As I was deeply affected by the tragedy at the heart of The String GamesI decided my new novel would be lighter and funny. In order to avoid the very many redrafts that my debut novel involved, I planned This Much I Know to the nth degree. I also recycled characters from a previously written and incomplete novel called Paula’s Secret that told the story of two first-time mums. So with this head start, I thought it would be straight forward to complete the first draft. Instead, it’s taken me longer than ever to get to that stage and I’ve still got three more chapters to write.

fullsizeoutput_2222

One of my early planning grids

I started writing This Much I Know in December 2017 and would never have guessed it would still be incomplete twenty months later. I completely underestimated the amount of time it would take to get The String Games to print and at that stage I didn’t know I would also be working on the publication of my poetry pamphlet adversaries/comradesAnd following the release of a book, there is a massive amount of work to do to attract readers to the novel. Although I enjoy marketing and promotion, it does gobble away the hours.

Instead of giving myself a hard time about this delay, I’ve embraced it. I love my protagonist, six-year-old Mikey and his life in suburban London. I’ve set the story in New Malden, where I lived with my young family for ten years. It’s been such a joy to return to this location, and all the things I used to do with my children. I’ve drawn upon the Friday afternoons we spent at the park, cycle rides to school and the usual calendar of events such as firework nights and collecting conkers.

I’ve been working on a synopsis of the novel so that I can enter #Pitmad. This is a quarterly Twitter event that enables writers to get their work seen by agents through a concise synopsis that can be shared as a tweet. The next #Pitmad is on September 5, 2019 (8AM – 8PM EDT). I’ve not whittled my synopsis down to 280 characters yet but you can get the gist of what I’m writing about from the short synopsis below:

Six-year-old Mikey Griffiths is an only child who sees in Leonard, a disabled new arrival at his local church, similar challenges around fitting in. Isolated at school, Mikey has few friends and annoys staff with his silly jokes. Although Leonard is unkempt and socially awkward,  he gets Mikey’s sense of humour and this brings the two close. Mikey inadvertently arouses suspicion about Leonard which fuels community tensions and relationships between Mikey’s parents and their neighbours deteriorate. It is Mikey’s Dad who saves Leonard from smoke inhalation when a gang attack his home. The shock of this incident causes everyone to reassess how they treat newcomers to the community and Leonard is helped to integrate so that Mikey can be friends with him once again.

What do you think? Do I stand a chance of attracting literary representation with this synopsis?

 

4 Comments »

Round up​ of the summer so far …

As I am a ridiculously target driven writer, I thought I’d share with you some of the writing milestones from June and July 2019.

Sturminster Newton Literary Festival, 15 June

IMG_3366 2

In this the inaugural year of the festival, I was delighted to have a place on the author trail which involved running a stall in Joshua’s Coffee Shop so that I could chat to customers about my publications. I felt honoured to be part of the trail as Gillian Cross one of my favourite children’s authors had a stall elsewhere in the town. (The only problem was I didn’t get a chance to say hello to her!)

Later in the afternoon, I offered a workshop titled ‘a sense of place in writing’ at the library. I was delighted to work with many talented writers and receive feedback from the workshop in the form of this tweet:

fullsizeoutput_205a

London Launch of The String Games, 22 June 

This took place at Housmans Radical Bookshop and I was so pleased to welcome friends, family, fellow Victorina Press authors and readers to this unique venue. I was delighted that every copy of The String Games sold.

fullsizeoutput_1f45

The People’s Book Prize, June 2019

unnamed-15.23.15-4

BIG NEWS for the summer. The String Games has been longlisted in this unique literary competition where the public decides the nation’s next bestsellers and writers of tomorrow. Find out here about The String Games and cast your vote to enable me to reach the next stage. All you have to do is scroll down to add your details, tick a box about receiving the newsletter and submit. Thank you to all those who have already voted.

Scratch & Spit, Lyric Theatre, Bridport, 24 June

Here I am strutting my stuff during a ten-minute performance slot. What am I going on about? The analogy between writing and running!

fullsizeoutput_1f68

Loughborough Poetry Event, 28 June

Alongside Rachel Lewis (who also had a poetry pamphlet published by Wordsmith_HQ), I was billed as a headline act at the launch of the Purple Breakfast Review Issue 8. It was great to spend an evening with so many accomplished poets and to read from adversaries/comrades.

