the writer is a lonely hunter

writing by Gail Aldwin and other authors

Dec 10

Shelfie: publications that include my stories

by gailaldwin

 

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I’m making the most of my recent success with Elle magazine – thank you for all your comments and encouragement. While I don’t want to be the sort of blogger who spends posts boasting, it is gratifying to celebrate the markers of progress. I started writing in 2009, and had my first story published in 2010 with a payment of £25. Other stories and flash fiction followed, both online and in anthologies. My shelfie shows where you’ll find my writing in print and I’d like to thank all those who have made it possible  for my stories to reach an audience. These include:

All the time, new opportunities to become published are available. I’ll try to keep you updated with these through regular blog posts. Good luck with getting your writing out there.

 

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Dec 3

Elle Magazine Talent Competition

by gailaldwin

IMG_0525My name has finally reached the pages of a women’s magazine (check the small print at the bottom of the photo). In September, I entered the annual Elle magazine talent competition with a 500-word short story inspired by the hashtag #relationshipgoals. The story titled Five Days to Go imagines the hopes and aspirations of a teenage Muslim girl planning to become an Isis bride. With so much in the press about young girls and their misplaced dreams of supporting Islamic State, it seemed appropriate to explore this through fiction. Told through first person narration, readers gradually realise what this British Muslim girl is planning.

The competition judges included Jessie Burton, author of The Miniaturist and Kate Mosse, Novelist and Chair and co-founder of the Baileys Women’s Prize for Fiction so I’m thrilled to think they’ve read my work. I am one of five runners-up and have won a monogrammed Smythson Notebook worth £135. Congratulations to the winner, Lia Louis.

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Nov 29

The academic year and writing

by gailaldwin

Although I’ve given up working in primary education, I still think of the year as divided into academic terms. In the past, as the beginning of December approached, my last reserves of energy would see me through the carol concerts and nativity plays to the final day.  More recently, I’ve held advisory posts working with senior leaders in schools to improve attainment for vulnerable and disadvantaged pupils. While not actually working in a school, that same sense of being on my knees at the end of the term accompanied these roles. I’m currently working for a local authority, bringing together information on services to support children and young people with special educational needs and disabilities. Essentially, it’s a writing job and one that I’m really enjoying. I have colleagues, I work in an office and I have sufficient positive drive to enable me to continue my creative writing journey alongside paid employment.

Three days ago, I launched a new writing project. I’m beginning a story that investigates the teenage years of the protagonist from my novel How to be Brave. The adolescent years are very much off-stage in the novel and feedback from my viva suggested it would be well worth developing this storyline to compliment my work. I now understand why many of my friends are writing trilogies. It is a joy to discover another aspect of a character I know very well and see how she copes with the new challenges I have set. I’m hoping this piece of work will progress smoothly as I have developed a new approach to writing.  This time I have plotted the entire story before attempting to write. I’ll let you know how I get on.

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In the meantime, I have to think of a new title for my completed novel. The book had been through various working titles before I settled on How to be Brave.  It was obviously a good one as Louise Beech has recently published her debut novel with this title. Her story is about a mother who connects with her seriously ill child through the medium of storytelling. Good luck, Louise.

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Nov 5

Aethiopian Maid

by gailaldwin

Please find below the story I mentioned an earlier post. It is written in response to Tiff Oben’s artwork which forms part of the Engaging in the Past exhibition at Oriel y Bont. Aethiopian Maid acknowledges the black presence in Tudor England.

Aethiopian Maid

The green silk gown hangs on a wooden pole. The girl has fingers thin as cinnamon quills and like in colour. She runs them over the embroidered hem. Clusters of pansies in gold and silver thread have faces marked with pearls. This is a gown of much importance. Clara checks the fabric, a task she undertakes every spring when moths are wont to cause damage. A smell of herbs and lavender pervades. Dried flower heads fall from the folds. She checks the seams and gathers for holes but none are found. Her mistress prizes this gown more than any other and work is needed to keep it fresh. Clara takes the gown  and carries it outside where she hangs it in the breeze of the warm spring day.

