the writer is a lonely hunter

writing by Gail Aldwin and other Dorset writers

One-to-one with the Dorset Growth Hub

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I’ve just had a one-to-one session with digital specialist David Allison from the Dorset Growth Hub. We met at the Duchess of Cornwall in Poundbury to discuss ways to enhance my use of social media for marketing purposes. As a result, I have now taken advantage of the additional facilities on this WordPress blog including use of the poll below. When you have a minute, can you give me some feedback?

If you’re based in Dorset and need help to gain skills and confidence to market your  work as a writer, it’s worth getting in touch with the Dorset Growth Hub, to see how they can help you.

 

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BridLit Fringe

I’m really chuffed to be sharing a few of my stories at the Bridlit Fringe alongside this talented group of local writers. If you’re in Bridport on the morning of Friday 16 November 2018, do drop into the Literary & Scientific Institute for a chance to hear a fantastic range of poetry and prose. Tickets are a bargain at only £5 and are available here.

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I hope to see some of you in the audience!

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Helen Corner-Bryant at the Dorchester Literary Festival

I was delighted to introduce Helen Corner-Bryant’s session ‘On Editing’ at the Dorchester Literary Festival last Sunday. As Chair of the Dorset Writers’ Network, I worked with festival co-director, Janet Gleeson, to arrange this input. Helen is a wonderful speaker who has substantial experience in supporting writers, firstly as an editor’s assistant at Penguin, and then in setting up the Cornerstones Literary Consultancy. Helen seeks to help writers overcome the creative barriers they encounter and with her team, they offer support that might otherwise take a writer much time to work out for themselves.

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Some top tips offered in the session include:

  • If you don’t feel confident writing dialogue it may be because you don’t know your characters well enough. Try interviewing your character or letting them have conversations in your head.
  • Make sure there is a point of tension on every page of your novel
  • Novels work well using a three act structure
  • When you come to a stop with your writing have a think about what this might mean for the work. Could it indicate a problem with the structure, plot or characterisation?

Did you know Cornerstones welcome submissions of the opening ten pages of your novel with the synopsis for a free evaluation?

Because Q&As are so valuable to writers, Helen has devised an ‘ask a literary consultant’ session where she outlines her role then opens the floor to questions. I am now working with the Dorset Writers’ Network to find a date and venue to offer this input. Follow the Dorset Writers’ Network on Facebook and Twitter for updates and/or subscribe to the newsletter on the website.

Helen’s book On Editing: How to edit your novel the professional way is an invaluable resource and is available from any good bookshop or can be purchased through Amazon.

 

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The String Games has found a good home

I’m delighted to share the news that my contemporary novel The String Games has been accepted for publication by the lovely people at Victorina Press. It’s been a long journey to reach this point which has involved all sorts of creative and academic diversions. Little did I know that when I started writing the novel, I would end up being awarded a PhD in creative writing!

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The String Games tells the story of the abduction and murder of a boy from the viewpoint of his older sister. Rather than a crime novel, The String Games focuses on the legacy of loss for the protagonist, as she moves from childhood to the teenage years and into adulthood. This three-part structure is rather like a triptych in that it allows the protagonist to look back on her younger self and struggle to recognise the child she once was. It is by engaging with her personal history that Imogen is able to address issues of unresolved grief and integrate the loss of her brother.

Here is the opening page to prick your curiosity:

2013

An idea strikes. Imogen turns around on the stairs wanting to hurry back, but strangers stand like prongs. She battles through to reach the office where she jostles for projects and promotions. Heaving the door open, she sprints to her desk. Heads turn but Imogen ignores her colleagues. Her fingers slip on the keyboard and she has to retype the password. Breath churns from deep in her lungs and her heart beats like a hammer. Why didn’t she think of this before? Turning the screen, she doesn’t want anyone to see what’s she’s doing.It’s a private matter. While she waits for the homepage to load, she glances through the rain-stained window and onto the Thames. Water rucked like a crinkled cloth brings to mind a recurring image from her childhood. A little boy with wet hair shivers, wearing only his trunks. She wants to reach for him, press her arms around his shoulders, draw Josh into a hug. A big sister should keep her brother safe.

Typing his name will bring up the usual lilac lettering that tells Imogen she’s used the same search term time and again. Her stomach clenches and is knotted like a ball of string. Gathering confidence she enters the name of the girl she used to be into the search bar: Nim Mashard. Clasping her hands, she waits to see whether this will locate new information about Josh’s case.

