the writer is a lonely hunter

writing by Gail Aldwin and other authors

Book Review: Women in Horror, Annual 2

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The Blurb

The Women in Horror Annual 2 is the second volume of an anthology of horror fiction and nonfiction written by women. WHA promotes and celebrates female voices in horror, and the stories and papers contained within represent a diverse group of writers, each with their own unique vision. Ranging from supernatural tales of horror to quotidian terror, and touching on themes of empowerment, insanity, and freedom, the stories herein run the gamut from melancholic to darkly humorous. As was the case with the first volume, WHA 2 is further proof that horror has something for everyone.

My review

With a range of voices and settings this annual makes an entertaining read. Many of the stories are pacy and well-written with the kind of details that had me shuddering. The characters are interesting with plots that take readers on surprising and scary journeys. Well done to all the contributors and the editor, C Rachel Katz.

A pdf of the annual was kindly supplied by Aly Rhodes to enable me to write this review.

A Kindle edition of the annual is available to purchase on Amazon.

 

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White Stuff, Edinburgh

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Besides the fringe shows and book festival events I found a wonderful distraction in White Stuff on George Street, Edinburgh. When I went to try on a jumper I found an amazing passage of wardrobes with each door leading into a changing room uniquely decorated.

There was the Havisham room with a discarded wedding dress hanging from a peg.

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Behind another wardrobe door was a potting shed complete with equipment.

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This is my favourite, a 1950s kitchen.

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The changing room entered through the yellow wardrobe door was the last one I visited.

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I had to laugh when I saw what was inside.

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Following me into the changing room, the assistant warned me that the toilet was not plumbed in. I wonder if they’ve had accidents in the past!

In case you’re wondering, I did buy the jumper.

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# Finally getting to grips with hashtags

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I have revived my interest in Twitter (you can find me @gailaldwin) and I’m now seeing the benefits of using hashtags. This is a way to find likeminded people on social media and the current hashtags I’m using frequently are:

#dorsethour – a chance to touch base with others who are passionate about Dorset. Online every Monday from 7:30pm – 8:30pm

#Devonbookhour – chat about books online each Monday from 8pm-9pm

#Tuesnews – lots of members of the Romantic Novelists’ Association use this hashtag to share information on Tuesdays

#women_writers – highlight the achievements of women writers by using this hashtag

#digitalinclusion – came across this hashtag as part of the digital story project where I made the two-minute film  Journey

#womenintranslation –  find out about notable female authors whose work has been translated. Also see #WITmonth held in August which celebrates women in translation

For further information on how to make the most of hashtags see Neetsmarketing.

 

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Getting ready

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Come the first of October 2017, the legs in the background of this shot may be mine. Yes, I’m training to enter the Salisbury half marathon. I have done the 5km Race for Life a couple of times but that involved a month’s practise and then feet up until the next time. It’s quite different having a long term goal… and of course the distance is considerably further. Thus far, I’ve been able to run 7km in about 40 minutes and I swim three times a week usually completing 1.1km in forty minutes. This afternoon, I had a huge success as I managed to swim front crawl for 7 x 25m lengths. Sadly, this wasn’t all in one go, but that’s my next target. (I knew the purchase of a pair of goggles would pay off.) I’ve also joined the gym so I’m hoping to get some proper instruction on improving my swimming technique. All the exercise has made me realise how hopelessly target driven I am. Welcome to my new obsession!

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Flaming June

June was a turbulent month primarily due to the referendum. When the results came out I was in Spain and was woken by a text from Ryanair suggesting I celebrate remaining in the EU by reserving a £9.99 flight. All was well, I thought, and I tuned into BBC radio coverage to discover that things were far from expected. It was strange receiving this news in the place where I first began to think of myself as a European. In 1986, I lived in Santiago de Compostela, shared a tiny flat in Plaza San Agustin where  I was woken each morning by stall holders preparing for the daily market. I have to thank Brian Henry who encouraged me to study while living there and this set me on a route to gaining a university degree. I made friends, explored the cities and the countryside in my Mini Traveller and built a strong and enduring love of the place. I’m truly devastated that the referendum has robbed me of my European identity and feel that so many opportunities may be lost. It was certainly a flaming June, but not due to the weather.

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Gail and Cathie, Malpica, Galicia

For the last three weeks I’ve been travelling  with Cathie on one of her biannual trips from Australia. (We met in 1981 on a double-decker bus headed for Kathmandu). She has found my obsession with tapping into Brexit news on my iphone and seeking support from FB friends to be curious. She is of the opinion I should accept the majority decision and if this had been an election, I absolutely could. But, the referendum result has such huge implications and challenges what I know to be true: collaboration is of benefit to everyone. It pains me to think about a disconnect from Europe where I’ve found friendship, enjoyed learning and developed intercultural projects.

Thanks to the internet, I’ve signed petitions and emailed my MP. I joined a rally in London and have fallen out with my husband. (He voted leaIMG_0864ve but we don’t talk about it any more.) On the upside, I’ve seen several shows in London and spent a day at Wimbledon. After queuing from 6am, Cathie and I got tickets on court 2. It was the second day of the tournament and we watched Australians Kyrgios and Tomic win their matches. (The Fanatics were entertaining, too, with their timely chants.)

