the writer is a lonely hunter

writing by Gail Aldwin and other authors

#fridayflash: Alex

Lining up the bottles of baby formula, I thank God for the respite of when she’s asleep. An adult’s company is a bonus, even if he’s only come to fix the boiler. Alex raps his knuckles on the kitchen counter. The back of his hand is smattered with freckles and his skin has the honey shade of a light tan.

‘I’ll be back to do the service next year. Thanks for the cuppa.’ He counts the notes that I offer and folds them.

‘You mean I’ve got twelve months to wait until I see you again?’ Tilting my head I notice his red hair is streaked with grey, rather more silver than gold. He smiles, making the dimples appear. I bite my lip, resisting the urge to smile back and Alex lingers, the silence holding us. Moving closer, he angles his head to reach my lips. His bristles scrape as he works his tongue and I wrap my arms around his neck. When saliva seeps onto my chin, I nudge his elbow and step away. Studying the lines of laminate on the floor, I straighten my blouse.

‘I can drop by one day next week.’ Alex arranges the tools in his belt.

‘That isn’t a good idea, there’s the baby to think about.’

‘And your husband, or is he a boyfriend?’

‘She’s my partner, actually.’

‘You mean I just kissed a dyke?’

He tosses the spanner in his hand and aims it at the window. Stepping back as the glass shatters, his blood speckles the paintwork. My shoulders cinch and I’m frozen in place. Slamming the door as he leaves, air seeps through the broken glass. I force my limbs to work, tiptoeing to avoid the shards and I stare through the jagged hole. Alex is on the pavement. He swings his head from side to side, as if he’s checking for witnesses and a few moments later, the van drives away. I’m left wondering how to explain the damage but the baby’s still asleep, so I have time to plan.

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A splendid story slam in Shaftesbury

I wrote an earlier post promoting the story slam in Shaftesbury here and I’m now delighted to share with you details of this great event.  Organised by  Jennifer Oliver and Jennifer Bell who run Storyslingers a creative writing group held at the Shaftesbury Arts Centre, the story slam offered the chance for writers to read their work to an audience and gain feedback.  Five writers put their names forward for the competitive element of the evening, and five others took the microphone to showcase their work.

The judging panel comprised Allie Spencer author of romantic comedy novels including Summer Loving and Summer Nights and myself (recently awarded first prize in the Winchester Writers’ Conference ‘Slim Volume, Small Edition’ competition).

Allie Spencer (left) and Gail Aldwin (right)

I was thrilled to be invited to judge the event and I’d love to see more story slams taking place across the county. Allie was a great person to deliberate with in finding the winner and runner-up, particularly as the standard of all the stories was very high. We finally agreed that James Broomfield’s story should win due to its extraordinary content (about a man trying to find his brotherhood in North Devon by experimenting with smoking beard trimmings).  Technically the writing was superb with a strong and unique voice.  Runner up came Andy Hamilton’s ‘Stage Fright’ a classic ugly duckling scenario told in a fresh way.

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A visit to Imagine Books, Weymouth

Just 50 yards from the sea front at Weymouth, and a pleasant walk along St Alban Street, (affectionately known to locals as Flag Street) you’ll find Imagine Books at number 23.

Displayed outside the shop with its distinctive black and gold signage are children’s books, postcards, sun hats, beach bags and wind chimes. This provides an idea of the merchandise to be found within.

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#fridayflash: shedding skin

Like running a comb through her hair to make a parting, she slices her scalp with the blade.  Peeling back three maybe four layers, she finds a silken sheen of hair grown underneath in the darkness. Stripping the skin from her face, she looks in the mirror, waiting for the milky shadows to turn sharp. Her cheeks are pale and her chin bone juts beneath the translucent covering.  She tugs the collar of flesh and the seam over her ribs springs open. Her arms escape from the sleeves and she inspects the pads of her fingertips, pink and furrowed as if she’s been in a hot bath. She wriggles her hips, pulls up her knees and steps from the skin left crumpled on the floor like dirty clothing. By shedding her skin she’s released from shame and the anchors of regret. She’s freed from all the things she wished she’d never done. Today her name is Hope.