The String Games will be published in May 2019 and I look forward to working with Victorina Press to make this novel the best it can be.

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Jessie Cahalin AKA Books in my Handbag

Jessie Cahalin is a prolific book blogger who is also a published author. I was delighted to read her recently published novel You Can’t Go It Alone which has received many four and five star reviews. Jessie kindly dedicates much support to other writers through her blog.  You can find my cover on Jessie’s very popular Handbag Gallery. Here you can click on any cover you fancy and the link takes you to further information about the book. Here’s a picture of what to expect:

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She hosts a Blogger’s Cafe, too. This works on the same principle as the Handbag Gallery but this time showcases the blogs of a range of authors.

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I’ve been fortunate to be interviewed on Jessie’s blog and she’s posted one of my stories. You can read both here. All Jessie’s posts are accompanied by wonderful images to compliment the text. The care Jessie takes in presentation makes it an absolute delight to appear on her blog.

To top all this, Jessie has just posted an outstanding review of Paisley Shirt. She’s taken prompts from my collection to write the review as a piece of flash fiction. This not only demonstrates her talents as a writer but is a wonderful tribute to my collection. I am absolutely thrilled and can’t thank Jessie enough.

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It’s well worth taking time to browse Jessie’s blog. It is a celebration of reading and writing where you’re bound to find something of interest.

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One Woman’s Struggle in Iran by Nasrin Parvaz

 

I was very interested to read this memoir particularly as I travelled through Iran in 1981 as part of an overland journey from London to Kathmandu. Just one year later, political activist Nasrin Parvaz and many other women were imprisoned by the Islamic state for demanding freedom and equality in Iran.

Nasrin and I are roughly the same age. I was twenty when I set out on my travels, she was arrested by the regime’s secret police at the age of twenty-one. My journey was one of culture and learning, hers was of torture, deprivation and hardship. But before I share my thoughts about Nasrin’s memoir, let me describe the situation for me at the time.

It was on 20 January 1981 that fifty-two American hostages were released from the US Embassy in Tehran. They had been held for 444 days by a group of Iranian college students who supported the Iranian Revolution which overthrew the Shah.  None of our group of travellers held American passports but it was impossible to obtain transit visas in London, so we were advised to apply for them once in Paris. Again, no visas were issued. Without the ability to proceed through Iran, our journey would be curtailed. It was then decided that all passengers from the two buses travelling in convoy would hand our passports over to Doug, the bus company’s courier. We all chipped in to cover the cost of his flight to Delhi where visas we issued to us all. 

Nasrin, a member of a socialist party was betrayed by a comrade and arrested by the Iranian regime’s secret police in 1982. She spent eight years in jail where she endured physical and mental torture and periods of solitary confinement. She was denied medical treatment and kept under the threat of execution. Throughout, she refused to recant and confess to charges against her as an infidel.

In order to drive through Iran, a revolutionary guard travelled on board the lead bus and directed the driver to pass through Tehran. Here people were friendly and waved to us through the windows. In country areas whenever our bus parked it was ambushed by angry mobs. They thought we were Americans. They pounded and rocked the bus until we moved on. It was only possible to go outside safely in unpopulated areas. This included climbing the desert lighthouse near Bam in Southern Iran.

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Although travelling through Iran was dangerous and scary, many of the places on our journey were remote and beautiful. These experiences contrast drastically with those of Nasrin, who was forced to wear a blindfold and chador in captivity.  She suffered numerous interrogations and episodes of torture but never gave away information relating to her comrades. In one of the most chilling descriptions of intimidation, the women were forced to sit in constructions that represented their own graves and not allowed to move. From Nasrim’s memoir, it seems that friendships  developed in prison enabled her to survive and glimpses of sky and other small gifts of nature brought joy.

Nasrin gives a frank account of her time in Iran’s prison system which has opened my eyes to the extremes that can be endured and overcome. It is a testament to her resilience and that of others who remained resolute and refused to recant their beliefs. Nasrin survived and I celebrate her ability to share these experiences from which we can all learn. I recommend this memoir to you.

I received an advance copy of One Woman’s Struggle in Iran, a prison memoir from Victorina Press to inform this post. The memoir is available to pre-order from Victorina Press and Waterstones.