FINAL COVER gail aldwin

Shaftesbury Fringe, Saturday 6 July

As part of 3-She, I co-write comedy sketches with Maria Pruden and Sarah Scally. This summer we took a group of gifted West Dorset actors to the Shaftesbury Fringe to perform our comedy sketch show Big Heads & Others. What a lot of fun we had! The next show will be staged at Dorchester Arts Centre at 8pm on 18 September 2019.

fullsizeoutput_1fd5

Meet the Author talk, Dorchester Library, Saturday 20 July

I had a fabulous audience for this 90-minute talk about the inspiration behind my poetry, short fiction and The String Games. They asked probing questions and we enjoyed a lively discussion. I’ve now been asked to offer further talks at Dorset libraries, so watch this space!

Gail Aldwin Poster

Friday Freebie with Patsy Collins, Friday 26 July

This is an online event where I share information about my debut novel and there’s a chance to win a free signed copy of The String Games by leaving a comment on Patsy’s blog – you’ve got until midnight BST on 31 July to do this. Why not pop over for a read? Just click here.

fullsizeoutput_205f

What’s next?

This week I received an email from my publisher Victorina Press who want me to start working with illustrator Fiona Zechmeister on the children’s picture book I’ve drafted which has the working title Peta the Panda. This is an exciting new project and I can’t wait to get started!

 

 

 

 

1 Comment »

How one event can change a life forever

Joanne Nicholson and I met online in May 2018 and found we had much in common as writers, although I live in the UK and Joanne lives in Australia. We wrote a joint post to share our writing experiences which you can read here. Now we are both busy promoting our new novels, we thought it was time to touch base again. In Joanne’s novel Only the Lonely the catalyst for the story is a fatal car accident, in my novel The String Games the catalyst comes when a young boy goes missing. This got us thinking about how one event can change a life forever which we decided to discuss here. Over to Joanne:

IMG_3450

In life, one day often blends into the next until somewhere out of the blue, something extraordinary can happen that alters our lives irrevocably.  In my novel, Only the Lonely one such event turns Tiffany’s life upside down. On the night of Tiffany’s eighteenth birthday, her parents are tragically killed in a car accident, caused by someone driving under the influence of alcohol. This leaves Tiffany going through the normal machinations of coming of age while struggling to deal with grief and overwhelming loneliness.

When Tiffany discovers, as the sole heir to her parents’ estate, that her parents have a frozen embryo in storage from when they received IVF to have her, she decides to give birth to her biological sibling in order to create a sense of family and belonging again. Due to ethical concerns, her request is met with objections from the clinic. It raises the question whether a frozen embryo should be treated as property or a person and whether it is morally right for Tiffany to have IVF to implant this embryo, as she has no known fertility issues. Tiffany is forced to sue the clinic to have the procedure, as she can’t bring herself to destroy or donate the embryo, as it is the last link to her parents.

That one isolated car accident at the start of the story is responsible for the chain reaction causing Tiffany’s carefree lifestyle into one where she takes on the full responsibility of her life and the life of her unborn twin. As an author, I enjoy the process of taking inspiration from real life events and then developing characters to weave a story of challenges and ethical dilemmas to take readers on a journey. The inspiration for this novel came from a real life story, where a twenty-five-year-old woman in the USA gave birth to a baby from a donor frozen embryo that was twenty-four years old. This sparked the kernel of an idea – where a woman could be implanted with, and give birth to, her own twin. I then established why someone would want to do that, and the car accident that killed Tiffany’s parents was pivotal to the storyline.

Thank you to Joanne for sharing details of the inspiration behind your novel Only the Lonely. I have to admit, this is a fascinating subject and one that will engage many readers.

Now to Gail:

Gail Aldwin1

One of the worst experiences of my life was losing my three-year-old son for forty minutes on the beach at St Jean de Luz in France. I was rubbing sunscreen onto my daughter and when I looked up, he was gone. Although this episode ended happily it made me think about different possible outcomes, the vulnerability of little children in countries where they can’t speak the language, and the parental fear of losing a child. I decided this would be a good hook for novel readers but instead of telling the story from a parental perspective, I decided to explore the legacy of loss from the viewpoint of an older sibling.