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Nov 4

Viva South Wales

by gailaldwin

 

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Although I have Viva Las Vegas ringing in my ears, this post is about an academic viva. Yesterday, I was examined by Julia Green, author of YA books including Breathing Underwater, and programme leader at Bath Spa University. After a 90 minute discussion about my work, Julia confirmed that I can continue my studies in Creative Writing to PhD level. I am pleased and relieved. There will be a lot of work involved, but with Philip Gross and Diana Wallace as my supervisors, I will be well supported.

While I was at the University, I took the opportunity to visit the Engaging with the Past exhibition. Held at Oriel y Bont, the exhibition accompanied the Representing the Tudors conference held during the summer.  I was asked to use one of the exhibits as a stimulus for a piece of creative writing. I’m pleased to say my story ‘Aethopian Maid’ is displayed next to Tiff Oben’s artwork. The story acknowledges the Black presence in Tudor England.

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Oct 29

What I remember, a new anthology by EVB press

by gailaldwin

51l8IL14LYL._AA160_I’ve a story in a new anthology titled What I Remember published by EVB Press. In The Game, I use 500 words to tell the events of an abusive weekend through backwards chronology. I became interested in Everyday Victim Blaming when I heard Louise Pennington talking about the campaign  on Radio 4. The organisation reviews media coverage of violence against women and children, and identifies where news reports have overt victim blaming content. Incidents include the rape girls who are so drunk that they cannot stand up, yet men claim sex is consensual. Media coverage offers excuses to support the abuser rather than showing compassion for the victim.

Other writers who have stories in the anthology include Cath Bore, Carol Fenlon and Mandy Huggins.

Click here to purchase a copy of the anthology – all proceeds support the organisation.

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Oct 26

This Little World: workshops and publication launch

by gailaldwin

Please find details of a writers’ day in Dorchester with flyer and booking form below:

BOOK LAUNCH FLYER 2015 MASTER

NOV 14TH WORKSHOPS - BOOKING FORM

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Oct 16

Story Slam, Bridport 2015

by gailaldwin

Scan 1Organised by Frances Colville, the fourth Bridport story slam  was another wonderful event. I was honoured to act as a judge alongside novelist Rosanna Ley and Nick Macy, manager of Waterstones, Bridport. Author Laura James was an excellent MC at the event.

Sixteen writers entered the story slam although owing to constraints of time, only twelve were able to read. Each writer shared an original story taking up to 5 minutes for the reading. We were impressed by the high quality delivery from all the writers, readings were offered to engage and entertain. The stories took us to places far and near as well as emotional journeys of recovery and love. There was much humour, too: from a chuckle to the laugh out loud variety.

Much of the writing was carefully crafted, giving hints and clues, making the stories textured. There was a wide range of genres including fantasy, sketches and letters. Some stories contained clever twists and characters from history and fairy tale were given new life. It was a very hard job for the judges to agree on the top three stories. Read the rest of this entry »

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Oct 6

Blandford Rotary: Short story competition, readings and prize giving

by gailaldwin

 

 

 

Adrian Ford is circulating details of the event below. Unfortunately, I’m in Cornwall that week but I wish everyone attending a very good night.

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Sep 26

Back to normal

by gailaldwin

I’ve finished the fourth week of a new job, have submitted my transfer paper to PhD and printed out what I hope will be the final draft of my novel How to be Brave. One last read through, then the manuscript will be off to a proof reader. We have had a house full of visitors and done several long walks. I’ve rejoined the Dorchester Film Society for the seventh year (very good film called Ida screened last week) and I’m continuing my work with the Dorset Writers’ Network. More news about from the network soon, including an exciting day for writers in November at Dorchester Library.

There are currently free writing workshops on offer in Dorchester with the Boris Starling. I’ve signed up for one on 6 November about plotting. You can find further details here.

Happy writing!

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