I guess it’s time to enjoy the summer and wait to see what autumn will bring.

 

 

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Going it alone

You may remember I won a prize in 2012 to have a collection of my short fiction titled Four Buses printed. While it was lovely to win a competition, I didn’t realise what was involved in producing a print-ready pdf of the collection. I was fortunate to have the help of Julie Musk with the process but how do others approach the task of self-publishing?

The Dorset Writers’ Network drew upon the support of Helen Baggott to help in the production of a wonderful anthology of short stories titled This Little World. It occurred to me that others might be interested to know how Helen can support writers wishing to self-publish.

Helen Baggott

Helen Baggott, Copy-editor and Proofreader. Partner Member of the Alliance of Independent Authors (ALLi) and an Associate of The Society of Authors.

Helen edits and proofreads manuscripts, she also works with authors preparing their documents for self-publishing – as e-books and paperbacks. A lack of confidence in computer skills shouldn’t be the reason a writer can’t experience the thrill of seeing their work published.

She’s passionate about supporting indie authors and as a member of ALLi, she is able to pass on tips and hints that might not be easily accessible to anyone embarking on a self-publishing journey. ALLi is committed to raising the standard of self-published books.

She often half-jokes that no-one will come knocking on an author’s door, asking if they have a book to sell. Marketing is also part of the self-publishing journey and she is able to help with advice on that too. You can find Helen at www.helenbaggott.co.uk

Helen has done some work for me in proofreading a manuscript and she’s recently supported Sue Stephenson in putting together an e-book. Sue has seen a massive increase in the traffic to her blog where readers have been searching the archive to find posts of a story called Powerless – The Year The Lights Went Out. The story has proved so popular that Sue’s taken the step of self-publishing Powerless as an e-book. You can find out more about it here, or visit amazon to purchase a copy. It’s a wonderful story that imagines what it would be like to suddenly have to live without power. The characters show such resilience and resourcefulness – it’s a fresh and absorbing read.

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Back to normal

I’ve finished the fourth week of a new job, have submitted my transfer paper to PhD and printed out what I hope will be the final draft of my novel How to be Brave. One last read through, then the manuscript will be off to a proof reader. We have had a house full of visitors and done several long walks. I’ve rejoined the Dorchester Film Society for the seventh year (very good film called Ida screened last week) and I’m continuing my work with the Dorset Writers’ Network. More news about from the network soon, including an exciting day for writers in November at Dorchester Library.

There are currently free writing workshops on offer in Dorchester with the Boris Starling. I’ve signed up for one on 6 November about plotting. You can find further details here.

Happy writing!

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All quiet at the Writer is a Lonely Hunter

It’s been very quiet on this blog over the summer. While I have been busy writing, there has also been some time away. I had a fantastic week at the Edinburgh International Book Festival where I was introduced to writers including Etgar Keret, who talked about his recently published  The Seven Good Years. In this memoire, he shares the experience of living in Israel with parents who were holocaust survivors. The memoire covers the period from the birth of his son to the death of his father. I bought a copy of his short fiction titled Suddenly, a Knock on the Door and he signed the book in a unique style. And, although I’m not much of a photographer the light in Edinburgh one evening was so amazing that I took the shot below.

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Writing places: a new project

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Thomas Hardy’s Cottage

The National Trust, Literature Works and the Poetry Archive have formed a new partnership to offer to offer a programme of events celebrating the literary heritage of the South West. The launch of the programme was held on 2 July (the birth date of Thomas Hardy) at Max Gate. As an invited guests, I toured the house, listened to Andrew Motion read from a forthcoming collection of poetry and found out more about the project. Five National Trust properties with strong literary connections, including Max Gate and Hardy’s Cottage,  will have professional writers appointed to act as writers-in-residence. The purpose is to explore ‘the domestic lives of some of the country’s greatest writers, revealing how the houses and landscape that they loved inspired them to create their masterpieces, and how these places continue to be relevant today’.  A programme of workshops and events will be developed so that writers and visitors can contribute to the project. Find out about developments as the programmes progress by visiting the Writing Places blog.

As a result of the launch, I’ve discovered it’s well worth visiting the Poetry Archive.  I spent a delightful couple of hours listening to poets read from their work. By following  a tour of the archive with Mark Grist and David Almond (there are many tours to choose from), I was introduced to new poetry, which I loved. The experience encouraged me to try my hand a writing a poem – the first one since school days!

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How to find a pen name

At one particularly difficult writing group meeting, when I yet again presented the synopsis of my novel for discussion, a fellow writer told me that it wasn’t worth bothering with a synopsis, as I was too old to be published! Although I am probably one of the youngest members of the group, there is a grain of truth in the comment. Many of the debut novelists that I follow, some now into their second or third book, do have youth on their side. This got me thinking.

Chuck Palahniuk’s advice, which I’ve written about here, suggests getting an author photograph taken while young, and reuse it frequently. Not that I am young or that I’ve done anything about this, but the idea remains. Another problem is my name. Many first names are indicative of the timeframe of birth and although Gail was never a particularly popular name, it does have echoes of the 1960s. Indeed, when I checked this out, I found that Gail was the 94th most popular name in America in 1961.  If you click on the screenshot that follows and insert the information required, you can find out what your name would be today, according to the ranking of popularity for your year of birth.

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