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Big Heads and Others

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Really pleased to see Big Heads and Others an evening of comedy sketches co-written by Sarah Scally, Maria Pruden and me in the autumn brochure for the Bridport Arts Centre. The show will take you on a journey from the topical and tropical to the meticulous and ridiculous. Do come along if you’re in the area. It is being staged on Thursday 8 November 2018 at 7.30pm. For tickets click here.

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Kate Mosse and me

Did you know Macmillan Publishers was established 175 years ago by two brother? Originally crofters from the Isle of Arran, thirty-year-old Daniel and his twenty-five-year-old brother Alexander began a publishing business in London to share learning and capture imaginations. The company continues to publish writers that shape our literary lives. On 16 August at the Spiegeltent in Charlotte Square, Edinburgh, I was lucky to be in the audience as Kate Mosse introduced a range of writers including food poverty activist Jack Monroe and Sharlene Teo winner of the inaugural Deborah Rogers Writer’s Award for her debut novel, Ponti.

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After the event, I introduced myself to Kate Mosse. She was a judge of the 2015 Elle Magazine writing competition alongside Jessie Burton. I feel privileged that both these authors read my entry and awarded me a place as runner up. (You can read more about the competition here.) Kate enquired about my writing progress and was pleased to learn of my recent successes. In judging a competition, Kate hopes the awards provide motivation to continue to progress with writing. When my novel is accepted for publication, I am now committed to let Kate know.

 

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Flaghead Chine Poetry Commission

During my writing residency at Short & Sweet in Wimborne (you can read about it here), I was contacted by landscape designer Barbara Uphoff to write a poem for  a plaque. Barbara developed the new seaside garden at Flaghead Chine in Poole and wanted to incorporate poetry into the design.

The garden is approached through the wooded and shady chine and it acts as a connection between the land and the sea. Constructed with Purbeck Stone planters, boulders and seating, the garden is positioned beside the sandy beach and gives views to Harry’s Rock across the water.

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Old Harry’s Rock from Pixabay

The garden is intended as a meeting point for family and friends where children can enjoy quiet play thanks to the three seashell structures. The sculptors Phil Bews and Diane Gorvins created small scale models of a whelk, an ammonite and a sea urgin which the stonemasons, Albion Stone, were able to use in making the large shells.

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My poem appears on a brushed metal plaque attached to one of the boulders. Barbara and I agreed the the poem should be a haiku to celebrate the natural environment. You can read it here:

It was an honour to write the poem and I am delight to see it positioned in the seaside garden as public art.

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Writing Inspiration – The South West

When Nicole Fitton and I met on Twitter we were keen to share the experience of living and writing in the South West of England. I am pleased to welcome Nicole to The Writer is a Lonely Hunter where she answers our shared questions (mine appear after).  First, let me introduce Nicole.

Nicole Fitton lives and writes in the heart of Devon. She writes both thrillers and short stories, many of which have been short and longlisted. This year her flash fiction piece ‘Yellow‘ was featured as part of  National Flash Fiction Day on the Flash Flood Journal Blog.

Nicole Fitton

  1. Have you always lived in South West England?

The short answer is no! I started my journey towards living in the West Country as a ‘grockle’ (tourist). The children were small back then and we would set off at the crack of sparrows and head west. Like many who’d travelled before us, we would wind our way slowly down the A303 for two glorious weeks in North Devon come rain or shine! We promised ourselves that if we ever got the opportunity to relocate we would grab it with both hands. Well, that’s what happened. In 2010 we relocated because of my husband’s work. It was a big decision. I am so proud of the way our kids adapted. It was a big shock initially, but within a few months they were taking everything in their stride – even school lessons delivered on the beach – now that was a first!

Until our move to Devon I had lived mainly in big cities such as London and New York. My work in international PR and marketing took me all over the world, and I know I draw on a lot of those experiences when I write.

I now live betwixt the villages of Iddesleigh and North Tawton. Iddesleigh is famously the home of author Michael Morpurgo whilst North Tawton was home to the late poet laureate Ted Hughes. It is a place of isolation, and I love it. There is something quite profound about my small hamlet which runs along the river Taw. Perhaps it is the ebb and flow of the river. I’m not sure, but I know it has worked its way into my bones. Living in a farming community the effects of late harvests, early harvests, failed crops, all subconsciously inform my thinking. I seem to draw on the landscape especially with my short stories.