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Writing Britain (and more about notebooks)

The British Library’s current exhibition Writing Britain illustrates the changing landscape of the country over the last 1000 years with reference to items from the collection and loans from elsewhere. The exhibition includes artwork, original manuscripts and texts that explore a range of locations grouped according to the following sections:

  • Rural dreams
  • Dark Satanic Mills
  • Wild Places
  • Beyond the City
  • Cockney Visions
  • Waterlands

Interestingly, writing about Dorset features in several of the sections, including Maiden Castle by John Cowper Powys which tells the story of a supernatural presence at the iron-age hill fort near Dorchester. Jane Austen’s Persuasion is set in Bath and Lyme Regis, where Louisa Musgrave falls from the harbour wall (known as The Cobb) in an attempt to gain male attention. Harold Pinter’s script for The French Leiutenant’s Woman, based upon the novel by John Fowles is also set in Lyme Regis. A little further along the Dorset coast, Chesil Beach features as the location for Ian McEwan’s novel of the same name, where Edward and Florence spend their wedding night at a fictitional hotel on the beach.

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Story Slam in Shaftesbury, North Dorset

In the tradition of a poetry slam, where poetry is recited, a story slam encourages prose writers to take the stage and read their work.  Events are informal and fun, with feedback from judges and applause from the audience.  The idea is to enjoy sharing stories from a range of genres with a wider audience and prizes are awarded.  In July, Storyslingers in Shaftesbury are holding their first story slam event and would be very pleased to have you join them.

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A visit to Gullivers Bookshop, Wimborne Minster

This is the first in a series of posts about independent bookshops in Dorset. Once a month I attend a writing group in Wimborne led by poet, writer and teacher, Sarah Barr (you can find out more about the Wimborne Writers’ Group here). Last week I took the opportunity to visit Gullivers Bookshop, a family owned business in the centre of the market town run by Malcolm and Anne Angel and their daughter Jane with their son and his wife.

As I went into the shop, Malcolm was in the throes of  dismantling the window display that celebrated Dorset Art Weeks from 26 May – 10 June, which comprised a collection of papier-mache heads featuring characters from books. With another community event approaching, it was time for a change. To celebrate 20 years of Bookstart, Gullivers is hosting a Busy Bear Party on 22 June and the new display will feature a teddy bears’ reading group.  This engagement with the community is a feature of the bookshop that has been in Wimborne for over 40 years.

The shop feels bright and airy, well-stocked but not cluttered and an easy place to spend time. Displays by the entrance feature the latest fiction titles with further books on the shelves. There’s an area dedicated to Dorset’s people, places and culture and support for local authors (for a comprehensive list of publications click here). Thought has gone into organising the areas in an accessible way, for example, the young adult books have been positioned in a corner, away from the desk and the children’s section, to encourage self-conscious teenagers to browse.

The children’s section is delightful, decorated with mobiles and balloons. There’s Lego to play with and books for younger children displayed on shelves at just the right height. Children are welcome to chatter and play while choosing books, some saying that they ‘love the smell of the bookshop’.

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#fridayflash: Hitching

Sieving dry earth through my fingers, I make little towers that crumble immediately. Sweat trickles down my spine and I brush needles of grass from my jeans. Staring into the distance, the outback reminds me of a lumpy picnic blanket with yellow-green tufts. It’s not much to look at but at least the days of pavements and puddles are over. Sliding a mirror from my backpack, I notice my cheeks are pink and I smooth sunscreen over.

‘Have you got any lip-gloss?’ I ask.

Jane looks up from the magazine and fishes in her pocket.

‘Catch.’ She lobs a small tube and then returns to her reading, pinching the pages that have flipped over in the breeze.

‘Perhaps we should’ve caught the Greyhound.’

‘We can always do that tomorrow, if we don’t get a ride today.’ Jane talks to the celebrity photos in front of her.

When the sun casts a honey-glaze on the land, a road train approaches. Squealing brakes bring it to a stop and I stand beside the second of two huge containers, each set on dozens of wheels, all taller than Jane. The cab door opens and the truckie leans out, beckoning a hand blotchy with tattoos.

‘You girls shouldn’t be hitching,’ he shouts. ‘The Territory’s a wild place. It’s only safe to take a lift from a truckie. Where yous heading?’

‘Darwin,’ I splutter.

‘You’re in luck – get in.’

