the writer is a lonely hunter

writing by Gail Aldwin and other authors

Flash Fiction at a Readers’ and Writers’ event in Dorset

The Exchange at Sturminster Newton was a busy place on Saturday with workshops and talks by authors and a good chance to meet and chat with other readers and writers. I finally got to meet fellow blogger Patsy Collins who has recently won a competition to have her first novel published.  Watch this space for more details of her book titled ‘Escape to the Country’.

Patrick Gale

I loved reading Notes from an exhibition by Patrick Gale and opted to join his workshop on flash fiction. I was interested when he said that a character’s back story from a novel can make an excellent piece of flash. This was reassuring as several of my latest attempts have been just that.

Patrick was also keen to promote entry into the Bridport Prize ( he is the judge for the flash fiction and short story categories) and

Read the rest of this entry »

11 Comments »

#fridayflash: yearning

Yearning

Holding the phone to his ear, he counts the rings.  Claire answers on the fourth.

            ‘Is your mother still there?’ He doesn’t wait for a greeting.

            ‘She’s taken the kids into town.’

            ‘So that’s more free childcare for you.’

            ‘She offered,’ Claire draws a breath.

            ‘I’d look after your children anytime.You know I would. I’ve asked often enough.’

            ‘Yeah, yeah.’ Claire exhales and he guesses she’s taken up smoking again.

            ‘When your mother gets back, can you give me a call?’

            ‘Fine.’ The line goes dead.

            ‘Fine.’ He returns the handset to its cradle.

            Sitting in the armchair, he stretches his legs. Settled for the afternoon, he watches the grey belly of sky through the window and he gropes behind the curtain. Finding the bottle he swirls it, watching the whisky lick the sides. There’s enough to keep him going, for the rest of the day at least. In the tumbler grimy with fingerprints, he pours a large one. Titling the glass, he savours the peaty smell and his nose tweaks at the prospect of a good, steady slug. There’s a nub of anaesthesia as he swallows and his shoulders relax. Smacking his lips as he downs the last drop, he nurses the glass between his fingers.With his eyelids sagging, the tension drifts.

            The trill of the telephone wakes him but he doesn’t answer. Instead he talks to the darkened room.

            ‘Call yourself my daughter? You’re a bloody bitch – you’ve been one since the day you were born.’

This piece of flash fiction currently appears on the National Flash Fiction Day website.  National Flash Fiction Day is held on 16 May 2012.

16 Comments »

Write it like a recipe, write it like a three course meal

As part of my work for the local authority, I am frequently invited into schools to observe pupils who are learning English as an additional language.  As an advisory teacher, joining a lesson is part of my job that I really enjoy and this week I was lucky to be present during an English and a history lesson.  It was a coincidence that both lessons required the pupils to write recipes. The English class were studying the three witches scene in Macbeth, and using the second witch’s speech as a model, they created their own cauldron recipes. In the history lesson, the students were learning about the plague and were asked to invent a potion to cure the disease.  As you can imagine, some gruesome recipes were produced but it did start me wondering about using food as a  stimulus  for writing a short story or a piece of flash fiction. 

In Dorchester we have a Michelin star restaurant called Sienna and it’s within walking distance from my house.  As a special treat I was taken there on Friday and I’ve inserted photos of my lunch for anyone who would like to take up the challenge of writing a story around a three course meal. 

starter

Slow-cooked pork belly and apple terrine with sweet onion relish and crispy prosciutto.   

main course

Roast fillet of Cornish hake with bourguignon sauce and parsley dumplings.  

dessert

Saffron-poached pear with pistachio and marzipan cake, honeycomb ice cream.  

I needed an afternoon nap after that lot! Let me know how you get on if you decide to take up the three course challenge.

4 Comments »

Interview with Harry Grenville, Kindertransportee

Harry Grenville

Following Kristallnacht (Night of Broken Glass) in November 1938, when German and Austrian Nazis smashed 7,500 Jewish stores, the British Jewish Refugee Committee appealed to members of Parliament to admit to England children up to the age of 17. This resettlement was known as Kindertransport and in less than a year, 10,000 Jewish children made the journey from Germany and went to foster families, orphanages or group homes.  This was how Dorchester resident, Harry Grenville, came to live in Camelford, North Cornwall with his sister in July 1939.

What was it like leaving your family and coming to Britain?

As a child, I wasn’t part of the discussion, but I knew a lot of Jewish families in Ludwigsburg were talking about leaving. Not that anyone believed there would be an extermination, but life was getting difficult and there was talk in the community about an ejection.  The plan was that my parents and grandparents would apply for an American visa and we would meet again in the United States.  But my grandfather died from ill health in 1940 and my parents and grandmother were taken to Theresienstadt camp in 1942.