  1. Is there one particular place in the South West that is special to you, if so why?

I find myself drawn back to the River Taw time and time again. When we first arrived in Devon, it was the first place I discovered within walking distance of the house. We would spend many a happy hour skimming stones, swimming or sitting on ‘the beach’ (a patch of sandy shingle by the river’s edge). There are many ‘hidden’ parts of the river and every time I walk there I find something new.

Further afield I would say it would have to be the North Devon coastline. It is wild and structurally stunning. The rock formations you see are dramatic and magnificent. I have a story in mind for that coastline! Peppered in between the ancient stone cliffs are sandy coves and big expanses of golden beaches. My favourite beach is Westward Ho! The only place in the UK to have an exclamation mark as part of its name – fact!

WestWard Ho!

  1. What is it like to be a writer in the South West?

Devon is a superb place to write, and if someone were to do an audit or something clever like that I believe they would find a writer present in every village! There are a wealth of literary festivals and events across the county, which provide fantastic opportunities for support and collaboration year round.It is such a positive community. I belong to a group called the Sakura Positive Press Writers Group; we hold open mic evenings in our local pub for storytelling. It’s great fun. It would be great if we could roll this out across the region. Stories were initially told that way, and it would be great to see this form reignited.

Nicole’s Blog : www.nicolefittonauthor.com

Facebook:https://www.facebook.com/nicolefittonauthor/

Twitter:@MisoMiss

Instagram: https://www.instagram.com/misomiss/

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Gail Aldwin

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  1. Have you always lived in South West England?

Dorchester in Dorset became my home in 2007. At the beginning, I wasn’t particularly pleased to be moving from my lovely life in south London but my children and me had to up sticks when my husband got a job in the county town. I soon came to appreciate the benefits of living in a county area and it certainly extended the childhood experiences of my son. He spent his summers building camps and swimming in the river where his London friends thought a good day out was visiting Chessington World of Adventures.

Although I was brought up in London, I spent several years travelling overseas and have lived and worked in Australia, Papua New Guinea and Santiago de Compostela in northern Spain. I do like a remote and beautiful location but living in one is not always easy. There are stories set in Australia and Papua New Guinea in Paisley Shirt, my recently published collection of short fiction. Something of a place remains with me from all the different locations I’ve experienced.

  1. Is there one particular place in the South West that is special to you, if so why?

Chapel Porth in winter

My husband is from Cornwall and we spent many summers on the north coast when my children were little. Our favourite beach is Chapel Porth near St Agnes where a river meets the sea. Out of season, my husband and son spent many hours damming the river in order to flood the beach but that wouldn’t make them popular in the summer when it gets packed with visitors. My novel The String Games draws from my experience of losing my son when he was three years old on a crowded beach. While I was busy smothering my daughter in sunscreen, he wandered off.  I started searching for him by heading in the wrong direction. In spite of a tannoy announcement, he was lost for forty minutes then I eventually found him way down the beach jumping over the ways and completely oblivious to the panic he had caused.

Closer to home in Dorchester, it’s possible to walk across the water meadows and experience Thomas Hardy country. I love going to the cottage that is the place of his birth in Higher Bockhampton. I usually take a detour to visit the great writer’s gravestone in the churchyard at Stinsford. Although it was Hardy’s dying wish to be buried there with his parents, the executor of his will had other ideas and Hardy’s body ended up in Poets’ Corner at Westminster Abbey while his heart was buried in Dorset.  Along the shaded riverside walk I imagine how this place sparked ideas for Hardy and try to generate a few myself!

  1. What’s it like to be a writer in the South West?

Dorset has a thriving writing community with literary events scheduled across the county. I am Chair of the Dorset Writers’ Network and work with the steering group to inspire writers and connect creative communities. We do this by putting on workshops and talks to support writers at different stages of their writing journey. The South West is full of creative people and I love to link up with writers in different counties. I have taken steps to achieve this by joining activities in Devon. I delivered a spoken word performance at the Sandford Y Festival book event and participated in the Chudleigh Dragons pitching competition as part of their annual festival. I would love to see better links for writers across the South West so that we can celebrate the creativity of the region.

Dorset Writers Network:            http://www.dorsetwritersnetwork.co.uk

Facebook:                                https://www.facebook.com/gailaldwinwriter/

Twitter:                                     @gailaldwin

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