Jane nods, auburn curls tumbling into her eyes and I take the cue, climbing the treads. The cab is roomier than I expect: a bench set back from the windscreen, the steering wheel sprouting from the middle of the floor. I push sweet wrappers and old newspapers away, making space on the seat.

‘Too right.’ The truckie speaks from the corner of his mouth. ‘Make yourself at home.’ He slaps the bench indicating where I should sit and Jane settles at the end.

‘What d’they call yous?’

‘I’m Claire and this is Jane. Thank you for stopping.’

‘No worries. Poms are yous? I’m Gary.’

‘Good to meet you,’ I say, but I forget his name at once.

Air rushes through the driver’s window and a fan pulses but the atmosphere is stuffy. Besides the odd grunt, the truckie doesn’t say very much and I struggle to keep the conversation going.

‘Hey you. What’s yer name?  Jan is it?’

‘Jane.’

‘You want to take a sleep in the back?’ He nods in the direction of the bunk behind and Jane peers into the space. Throwing aside a T-shirt that smells of diesel, she scrambles inside.

‘Right!’ The truckie slaps my thigh, clawing the denim with his jagged nails. When he removes his hand to change gears, I wriggle away and shift my bag from the floor, wedging it between us to prevent further contact. He looks at my new position and laughs.

Through the windscreen opaque with dust, I trace the road as it slices the land. Decaying kangaroo carcasses mark the route like milestones, victims of road kill. I turn and watch the truckie as he rolls a cigarette, the paper and tobacco balanced on his knee. The radio crackles as if creatures from outer space are trying to make contact. The truckie coughs and tosses me a small container that rattles with pills.

‘Smoking’s a killer’ he says. ‘Try some speed.’

I fiddle with the lid and shake a pill into my palm.

‘One’s not enough – pass them to me!’ Upending the container against his mouth, I hear the drugs tumble and as the truckie crunches, speckles of white pattern his face. He throws the pill bottle back towards me and I’m conscious of him watching as I shake out another tablet. Aiming one and then the other at the back of my throat, I swallow. What the hell – it’s going to be a long journey.

The road becomes like a mesmerising snake as it shimmies into the retreating distance. I lose track of time as my eyeballs roll and my chin bounces against my chest. My mouth falls open only to be clamped shut when my eyes ping into focus. When it’s dark the truckie brings the road train to a stop and he jumps to the ground.I listen for his footsteps as he wanders into the inky night. Peering through the glass, a swollen moon shows his silhouette walking away.

‘I’m beginning to regret this.’

‘Too late now.’ Jane slithers from the bunk onto the seat next to me. We rest our foreheads together, our clammy skin sticks. Taking turns, we look over the dashboard. He’s out there, whimpering and thrashing around. Smoothing a lock of hair between my fingers I suck the ends.

Pummelling and scraping sounds interrupt my trance-like state. Jutting forwards, I see a mass of dark hides turning the earth black. Like floodwater, the cattle spill across the land, their heads nodding up and down like mechanical toys. The truckie jumps and swings his arms, a matchstick figure weaving between the herd. Once he’s free, he recovers his power. This time he gives a rasping shout, and through the barren landscape, he strides towards the truck.

Leaping onto the metal ladder, the crashing footfalls announce his progress. He pants as he works his way upwards, and with each step I shrink a little smaller. The cab tilts as he balances his weight, and he tugs on the door but it doesn’t swing free. Instead, he lurches on top of the engine, sprawling in front of us, the windscreen our only protection. He levels his bloodshot eyes and mouths incomprehensible words. Grappling with the wipers, he gets to his knees then he surges onto the roof of the cab. Kettledrum beats echo while he dances, singing to a tune I struggle to recognise. My breathing shallows as the fear creeps. I count his footsteps until the pace slows and I guess the roof will hold his weight while the truckie sleeps. Jane ducks her head as if the truckie’s pressing her down and my neck feels short with my shoulders all tense. I look towards Jane – our eyes meet then part again, meet then part again – until I’m consumed by sleep.

Coming to consciousness, my eyelids flicker and daylight shoots through the cab as the driver’s door jerks open. I feign sleep as the night-time memories invade. The truckie hums as he moves around the cab. Jane’s body is warm next to mine and I brave a glimpse through slit eyes. The truckie’s fumbling for a silver container among the plastic and glass bottles wedged by the door. He yawns and turns towards me.