It is this catalyst of a lost child that drives the narrative in The String Games. This coming-of-age novel explores the dynamics of a fractured family coping with the aftermath of four-year-old Josh’s abduction and murder during a holiday in France. It explores how guilt is unfairly shouldered by his older sister, Nim, who is the protagonist of the novel. In second part, readers get to understand  the repercussions for Nim as she moves into the teenage years and the murky world of peer manipulation. In the final part of The String Games, Nim (who is now an adult) reverts to her given name of Imogen and tries to move forward with her life but echoes from this early tragedy force her to return to France and find answers. The novel raises issues relating to what makes a good mother and whether it is possible to forgive. The metaphor of string runs throughout the story where the characters’ lives are tangled and knotted but ultimately this is a story of fresh starts and new beginnings. 

I recently learnt that The String Games has been longlisted in The People’s Book Prize for fiction 2019. This is a national award that finds and promotes new and undiscovered work. The organisation supports the complete eradication of illiteracy and this is something very important to me as, following years of working with parents and children to build their literacy skills, there is still a need in communities for further work. In this longlisting, I couldn’t have asked for a more perfect match: an opportunity to gain a wider readership for The String Games and support a cause close to my heart. Winners of the competition are decided by a public vote and I hope you feel able to give The String Games your vote to enable the novel to reach the next stage. Voting is easy. All you have to do is click on the link below:

https://peoplesbookprize.com/summer-2019/the-string-games/

 – Scroll to the bottom of the page and enter your name and email address

– tick yes or no to receive the newsletter

– Click submit

Could your vote for my novel help to change my life forever?

Joanne and I hope this post has pricked your curiosity about our novels. If you’d like to purchase a copy of Joanne Nicholson’s Only the Lonely, you can do so through AmazonUK and AmazonAustralia. Copies of The String Games by Gail Aldwin can be purchased and sent worldwide through her publisher’s website at Victorina Press.

You can find Joanne at:

Website: joannenicholsonauthor.com
Facebook: joannenicholsonauthor
Instagram: @joannenicholsonauthor
Twitter: @jolnicholson
You can find Gail at:
Twitter: @gailaldwin

 

 

1 Comment »

A new way to plan your fictional stories

IMG_3204

A sunny morning in Stockholm

I came away from the Stockholm Writers Festival in May with some fabulous new approaches to writing fiction that I’d like to share with you. The techniques I describe are suitable for use in flash fiction, short stories and longer work. This post draws from separate workshop sessions I attended which were delivered by Jessie Lourey and Cassie Gonzales:

  • Jessie focused on using life experiences to fuel fictional writing. She recommends mining your life story to identify powerful emotions that can be invested into your characters. We’ve all experienced fear, power, joy etc and it’s by connecting with the emotions and writing them into your character’s story arc that it’s possible to create very effective fiction.
  • Cassie Gonsalez shared her approach to creating layered stories by using dialogue which is more than just expository. By thinking about the said, the unsaid and the unsayable, it’s possible to develop narratives that suggest a bigger story than simply the words on the page.

Applying the learning:

Years ago, I had coffee with a woman who told me a story about being terrified of storms. To prevent this fear being passed to her children, whenever there was a storm, she opened the curtains and gathered her children to admire the thunder and lightening while all the time she stood rigid and blinked back fear. I decided to use this as an idea for a story but because I’m not afraid of storms, I drew upon Jessie’s advice to identify an occasion when I was truly petrified and I remembered the time muggers set upon me. With these emotions captured, I then turned to Cassie’s advice.

Cassie shared a visual she had developed to analyse how dialogue works in fiction between two characters with a focus on the said, the unsaid and the unsayable. The idea here is to complete the model by identifying the emotions underneath the interactions between two characters in considering their wants, needs, loves and fears. (I added the word ‘theme’ to the grid where Cassie has used the term ‘third thing’.)