For me, the move was a very quick cut-off and I rapidly became immersed in village life. My sister and I were the foster children of a professional family and we were sent to the grammar school in the small town. I knew a little English when we arrived. I’d been kicked out of the German school in 1936 and then attended the Jewish School in Stuttgart twelve miles away, where I received some English lessons.  I also took private lessons with an elderly American lady from Boston.  In Camelford, I acquired English rapidly, within a month I was familiar with the North Cornwall dialect. My sister and I were welcomed by the village. The youngest son of my foster parents introduced me to others as ‘their refugee’ and the Headmaster’s younger son took a great interest in me. I became absorbed into Cornish life and regarded it as my home but not all Kindertransportees were so fortunate.

 Were you able to keep in touch with your parents?

When the war started it was no longer possible to keep up contact with my family in Germany.  Some relatives passed on letters through Rotterdam and some distant relatives in Seville were able to communicate.  My father’s elder sister in New York also helped.  Through the International Red Cross we received 25-word letters, the last one came in 1944  saying they were leaving the camp for the east. There were no more letters after that. 

Theresienstadt wasn’t an extermination camp but a place where Jews from Germany, Austria, Czechoslovakia and Hungary were sent.  There was terrible overcrowding and the conditions were poor. Later, most were sent to Auschwitz. When I went to the International Red Cross in Northumberland Avenue in late 1945, their names did not appear amongst the lists of survivors and our fears were confirmed.  

Were you able to grieve for your family?

Not at the time.  I was too busy working for the army. I’d kept up my knowledge of German when I lived in London and worked in a lab at Hammersmith Hospital.  At the time, the army was recruiting interpreters and although I wasn’t accepted into the Russian programme, I was able to train as a German interpreter.  It was a very intensive course and I studied alongside service people and girls who’d completed German A level. Eventually, I was appointed as an interpreter and worked with the administration of the German Prisoner of War camps. I met my wife while I was based in Cattistock and my last job was in Cheltenham.  As part of the work, we had to give the prisoners of war a political grading.  I met a couple of unrepentant Nazis, but 90% were non political and didn’t care.

I came close to a sense of personal sadness in 2009 when I was invited to Germany to see the stolpersteine (stumbling blocks) laid by Gunter Demnig in remembrance of my parents and grandmother.  These are cobblestone-sized memorials for victims of Nazism, set into the paving stones.  I was glad my three children accompanied me as it was very emotional, revisiting the town, the building where my father ran his wholesale business and the flat we lived in.

How do you feel about the continuing market for books and films about the Holocaust?

There’s a lot of literary output about the Nazi period and it’s right that children learn about this in school. I watched The Boy in the Striped Pyjamas on television and was deeply disturbed by that – the horror of it all. 

How has your personal history impacted on your sense of identity?

I was born Heinz Willy Greilsamer but I’ve been Harry Grenville for much longer.  I joined the British Army and later became a teacher of biology.  I am very much part of the British way of life.  I am happy to talk about my experiences, I certainly don’t hide anything.

Thank you very much Harry.

12 Comments »

#fridayflash: waiting

Fiona paces the kitchen, keeping her feet inside the flagstone squares, then she stops and stares through the French windows into the garden. The flowerbeds are bedraggled, the winter frost has killed off any growth and only the potted Christmas tree, discarded on the patio, sprouts a few green needles. Sitting at the kitchen table, Liz snorts at the photographs of fashion mishaps in a magazine. Read the rest of this entry »

4 Comments »

#fridayflash: Rain

Rain plummets in Nigeria, dropping in parallel lines from the roofs. I listen to the sound of the earth licking its lips while I wait for Tobe. He dashes through the downpour, his shock of dark hair is dotted with diamonds. Out of breath, he puffs a greeting and I thread my fingers through his, making the pattern on a zebra’s coat. As the tufts of his beard rake my chin, his lips consume me.

This 75-word vignette from my novel Mistrust first appeared on Paragraph Planet on 8 Febrary 2012.

Leave a comment »

Thomas Hardy and Dorchester

In Thomas Hardy’s tragic novel, Michael Henchard is the eponymous Mayor of Casterbridge who lives in the fictional town (based upon Dorchester). When I moved to the county five years ago, this was the first book I read as a Dorset resident. The narrative follows the actions of Henchard, who sells his wife and young daughter after drinking too much at a fair. Years later, when his wife tracks him down, she sees him at the hotel, through the ‘spacious bow-window projected onto the street over the main portico’ and learns that he is being entertained as the Mayor.