‘G’day,’ he says. And aiming the aerosol of deodorant, he sprays.

This story is currently appears as a podcast on Cypruswell.

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Find out which published author your writing style resembles

Thanks to a post on Emily Ann Shaffer’s blog, I spent a happy five-minutes being distracted by the I Write Like website.  All you have to do is paste a couple of paragraphs onto the page and by clicking a button, the website uses a statistical analysis tool that matches your writing style to that of a famous author.  I’m always struggling to think of which published authors my writing resembles so, in spite of my scepticism, I gave it a go. I was hoping to be matched with someone like Anne Tyler but the computer said no. The name it came up with was Chuck Palahniuk and as I’d never heard of him, I got back to my writing.

But Chuck’s name has stayed with me and I decided to have a look on the internet to find out more.  Wikipedia says he is best known for his award-winning novel Fight Club which was later made into a feature film earning him a cult following.  That leaves me none the wiser but I’ve just asked my sixteen-year-old son who’s playing a silly computer game next to me on the desktop and he tells me it’s a great film, one that made Brad Pitt famous and that the book is even better.

"FIGHT CLUB" is embossed on a pink bar of soap in the upper right. Below are head-and-shoulders portraits of Brad Pitt facing the viewer with a broad smile and wearing a red leather jacket over a decorative blue t-shirt, and Edward Norton in a white button-up shirt with a tie and the top button loosened. Norton's body faces right and his head faces the viewer with little expression. Below the portraits are the two actors' names, followed by "HELENA BONHAM CARTER" in smaller print. Above the portraits is "MISCHIEF. MAYHEM. SOAP."

Suitably informed, I’ve watched the Fight Club trailer on You Tube and will be reserving the book at the library.

I also checked out the official Chuck Palahniuk website, where I found a link to 13 writing tips from the author. Now this is more my thing, with advice including:

  • Get author book jacket photos taken now, while you’re young.  And get the negatives and copyright on those photos

And, more seriously, he talks about the three different types of dialogue:

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Blog swap with Vikki Thompson

I’d like to introduce you to Vikki Thompson – she is a prolific blogger and enthusiastic writer – someone I’ve been following for a few months.  She writes a post almost everyday and she has some great ideas and prompts for writing. Today, we’ve decided to do a blog-swap, so if you want to find out more about me, you’ll have to visit Vikki’s place.  In the meantime, I hope you enjoy this interview with Vikki.

When did you start blogging and why?
I started blogging last year on my Blogspot Blog, as a form of communication with my tutor on a Creative Writing course. I already had the WordPress Blog set up as I’d dabbled a bit whilst doing National Write a Novel Month (Nano for short) in November. I started blogging at The View Outside every day at the beginning of January this year. It was a personal challenge as I was also embarking on a prompt a day (from Judy Reeves’ book A Writer’s Book of Days) and I wanted a record of my writing journey.
How many followers do you have and how did you acquire them?
As of today I have 168 followers, which I’m really pleased about, and thankful for. I know it doesn’t sound like much, but I’d rather have 150 followers who make lots of comments, than 500 followers who don’t comment, if that makes sense 😉 I’m not sure how I acquired them lol, I was, and am shocked, that people want to read what I have to say. I couldn’t have wished for more really 🙂
How much time do you spend working on your posts and how does this affect your writing projects?
I used to do my posts daily, but now, I always work a couple of days in advance. I use the scheduling feature, which I discovered whilst doing the A-Z Challenge (I wrote a blog each day of April creating characters with names from A-Z). When I get an idea for a blog post I write a little outline on my iPad and save it to the drafts (I use the WordPress App) and come back to it later. On average I spend about 2 hours a day, just doing blog orientated stuff. Oh gawd yeah! Lol….I find myself blogging instead of writing lol, but, I love blogging, I love the interaction and communication with other bloggers, so that makes it worth it.
How does your interest in visual arts impact on your writing?
A couple of years ago I started doing collages (you can see a selection on my Flickr page which included words, so it was kind of a natural progression to take up writing. I’ve always been inspired by photography and take a lot of photos which I use to inspire stories and scenes in my writing. I love the connection between words and images, so visual art has a huge impact on my writing. Even in my note books I write with different colour pens so that visually, it’s more interesting when I flick back through them searching for ideas 🙂
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