 

wants needs loves fears
Character 1  

 

 

 

 

 

 

 

Character 2  

 

 

 

 

 

theme unsaid unsayable

Rather than share the stories we analysed in the workshop, I’ll present how I used Cassie’s model as a planning grid to support the writing of a flash fiction piece, Chink, which has been published by Cabinet of Heed, issue 22.

 

Theme: empowerment

wants needs loves fears
Kate

 

courage

 

to be free

 

independence

 

being alone

 

Robert

 

possession of his wife to be in control power being alone
theme unsaid unsayable

 

The grid is a little difficult to explain without reading the story, so I suggest you read the two in conjunction to see if what I’ve mapped out fits with your understanding of the story.

Chink

A navy sky extinguishes the day. Sitting on the balcony, Kate reflects upon her laziness. No excursions to the volcano for Kate, just a sunbed, a pile of paperbacks and the company of Robert. Still wearing his shorts, Robert stretches his legs then scratches a mosquito bite on his knee. Kate is cool in her strappy dress. She reaches for the tumbler, drains the contents then crunches a sliver of ice.

‘One more before we go down for dinner?’ he asks.

 But he’s not even dressed. Hasn’t yet had a shower.

‘No thank you,’ she says. ‘I’m fine.’

‘Good.’ He sits back in his chair.

What now? She waits. Irritation makes her skin prick.

‘Are you going to have steak again tonight?’ she asks.

‘Think I’ll ask for it blue this time.’

Yes, so raw it’s almost mooing.

From behind the mountains comes a rumble. Although Kate knows these steamy days can lead to storms, she hopes she’s wrong. Holding her breath, she clutches the armrests and counts. A flash comes before she’s reached number eight. She’s rigid in the chair but Robert gets up for a better look.

‘It’s coming this way.’ His voice is gleeful and he cocks his head. Doesn’t he know it’s ridiculous to swagger in flip-flops?

‘I’ll get inside.’ Kate reaches for her bag but when she turns, Robert is blocking the doorway.

‘Surely by now you can face it.’

She hesitates. Does he know what she’s thinking? What she’s planning? Of course not! Robert means the lightening.

‘Let me pass,’ she says.

‘No.’ He grabs her shoulders and manoeuvres her for a better view. Kate closes her eyes, resists his pinching grip.

‘There’s no point in struggling,’ he says. ‘You can’t be scared all your life.’

Kate breathes through her mouth, takes comfort from the steady pumping of her heart, listens to the gushes from her lungs. The crack and the searing light skewer her to the spot but she controls the trembling.

‘See, it’s not so difficult, is it?’

When the thunder comes again, she’s ready. This time with eyes wide open she waits for the crack and watches the chink of light brighten the gloom. A path to her future is illuminated. She can do it. She really can.

It is by using Cassie’s grid that I was able to indentify the theme of the story as empowerment. Rather than the storm diminishing Kate, by facing it, she is able to also face an independent future. It is ironic that Robert assists her in this journey by forcing her to watch the storm.

I hope this post is of use to you in your writing. If you’d care to comment, I’d love to hear what you think. In the meantime, if you haven’t yet voted for The String Games in The People’s Book Prize, please pop over to the website. All you have to do is scroll down to add your details, tick the newsletter box then press submit. It’ll only take two minutes to complete but I will be forever grateful!

4 Comments »

The String Games needs your vote

bookmark_TSG

I was delighted to hear that The String Games has been longlisted in The People’s Book Prize fiction category. This is a national award that finds and promotes new and undiscovered work. One of the organisation’s aims is to support the complete eradication of illiteracy. This is something very important to me as, following years of working with parents and children to build their literacy skills, there is still a need in communities for further work. In this longlisting, I couldn’t have asked for a more perfect match: an opportunity to gain a wider readership for The String Games and connect with a cause close to my heart.

To reach the next stage of the competition depends on public support. I hope you feel able to support me by voting for The String Games to become a finalist in the fiction category. It’s easy to vote, just click here to leave your details, tick yes or no to receive the newsletter then submit.  If you’d like to leave a comment that would be a bonus. The opening chapter of The String Games is available to read here 
Thank you for your help. The String Games has important messages to share about how it’s possible to come to terms with challenges in life. It’s a story about fresh starts and new beginnings which readers find empowering.
4 Comments »