The King's Arms

 
This is a photograph of the hotel today and it’s just one of the buildings of the town, described by Hardy.
 
 

Plaque on Barclays Bank

 
 
 
 
 
Barclays Bank bears this plaque indicating its connection to the novel. And below is a photo of the building.
 

Henchard's House

 
Henchard’s house was ‘one of the best, faced with dull red-and-grey brick. The front door was open, and, as in other houses, she could see through the passage to the end of the garden nearly a quarter of a mile off.’
 
Chapter 9, The Mayor of Casterbridge
 
 
 

Statue of Thomas Hardy

 
In 1931 the statue of Thomas Hardy was unveiled by James Barrie, author of Peter Pan. Each year wreaths are laid here on the Saturday nearest to the anniversary of Hardy’s birth on 2 June. 
 
 
 
 
 
 
 
When the weather improves, I’ll cycle over to Stinsford to take photographs of the church where Hardy’s family are buried and visit the National Trust property that is the home of his birth.
 
If this focus on Dorchester has inspired you to share your stories about  places in the UK that have a literary link, please think about joining a new project called ‘Literary UK’. You can become involved by posting information through writing, photography or painting. For further information, please contact Victoria Bantock (editor, What the Dickens? Magazine): victoria@wtd-magazine.com
 
 
Leave a comment »

New Writers’ Scheme

TS Manipulation

I was at my desk during the early hours of 2 January to ensure that my email application for a place on the New Writers’ Scheme run by the Romantic Novelists’ Association was accepted. The scheme is oversubscribed every year, so now that I have my confirmation pack, I finally feel like a member. My task until the end of August is to redraft the manuscript of my first novel ready for assessment.

Manipulation has been languishing in a drawer while I’ve been occupied with other writing and it’s been reassuring to return to the characters I first created in 2009. (Further details of the story can be found under the ‘manuscripts’ tab.) I have much work to do as feedback from critical friends has identified weaknesses:

  • the language of the novel needs to be more adventurous
  • the characters and the romance require sympathetic attention
  • the location (Outback Australia) should be fully explored

When the RNA receive my manuscript, a reader will be appointed to review the entire work and it may be referred to a second reader, as a possible pathway to publication. However, it’s more likely that the work will be returned with suggestions for further improvements. Should this happen, Katie Fforde, President of the RNA, advises against feeling downcast for too long and to make the most of the guidance offered. She says, ‘a rule of thumb is, if your reader thinks something needs changing it probably does’.

Criticism is sometimes hard to accept and tenacity is required to remain focused and confident that you have the skills to improve the work to a publishable standard. Gruelling though it may be, critical reviews often provide the right advice to move your writing onto the next level. If you’re interested in receiving support for a novel that you’re working on, (it doesn’t have to be romance, as with the RNA scheme) it may be worth entering the Adventures in Fiction competition where the winner of the Spotlight First Page will be offered a mentoring package and other input and support. You’ll have to be quick as the deadline is 14 February 2012 and the cost is £16.

2 Comments »

#FridayFlash: Stone

The dining room is laid with paper cloths and napkins. In my pocket, the stone slips between my fingers, the surface smooth and cold. I found it in the garden as I shuffled along the path. I think of Laura and her mellow gaze, her eyes watching my mouth as she tries to understand the words that I dribble. I place the distorted heart on the table where she sits, a stone love letter.

This 75-word short story (including title) was first published by Paragraph Planet, 23 January 2012. Website: http://www.paragraphplanet.com

8 Comments »

Looking through the window: ideas for writing

view to the north

I live in Dorchester, the county town of Dorset. This is one of the views from my house. Even on a winter’s day the outlook is, well, pleasing. Fortunately, the window in the study is set too high in the wall to cause a distraction when I’m writing at my desk. But it is lovely to stare at the water meadows whenever I’m taking a break. Thomas Hardy describes the town in The Mayor of Casterbridge as standing, ‘clean-cut and distinct, like a cheeseboard on a green table-cloth’. I imagine it is this view to the north that is the cloth. 

view to the east

If I turn my head to the right, the view is completely different. Look carefully and you’ll notice the razor wire on top of the wall. This is Dorchester Prison, a Victorian building that holds 250 male prisoners: half on remand, the other half convicted prisoners, including some serving life prison sentences.  

With two such different views, looking through the window always helps in generating ideas for writing.  While the country views assist with the description of place,  it’s looking at the prison that pricks my curiosity.  In the summer I can hear shouts as the prisoners communicate through the open windows of their cells. And walking through the town, the prison officers are distinctive in their black uniforms. When I tell people I live next door to a prison, they wonder why I haven’t taken up crime writing. It’s never too late, I think.

6 Comments »